Movie City News Archive for October, 2019

Review: Motherless Brooklyn (spoiler-free)

Motherless Brooklyn is perfect. This is both a virtue and limitation. My sense of the film is that it is in the spirit of Chinatown and The Man Who Knew Too Much and even a movie like Phantom Thread. It is an innocent’s (or a relative innocent’s) dive into a is well-established world that is…

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Lina Anna

Lina Wertmüller with her Oscar, which she’s decided to rename Anna. 📸 Daniele Venturelli pic.twitter.com/Cr4FJKbHys — Kino Lorber (@KinoLorber) October 28, 2019

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Jordan Peele Accepts

In his acceptance speech for the 2019 John Schlesinger Britannia Award for Excellence in Directing presented by @cunardline at last week’s #Britannias @JordanPeele reminded us that, with just two films in the bag, he could still very much, um, mess this up. pic.twitter.com/hpYBSmC5Lg — BAFTA Los Angeles (@BAFTALA) October 28, 2019

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“I think fear is ever-present,” says Jonathan Glazer when asked if a lynch-mob mentality is currently being given freer rein. “And that drives people to irrational behaviour. A mob encourages an abdication of personal responsibility. The rise of National Socialism in Germany was like a fever that took hold of people. We can see that happening again.”

“I think fear is ever-present,” says Jonathan Glazer when asked if a lynch-mob mentality is currently being given freer rein. “And that drives people to irrational behaviour. A mob encourages an abdication of personal responsibility. The rise of National Socialism in Germany was like a fever that took hold of people. We can see that…

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New Mayor Restores National and Documentary Competitions to Antalya Film Festival

New Mayor Restores National and Documentary Competitions to Antalya Film Festival

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Robert Evans Last Tweet

I bet your ass I’ve done more in the last month than you in your entire life. — Robert Evans (@The_RobertEvans) July 31, 2019 Robert Evans’ Last Tweet

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Brett Morgen On Robert Evans

Bob Evans produced some of the greatest films of all time, but the greatest production of all, was his life. When you were with Bob, there was nowhere else on Earth you’d rather be. He was funnier, sweeter and more charming than the character he created. pic.twitter.com/aO7BjnayVp — Brett Morgen (@brettmorgen) October 28, 2019

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The NYT Obit for Robert Evans

“We didn’t strive for commercial,” he told Variety in 2002, undoubtedly in his trademark gurgle-mumble. “We went for original. We fell on our asses on some of them, but we also touched magic.” ⁦@brooksbarnesNYT⁩ touches magic himself in this obit. https://t.co/YNn8eElsOE — John Schwartz (@jswatz) October 28, 2019

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Variety Evans

“Even though Hollywood history is filled with colorful characters, few can match the tale of Evans, whose life would seem far-fetched if it were fiction. With his matinee-idol looks, but little acting talent, Evans was given starring roles in a few movies and then, with no studio experience, was handed the production reins at Paramount…

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Robert Evans Invented the Audiobook

seems like a fair time to remind that robert evans reading “the kid stays in the picture” is why audiobooks were invented — Steve Kandell (@SteveKandell) October 28, 2019

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“How Jeff Goldblum Became His Own Genre”

“How Jeff Goldblum Became His Own Genre”

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Harvey Lawyers Lowball Victims

Some of Harvey Weinstein’s accusers say they are being pressured by greedy lawyers to accept a low-ball deal that would give nearly a third of their settlement to Weinstein’s lawyers. https://t.co/WZrMXPi4qt — The Daily Beast (@thedailybeast) October 27, 2019

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Pain and Glory

Saw “Pain And Glory” for a second time today. A genuinely profound picture about Being Alive and superbly acted at every turn. (Nothing comes close to it this year but “The Irishman.”) Banderas is amazing but so are Asier Etxeandia, Julietta Serrano, Penelope Cruz, Asier Flores. — Glenn Kenny (@Glenn__Kenny) October 28, 2019

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Profiling David Attenborough At Length

Profiling David Attenborough At Length

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Dante on Netflix Speed Setting

damn right it does. https://t.co/iD3VF4iz4q — Joe Dante (@joe_dante) October 28, 2019

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Mel Brooks Desert Island Discs

very charming! https://t.co/ceYt2pPP6s — Hillary Weston (@hillcake) October 27, 2019

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Amy Taubin On Agnès Varda

Amy Taubin On Agnès Varda

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McCabe

Also I'm boosting this tweet because come on, it's an 8mm movie shot on the set of McCabe & Mrs. Miller https://t.co/QYNJhlxLeS — Aleš Kot (@ales_kot) October 27, 2019

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Packs

Not surprising. These creeps run in packs. Remember this article where Avi Lerner defended Weinstein, Bryan Singer + Ratner and also said that women lie about being sexually assaulted to get money & publicity. 👉🏼 https://t.co/kvwCUSWSUF https://t.co/sfXlg5t0rz — Olivia Munn (@oliviamunn) October 26, 2019

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Dances Sober

“Almost nobody dances sober, unless they happen to be insane.” H.P. Lovecraft The Texas Chain Saw Massacre (1974) Tobe HooperEnding pic.twitter.com/iaxsKN2swY — TATJANA SL (@TATJANASL) January 6, 2018

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon