MCN Originals Archive for March, 2014

The Weekend Report

Liberty, mostly in terms of historic fact, could not withstand the charge of 300: Rise of an Empire as it debuted at the top of the charts with an estimated $44.9 million. The frame’s other incoming national freshman Mr. Peabody & Sherman received the bark of approval in second spot with $32.3 million. But the big noise among new entries belonged to The Grand Budapest Hotel that bowed with $828,000 on just four screens following last weekend’s potent international debuts in France and Switzerland.

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Friday Box Office Estimates

300: Rise of An Empire opened strong to $17.3 million, which is the best opening day of 2014, even better than The Lego Movie. But Lego went on to a $30m Saturday and 300-2 should be expected to drop to about $15 million on Saturday and $11m on Sunday for an opening in the mid-40s for the 3-day. Still a strong opening. Also opening is Mr. Peabody & Sherman, which should hold the family trajectory, landing in the mid-20s for the weekend… a bit of a disappointing number for DreamWorks Animation.

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Wilmington on Movies: 300: Rise of an Empire

It may be preposterous–hell, it is preposterous–but it’s never boring.

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Wilmington on DVDs: Breathless; The Hunger Games: Catching Fire

A guy named Michel Poiccard steals a car, drives from Marseilles to Paris, ecstatically sings of a girl named Patricia (“Pa-Pa-Pa-Patricia!“), finds a gun, shoots and kills a cop on the road, tries to cash an uncashable check, stares at and mimics a Bogart still in front of a cinema, finds Patricia hawking New York Herald Tribunes on the street, goes to her room, bandies with her about love, art, philosophy and William Faulkner (“Between grief and nothing I will take grief“)…

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The DVD Wrapup

12 Years a Slave, Grandmaster, Hunger Games, New World, Free Fall, Chicken Wings, Fox Archive and more.

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The Torontonian Reviews: THE GRAND BUDAPEST HOTEL

Having continuously refined his style to the point where it is now immediately identifiable, Wes Anderson’s The Grand Budapest Hotel sees the American auteur’s signature meticulousness at its highest level of detail and affectation, and fans of his work will know that that is a very good thing.

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48 Weeks To Oscar: Reviewing The 2014 Oscar Show

The best thing I can say about this year’s Oscar show is that there isn’t a whole lot to say. Ellen was good. Someone on Twitter found exactly the right note… it was like a sleepover. The only real downside is that only about a dozen people in the room were really included. Meryl Streep and Brad Pitt were at the center of it all. Kevin Spacey was the camera hog who found a way into every picture. Lupita Nyong’o’s brother was the kid from another school who found a way to fit in. Ellen didn’t dance. Smart.

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Gurus o’ Gold: Final Picks In All Categories

In case you need help with your Oscar ballot, here are the picks of the best 15 Oscar watchers in the business…

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20W2O: Rebooting The Independent Spirit Awards

There was nothing really wrong with the show yesterday. But with due respect to some lovely moments with some lovely talent, to call the show “vanilla” would be an insult to vanilla. Really, the show jumped the shark over three years, 2008 – 2010…

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The Weekend Report

Industry trackers generally gave the edge to Non-Stop though frankly seemed adrift about how to gauge the opening appeal of Son of God. The high-flying tale of an air marshal pitting wits against a mysterious killer eight miles aloft seemed an ideal fit for the macho appeal of Liam Neeson and performed slightly better than anticipated.

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Wilmington on Movies: Non-Stop

If you’d like to fly but you’re not in the mood for the aeronautical poetry of Hayao Miyazaki’s The Wind Rises, if that’s just too arty and ambitious for you, there’s another airplane movie around now that, compared to Miyazaki‘s, is so non-artsy, so action-packed, so super-clichéd and so mind-bogglingly illogical, that it‘s almost entertaining.

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Friday Box Office Estimates

Liam Neeson beats the Son of God into submission on a Friday. But which one will win Saturday… and then Sunday? Lego looks to cross the $200m mark before the Oscars start. Arthouse action is led by The Bag Man, a Cinedigm release with DeNiro and Cusack looking at about $15k per-screen on 2 for the weekend.

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MCN Originals

Leonard Klady's Friday Estimates
Friday Screens % Chg Cume
Title Gross Thtr % Chgn Cume
Venom 33 4250 NEW 33
A Star is Born 15.7 3686 NEW 15.7
Smallfoot 3.5 4131 -46% 31.3
Night School 3.5 3019 -63% 37.9
The House Wirh a Clock in its Walls 1.8 3463 -43% 49.5
A Simple Favor 1 2408 -50% 46.6
The Nun 0.75 2264 -52% 111.5
Hell Fest 0.6 2297 -70% 7.4
Crazy Rich Asians 0.6 1466 -51% 167.6
The Predator 0.25 1643 -77% 49.3
Also Debuting
The Hate U Give 0.17 36
Shine 85,600 609
Exes Baggage 75,900 62
NOTA 71,300 138
96 61,600 62
Andhadhun 55,000 54
Afsar 45,400 33
Project Gutenberg 36,000 17
Love Yatri 22,300 41
Hello, Mrs. Money 22,200 37
Studio 54 5,300 1
Loving Pablo 4,200 15
3-Day Estimates Weekend % Chg Cume
No Good Dead 24.4 (11,230) NEW 24.4
Dolphin Tale 2 16.6 (4,540) NEW 16.6
Guardians of the Galaxy 7.9 (2,550) -23% 305.8
Teenage Mutant Ninja Turtles 4.8 (1,630) -26% 181.1
The Drop 4.4 (5,480) NEW 4.4
Let's Be Cops 4.3 (1,570) -22% 73
If I Stay 4.0 (1,320) -28% 44.9
The November Man 2.8 (1,030) -36% 22.5
The Giver 2.5 (1,120) -26% 41.2
The Hundred-Foot Journey 2.5 (1,270) -21% 49.4