MCN Originals Archive for October, 2016
Pride, Unprejudiced: THE WAILING; SWISS ARMY MAN
The Wailing is splendidly controlled but also enthrallingly bonkers: many movies and myths might clang in your mind as you watch, but there’s hardly a moment you’d dwell on those thoughts, because Na is prompting other questions: the nature of evil, can it be known, is it knowable? Why would you want to approach its nature?
Read the full article »The Weekend Report
The debuts of Miss Peregrine’s Home for Peculiar Children and Deepwater Horizon topped the movie charts with respective estimated box office of $28.5 million and $20.5 million. The session’s other national opening, Relativity’s long-delayed Masterminds, bowed with $6.6 million.
Read the full article »Confessions of a Film Festival Junkie: Toronto Wrap
TIFF is a mess! Well, that’s not exactly true, but the anarchic element that is the Toronto International Film Festival is part of its charm and vitality.
Read the full article »The Gronvall Report: Hannes Holm on A MAN CALLED OVE
Recipe for a successful screen adaptation: (1) Option the rights to an immensely popular novel, Fredrik Backman’s “A Man Called Ove,” translated in more than 35 languages, and still on the New York Times bestseller list after 39 weeks. (2) Hire as writer-director Hannes Holm, a commercially astute filmmaker with several award-winning comedies under his belt. (3) Cast in the title role one of Sweden’s most accomplished stage, screen, and TV actors, Rolf Lassgard, who starred in Colin Nutley’s Under the Sun (2000) and Susanne Bier’s After the Wedding (2007), both nominees for the Best Foreign Language Film Academy Award, and he played Henning Mankell’s detective “Wallander“ for several seasons on Swedish television. (4) Mix well and you get a box office gross of more than $20.5 million in Sweden alone, the third highest gross and largest in that country for 32 years. A Man Called Ove is Sweden’s submission for the Best Foreign Language Film Oscar.
Read the full article » 1 Comment »DVD Geek: Batman v Superman: The Dawn of Justice Ultimate
The theatrical version runs 151 minutes, while the Ultimate Edition runs 183 minutes. The additional footage brings more to the story adding action (and violence—Ultimate Edition was changed from ‘PG-13’ to ‘R’), and creating a better balance for the film’s pace.
Read the full article » 1 Comment »Friday Box Office Estimates
Tim Burton’s latest tops Peter Berg’s latest, neither world beaters, but not flops either. And the resurrected Relativity rolls out Masterminds a year later than pallned… and gets a classic Relativity weak reception, even with the promotion of Kate McKinnon and Leslie Jones to star status (which they don’t have).
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