Movie City News Archive for August, 2019

“New York’s glorious Paris Theater on its sixtieth Anniversary. Today, the Paris went under. It was the last single-screen theater in Manhattan. And oh, it was a treasure.”

“New York’s glorious Paris Theater on its sixtieth Anniversary. Today, the Paris went under. It was the last single-screen theater in Manhattan. And oh, it was a treasure.”

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BLOCKBUSTER

Jason is correct about Blockbuster but if he ever comes for Hollywood Video I am cutting him. https://t.co/Sz3Rzb4RCq — Bilge Ebiri (@BilgeEbiri) August 28, 2019

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VENICE HOTEL CLOSING

So happy to see my superstar “PR icon” boyfriend @chuckmcduck quoted in this piece. Phwoar. https://t.co/rCp0LPF44G — Bumble Ward (@BumbleWard) August 30, 2019

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“How a killer-clown horror sequel became a fable of courage and resistance”: Breznican Debuts At VF

“How a killer-clown horror sequel became a fable of courage and resistance”: Breznican Debuts At VF

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Tallying Telluride 2019

Telluride, CO (August 29, 2019) – Telluride Film Festival, presented by the National Film Preserve, today announced its official program selections for the 46th edition of the Telluride Film Festival. TFF’s celebration of artistic excellence brings together cinema enthusiasts, filmmakers and artists to discover the best in world cinema in the beautiful mountain town of…

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Larry Gross on Safdies

Congratulations to @JOSH_BENNY Safdie. Uncut Gems is a gigantic creative leap forward for them. A crime story that deepens into a portrait of an archetypal Jewish American hero chasing the bitch goddess Success. Adam Sandler brings it. It will be an Oscar nominated performance. — larryagross (@larryagross) August 29, 2019

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I kind of am… an “I kind of am… an apologist is the wrong word, although some people think Visconti’s work is uneven. I don’t agree. I’m a huge fan, even, of Ludwig. I just luxuriate in Ludwig. I don’t care how long it is, or what’s going on. Five hours of Helmut Berger, and I’m in. There’s an incredible moment where he’s bankrupted Bavaria, building Neuschwanstein. Romy Schneider walks into the castle and it’s all filled with mirrors and gilded, and she looks at it, a beat of silence, looking around, what’s her reaction going to be? She just breaks into laughter, and it’s beautiful,’ James Gray says. “Why are we talking about Visconti? What are we supposed to talk about?” is the wrong word, although some people think Visconti’s work is uneven. I don’t agree. I’m a huge fan, even, of Ludwig. I just luxuriate in Ludwig. I don’t care how long it is, or what’s going on. Five hours of Helmut Berger, and I’m in. There’s an incredible moment where he’s bankrupted Bavaria, building Neuschwanstein. Romy Schneider walks into the castle and it’s all filled with mirrors and gilded, and she looks at it, a beat of silence, looking around, what’s her reaction going to be? She just breaks into laughter, and it’s beautiful. Why are we talking about Visconti? What are we supposed to talk about?

“I kind of am… an apologist is the wrong word, although some people think Visconti’s work is uneven. I don’t agree. I’m a huge fan, even, of Ludwig. I just luxuriate in Ludwig. I don’t care how long it is, or what’s going on. Five hours of Helmut Berger, and I’m in. There’s an incredible moment where…

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“A Disney spokesperson says there has been no change in policy on their end for Canadian repertory cinemas. ‘If the theatre is a repertory theatre, they will still have their usual access to the Fox (and Disney) library through our non-theatrical department,” said Julia Caslin in an emailed statement. That’s not the message the Rio says it received . [and] was given no notice about a change, nor notice that her usual two contacts at 20th Century Fox had left the company.”

“A Disney spokesperson says there has been no change in policy on their end for Canadian repertory cinemas. ‘If the theatre is a repertory theatre, they will still have their usual access to the Fox (and Disney) library through our non-theatrical department,” said Julia Caslin in an emailed statement. That’s not the message the Rio says…

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Cleo Oral History

The @globeandmail, thanks to @HertzBarry, ran an oral history of @cleojournal featuring some of our past editorial voices @mallory_andrews @Kathleenytimes @manishaclaire @yo_mk @cellwand and Cathleen Evans 💜https://t.co/pSdGeqlP2M — Kiva Reardon (@kiva_jane) August 28, 2019

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“Martel clearly defended the choice of Polanski’s film in the Lido lineup, despite the controversy. “I will not congratulate him. But I think it is right that his movie is here at this festival.’ She said that her comments had been ‘deeply misunderstood.'”

“Martel clearly defended the choice of Polanski’s film in the Lido lineup, despite the controversy. “I will not congratulate him. But I think it is right that his movie is here at this festival.’ She said that her comments had been ‘deeply misunderstood.’”  

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Whit on Woody

Paris-based Lisa Nesselson gives Woody Allen’s new-ish film a nice review @Screendaily – pushing back on the sneers & smears: https://t.co/PBnNVAUlPx pic.twitter.com/jTvA3xlp4w — Whit Stillman (@WhitStillman) August 29, 2019

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“Allen makes fun of well-off people — including, in a late-arriving masterstroke, how some of them got that way — places a few excellent digs at privilege across generations, skewers the pitfalls of celebrity-obsessed lazy journalism and bundles more than one romance into a breezy one-weekend package, with and without rain, exquisitely filmed by Vittorio Storaro whose work on Wonder Wheelwas alone worth the price of admission.”

“Allen makes fun of well-off people — including, in a late-arriving masterstroke, how some of them got that way — places a few excellent digs at privilege across generations, skewers the pitfalls of celebrity-obsessed lazy journalism and bundles more than one romance into a breezy one-weekend package, with and without rain, exquisitely filmed by Vittorio…

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“I’ve never been recognized in my industry. I’ve never been nominated for anything. Maybe like, twice for Golden Globes when I was little, and one for ‘Fargo.’ Maybe they think I’m just the girl from Bring It On.”

“I’ve never been recognized in my industry. I’ve never been nominated for anything. Maybe like, twice for Golden Globes when I was little, and one for ‘Fargo.’ Maybe they think I’m just the girl from Bring It On.”

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“How UTA’s Rena Ronson became one of international film’s biggest players”

“How UTA’s Rena Ronson Became One of International Film’s Biggest players”

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Irishman

We Pain Moviehouses: The Irishman Won’t Go Wide

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Annabella Sciorra Will Testify That She Was Raped By Disgraced Former Producer Harvey Weinstein

Annabella Sciorra Will Testify That She Was Raped By Disgraced Former Producer Harvey Weinstein

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Venom Vs. Penny-Diming Amazon Relief

The budget for "Venom" was $100 million. https://t.co/DmgzPfaztF — Todd Vaziri (@tvaziri) August 26, 2019

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon