Movie City News Archive for June, 2019

Louis CK

This is to me wholly separate from an issue like censorship. This isn’t about this guy saying stuff I don’t like, this is about a demonstrated pattern of predatory behavior toward his coworkers — Kath Barbadoro (@kathbarbadoro) June 23, 2019

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Box

I freely admit bias. I hate what studios are now, hate that script development has been replaced by cautious brand management, and feel that corporate consolidation is a serious threat. All that said: This summer is not going according to plan. And good, because the plan stinks.x — Mark Harris (@MarkHarrisNYC) June 23, 2019

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Endeavor IPO

“Endeavor is burdened by debt and has an uneven profit history and an even shakier future.” ICYMI, this pretty eviscerating piece about #Endeavor’s IPO is in the print version of @THR. But it’s ONLY in the print version. Strange, right? pic.twitter.com/9igfspLXtm — David Slack (@slack2thefuture) June 23, 2019

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Bees

Read The NY Times piece about imminent demise of cinema and concept of, ahem, “theatricality”. Then watched the Macedonian doc about a woman living alone with bees and haven’t seen anything so rich at the multiplex all year. #honeyland — Tom Charity (@VIFFSTER) June 23, 2019

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Franchise fatigue

Thread about summer box office, which has been slightly disappointing for franchises. I keep repeating this and I really believe it’s true: Hollywood has successfully trained people to not leave the house for anything but franchises. And now they are getting bored by franchises. https://t.co/wivHTPyGKF — MZS (@mattzollerseitz) June 23, 2019 I freely admit bias….

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Draft house Los Angeles

The premium movie theater chain the Alamo Drafthouse has been coming soon for years, and now it's coming… well, still soon, but in this case, NEXT MONTHhttps://t.co/rAnSJCoEk8 pic.twitter.com/pAGpwwyDlz — LAist (@LAist) June 23, 2019

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Clooney cost

“The studios can’t make those kinds of films anymore. It costs so much to market them” Grant Heslov on why he and George Clooney went small-screen for 'Catch-22' https://t.co/4q3N0UamZY pic.twitter.com/RGNaaGSU00 — Screen International (@Screendaily) June 23, 2019

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Mottola

Someone needs to figure out how to make movie-going more appealing. I dream of a Metrograph in every borough, every city. A well-designed theater with a bar and restaurant, a place to socialize. Maybe partner with a streamer to show episodic stuff, too#Dreamer https://t.co/by5ZYN4Rck — greg mottola (@gregmottola) June 22, 2019

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“Iranian theaters pay tribute to Kiarostami on his birthday”

“Iranian theaters pay tribute to Kiarostami on his birthday”

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Rocketman jewels

Bob Mackie used sequins to glamorize the original uniform Elton John wore at Dodgers Stadium, but for the movie Julian Day chose Swarovski crystals, more than 260,000 https://t.co/yWuwn1INto — New York Times Music (@nytimesmusic) June 22, 2019

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Chastain

"Meryl Streep said once that if your movie theater isn’t playing small films, you should demand it, but the realities of our industry have changed," says Jessica Chastain. "Studios [used to] make 'The Deer Hunter' or 'Sophie’s Choice,' and now they don’t." https://t.co/hioQl2S1eU — New York Times Arts (@nytimesarts) June 22, 2019

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Jorge Jellinek

#RIP Jorge Jellinek immense cinéphile et critique de cinéma uruguayen, protagoniste du film LA VIDA ÚTIL de Federico Veiroj. C'était l'un des notres. La cinéphilie perd un grand. pic.twitter.com/ClZggbcqVf — uıɔoןɐs ןɐsuıqɐʇ (@nicolasnibat) June 22, 2019

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Rylance RSC

‘Your old road isRapidly agin'.Please get out of the new oneIf you can't lend your handFor the times they are a-changin'.Mark Rylance resigns from RSC over BP sponsorship – integrity writ large https://t.co/KNjIydsMw7 — Chris Packham (@ChrisGPackham) June 21, 2019

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Universal masters lawsuit

Frustrating beyond all get out. @NYtimes, @LATimes, @billboard, @variety are all writing about a lawsuit filed today in federal court. NOT ONE of them posts the actual filing. So I just forked over $2 to the federal gov't to make it available to everyone. https://t.co/u1cWN2rCGq — Mike Masnick (@mmasnick) June 22, 2019

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Iger Cream

My favorite ice cream from our good friends at @amplehills in collaboration with @MarvelStudios!Check out the new flavors!!! pic.twitter.com/GlrVgVpczD — Robert Iger (@RobertIger) June 22, 2019

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Vertigo Warren Ellis

The Sunsetting Of DC Vertigo https://t.co/eJmoJzTHZ9 — Wᴀʀʀᴇɴ Eʟʟɪs (@warrenellis) June 21, 2019

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DC Comics Erases Vertigo Imprint

DC Comics Erases Vertigo Imprint

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Red Soloway

I have to suspect that in hiring Singer, Avi Lerner was doing favor for…someone. Sure, Bohemian Rhapsody made a fortune but getting talent near Singer wasn’t going to happen. Maybe Lerner guessed he could do it or maybe he can say he tried. Wish I knew. https://t.co/CDVTsjO60u — Kim Masters (@kimmasters) June 21, 2019

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon