Movie City News Archive for August, 2019

Morte d’Taix

We all knew the world would end/they would close before we got a definitive pronunciation. — Mark Lisanti (@marklisanti) August 22, 2019

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“In a superhero cinematic landscape where inspirational maternal figures are still far too rare, Marisa Tomei’s Aunt May could be a welcome trailblazer in that regard, rather than just well-dressed window dressing.”

“In a superhero cinematic landscape where inspirational maternal figures are still far too rare, Marisa Tomei’s Aunt May could be a welcome trailblazer in that regard, rather than just well-dressed window dressing.”

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Harvey Crimes

A grand jury in Manhattan has returned a new indictment against Harvey Weinstein. The charges are expected to remain the same. The case was re-presented so prosecutors could include the testimony of Sopranos actress Annabella Sciorra — Aaron Katersky (@AaronKatersky) August 22, 2019

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What’s Steven Soderbergh’s The Laundry All About? A Mossack Fonseca And Panama Papers Primer

What’s Steven Soderbergh’s The Laundry All About? A Mossack Fonseca And Panama Papers Primer

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Chicago’s Music Box Theatre posts its digital library of film calendars back to 1983

Chicago’s Music Box Theatre Posts its Digital Library of Film Calendars Back to 1983 

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I Pain Moviehouses: Theater Chains Still Resist The Irishman

“We can only do so, however, on terms that respect AMC’s important and close relationships with our longstanding studio partners, including Disney, Warner Brothers, Universal, Sony, Paramount, Lionsgate and so many other filmmakers who are the lifeblood of our substantial business.” I Pain Moviehouses: Theater Chains Resist The Irishman

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Petit on Radio On

“What interested me about Fassbinder and Wenders was a documentary sense of rediscovery of a lost or frozen landscape.”@AdamScovell talks with Chris Petit about RADIO ON (1979) @BFI — https://t.co/3AV0U6pPGV pic.twitter.com/ttGu0ldQ8d — The Daily (@CriterionDaily) August 21, 2019

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“In the next few years, empires will rise and crumble. Heroes will arise and reputations will be destroyed in the greatest clash of content civilization has ever seen. Maybe they’ll all lose! With a thousand models and paths to victory, it’s entirely possible that everyone is wrong. Now, that would be entertainment. It’s a terrifying time to be an executive, but a great time to be a viewer. And an even better time to be an industry watcher as the carnage begins.”

“In the next few years, empires will rise and crumble. Heroes will arise and reputations will be destroyed in the greatest clash of content civilization has ever seen. Maybe they’ll all lose!  With a thousand models and paths to victory, it’s entirely possible that everyone is wrong. Now, that would be entertainment. It’s a terrifying time to be an executive,…

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Animating No Time To Die

New work for Bond 25/No Time To Die at Empire Design. Animation design and video shoot art direction. pic.twitter.com/oymZidPXLf — Olly Gibbs (@ollyog) August 20, 2019

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“Harvey Weinstein, the once-powerful movie mogul who put Manhattan’s skyline in the Miramax logo, wants his trial on sexual assault charges moved out of New York City, arguing that the intense media scrutiny makes it impossible for jurors to give him a fair trial.”

“Harvey Weinstein, the once-powerful movie mogul who put Manhattan’s skyline in the Miramax logo, wants his trial on sexual assault charges moved out of New York City, arguing that the intense media scrutiny makes it impossible for jurors to give him a fair trial.”

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Isabelle Huppert Says More Women Should Head Film Fests

Isabelle Huppert Says More Women Should Head Film Fests

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“Matrix 4” A Go With Lana Wachowski Producing, Directing; Script by Wachowski, David Mitchell, Aleksandar Hemon

“Matrix 4” A Go With Lana Wachowski Producing, Directing; Script by Wachowski, David Mitchell, Aleksandar Hemon

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Sense8

We're so spoiled with the amount of stuff that Sense8, shot around the world for real with every kind of person & genre imaginable and a mind melting live birthing montage & orgies & Van Damme reference & the feel of living on the Internet, got kinda lost in the shuffle. https://t.co/tZmUdCOY9M — Aaron Stewart-Ahn…

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“The breakdown between the two parties came after Marvel and its parent company, Disney, requested a bigger piece of Spider-Man movies going forward, a suggestion which Sony turned down in preference for an extension of the existing agreement, which sees Marvel receiving a modest five percent of first dollar gross.”

“The breakdown between the two parties came after Marvel and its parent company, Disney, requested a bigger piece of Spider-Man movies going forward, a suggestion which Sony turned down in preference for an extension of the existing agreement, which sees Marvel receiving a modest five percent of first dollar gross.”

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Oracle Ellison Annapurna

“Hollywood’s biggest lenders are about to call off the dogs on Annapurna. Sources said that Ellison’s father, Oracle co-founder Larry Ellison, has submitted a “last and final offer” to pay Annapura’s key lenders, offering between 80-85c on the dollar.”

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Why Can’t Pop Culture Come Out And Say Charles Manson Was A Racist

Why Can’t Pop Culture Come Out And Say Charles Manson Was A Racist?

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon