Movie City News Archive for May, 2019

Duckface

In defence of duckface! Neither basic, nor narcissistic, the selfie is a mirror of identity. In this excerpt from The Social Photo, @nathanjurgenson defends the selfie from its critics https://t.co/UsJ8GlB4Fa pic.twitter.com/pMNDdH7A6U — Verso Books (@VersoBooks) May 20, 2019

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QT letter

#NoSpoilersInHollywood pic.twitter.com/d2cZcNfibh — Once Upon a Time in Hollywood (@OnceInHollywood) May 20, 2019

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Malick Returns To Searchlight In Eight-Figure Deal

“The film was in post-production for almost three years.” Malick Returns To Searchlight In $12-$14 Million Deal

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Essaying Olivier Assayas’ Non-Fiction

“Assayas’ concerns about his attractive but mixed-up women and men remain: but do the hurts and hopes of these bourgeois merchants of art and culture remain of interest now that they are no longer bright-faced newcomers? They think so, in their bruise-tender vanity; so does Assayas.” Essaying Olivier Assayas’ Non-Fiction

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Qt

If there were a review/social media embargo put in place that lasted until release? Or a call to not discuss the film, period? I, too, would be like WTF. But I read that open letter and it sounds like Tarantino's just asking for critics to play it cool on the details. Seems fair. — Scott…

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Qt

Why isn’t this titled: THE FIFTH LETTER ADDRESSED TO CANNES BY QUENTIN TARANTINO? https://t.co/2FgZz0573C — gary graham (@thegarygraham) May 20, 2019

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Qt

I demand that a critic at Cannes spoil this movie for me immediately — Katie Walsh (@katiewalshstx) May 20, 2019

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Tucson Star

Column: The @TucsonStar's last building had big windows that let passersby downtown look in at the churning of the massive printing presses. That era ends today. The newspaper will go on, but Tucson won't be the same when printing moves to Phoenix Monday. https://t.co/apEW5hKRxP — Tim Steller (@senyorreporter) May 19, 2019

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CANNES PRICES

“The market has adjusted, prices are way more reasonable. We’re hearing it from everybody. People are saying: ‘If I buy a movie priced in the $400,000-$600,000 range, if it works, it’s great. If it doesn’t work, it won’t kill me.’”

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Werner Katz

Werner Herzog with @KBAndersen on cats is everything https://t.co/AEDSENQcoJ — Regina Schrambling (@gastropoda) May 19, 2019

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Sight & Sound’s Nick James Sighs Also

“Malick, eschewing dialogue for the banal questioning voiceover he must consider his contribution to today’s cinema, concentrates on the clichés: “How simple life was then. No trouble could reach our valley. We lived above the clouds. What’s happened to our country?” I’d estimate there are more clichés per minute than in The Sound of Music.”…

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Breaking: Todd McCarthy Loathes Malick’s Latest

Breaking: 69-Year-Old Todd McCarthy Loathes 75-Year-Old Terrence Malick’s Latest

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Malick

My #Cannes2019 diary, Day 5: Terrence Malick is back, in every sense, and his A HIDDEN LIFE pretty much wrecked me. https://t.co/LNh68qjuCj — Justin Chang (@JustinCChang) May 19, 2019

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Malick

'A Hidden Life' #Cannes2019 Review: 'Terrence Malick attacks his usual themes from a rewardingly timely and urgent perspective' https://t.co/rdLMe5Kue0 pic.twitter.com/J46mCFNVX6 — Screen International at #Cannes2019 (@Screendaily) May 19, 2019

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Our Ken

It's shameful that Ken Loach is the only Brit in the Cannes competitions https://t.co/BsGKZtBlQj — The Guardian (@guardian) May 19, 2019

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Weibo On Mulan

“About #花木兰#: The Chinese name of the character was confirmed for the first time: #仙狼# . The characters are specially designed for the movie… she will become such a big villain, the energy is very big, can be transformed in a few moments. Thousands of hawks. The biggest investment movie in Disney history, more than $US300…

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Cassian Carlton posters

Looking at the front of the Carlton says everything about what’s happening here. It used to be covered in movie posters. Now it’s 2 small ads for jewelry. It’s really tragic. — cassian elwes (@cassianelwes) May 19, 2019

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Cassian Elwes

But it takes money to make them and whoever invested in them is hoping to make a profit. It’s still a business. https://t.co/aH3M7sn76M — cassian elwes (@cassianelwes) May 19, 2019

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Cannes day 5

If Sciamma’s latest has any scene half as unforgettable as the “Diamonds” one in GIRLHOOD I’ll be happy — Alissa Wilkinson (@alissamarie) May 19, 2019

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon