Posts Tagged ‘Geena Davis’

Pardon Me, Your Bias is Showing

Tuesday, May 10th, 2011

I’ve been meaning to jot down some thoughts on gender and media since a luncheon at the Sarasota Film Festival, when Geena Davis, representing her Institute on Gender and Media, gave a speech about the mission of the organization, which was announcing a partnership with the festival to promote the creation of films in which gender roles are portrayed equitably.

A fellow journalist who was at the fest noted that the speech Davis gave was very similar to what she had to say in a speech from Newsweek’s Women in Media Conference held in September, 2010, and when I looked it up, sure enough, she was right. No matter, though … Davis certainly delivered the speech passionately and eloquently, and the points she raises about how kids are exposed to ideas around gender from the time they’re old enough to be plopped in front of television to watch Dora the Explorer are surprising.
(more…)

Geena Davis in Talks for Sailor Moon

Thursday, October 2nd, 1997

Geena Davis is in talks to be first on board Disney’s live-action version of the Japanese TV anime, Sailor Moon. The show is about teenage girls with super powers and enormous eyes, leaving Davis to the role of evil Queen Beryl, who is trying to destroy the earth. The Hot Button suggests a cast of actresses who can still pretend to be teens and who have eyes so large that they appear to be human incarnations of velvet paintings of unhappy clowns and orphans: Winona Ryder, Heather Graham, Elizabeth Shue during her The Saint period, and the late, great Marty Feldman, resurrected and in drag for this important cinematic achievement.
O.J. Simpson prosecutor Christopher Darden got married last week to Rysher Entertainment exec Marcia Carter. Within hours of the nuptials, Darden was claiming that the failure of such Rysher films as A Smile Like Yours, The Evening Star, White Man’s Burden, Dear God and Turbulance (this is the short list, folks!) was the responsibility of O.J. Simpson. When reminded that Simpson was in court while these films were developed, Darden blamed Judge Ito. He then claimed that releasing studio Paramount was playing the Dud Card, when they released the films in theaters instead of prisons. It’s OK, Chris. It’s over man! You can stop making excuses.
First Joe Eszterhas‘ poison pen letter to Hollywood, Alan Smithee: Burn Hollywood Burn, had its very own director, Arthur Hiller, yank his name off the film, replaced by the traditional “I-Don’t-Want-To-Be-Associated- With-This-Crap” psuedonym, Alan Smithee. Now, it’s been pushed by distributor Disney all the way until next March, and even then, is scheduled for just a 20-city test release. Irony rears its ugly head, as the film about getting screwed in Hollywood gets screwed for the most traditional reason in Hollywood; the film stinks and no one wants to see it.
E-Mail Dave with the issues that get your button hot!

Geena Davis Filed for Divorce

Thursday, August 28th, 1997

Geena Davis filed for divorce Tuesday from Finnish director
Renny Harlin. Her next relationship, uh, I mean, role, is not
yet set.

Kim Basinger appeared in Albuquerque, NM, railing against flawed
animal welfare laws. “These animals are kept in horrific conditions.
They’re dragged around cities, suffering in the name of entertainment,”
she said. The 50 reporters flown in for the event were fed miniature
Snickers and coffee as they waited without bathroom access for two hours
in a 10 foot square press pen, whose boundaries were enforced by four
armed security guards, anticipating Ms. Basinger’s two minute appearance
(“No questions, please.”). No injuries were reported.

Kathie Lee Gifford‘s son Cody appeared this week on her morning
TV show, adorably engaging viewers with his distaste for Sabrina,
unhappy that Harrison Ford portrayed “a kissy man.” His dimples
deepened coyly as he also stated a distaste for publications in which
his father, Frank Gifford, portrayed “an unfaithful, over-the-hill
oral-sexy man.”
Christian Slater is set for Very Bad Things, a film about
a bachelor party that gets out of hand when a guest kills a hooker.
The film offers Slater a chance to share one of the important life lessons he’s picked up in rehab: It just ain’t a party `til someone kills a hooker.

For more of David Poland’s work, check out Whole
Picture
.