Posts Tagged ‘The King’s Speech’
Saturday, January 29th, 2011
The Rite|5.2|2985|NEW|7.2
No Strings Attached |4.3|3022|-41%|30.4
The Mechanic|3.4|2703|NEW|3.4
The Green Hornet|2.9|3524|-42%|70.3
The King’s Speech |2.8|2557|29%|63.9
True Grit|1.9|3120|-9%|36.8
The Dilemma|1.7|2905|-45%|26.6
Black Swan|1.4|2315|-23%|86.9
The Fighter |0.95|1914|-22%|75.3
Little Fockers|0.65|2051|-47%|142.8
Also Debuting
From Prada to Nada|0.31|256||0.31
Biutiful|0.11|57||0.11
Funkytown|91,400|79||91,400
Dil Toh Baccha Hai Ji|26,700|42||26,700
Ip Man 2|18,800|20||18,800
Kaboom|4,200|1||4,200
Rage|1,300|1||1,300
* in millions
Tags: Biutiful, Black Swan, Dil Toh Baccha Hai Ji, From Prada to Nada, Funkytown, Ip Man 2, Kaboom, Little Fockers, No Strings Attached, Rage, The Dilemma, The Fighter, The Green Hornet, The King's Speech, The Mechanic, The Rite, True Grit
Posted in Friday Box Office Estimates, MCN Originals, MCN Weekend, Movie City News | Comments Off on Friday Estimates — January 29
Thursday, January 27th, 2011
I was pretty shocked when I read that The King’s Speech had gotten the most nominations (12) at the Oscars this year. For me, it was really nothing more than a middling film that I felt like I had seen countless times before: poor little rich prince needs to overcome hurdles in order to succeed. But this time, it seemed like the hurdle was fairly silly. I don’t mean to belittle folks who have speech impediments, as I understand that they can make life difficult for those who suffer from those afflictions, but it’s not like the guy was dealing with a fatal disease or anything. The fact that King George VI stammered is a sad foot-note, I suppose, but it’s hard for me to really get behind the guy in a meaningful way when I know that the stakes are not that high. World War II and Adolf Hitler are sort of looming in the background, but I’m not really that terrified that the future safety of the planet is at stake just because one of the tangential figures involved in that war had a speech impediment.
I really enjoyed the performances of the cast for the most part, but I was fairly underwhelmed by Colin Firth’s portrayal of the titular king. It’s not that he didn’t do a good job stammering, but rather that I didn’t feel like I knew him all that well by the end of the film. It’s partly the fault of the script, but what do I really know about this man besides the fact that he has a speech impediment? The script keeps telling me he’s noble and Geoffrey Rush’s character tells him that “he’s the bravest man” he’s ever met, but why exactly is he brave? It seems like he’s quite willing to walk away from therapy and help several times throughout the film because it doesn’t suit his royal blood to discuss trivial matters with his therapist. That doesn’t really strike me as bravery. Also, Firth comes off as being whiny quite often in his therapy sessions, which doesn’t fit into my definition of “brave.”
I thought Rush and Helena Bonham Carter were good, as they almost always are. Guy Pearce seemed to relish playing the caddish older brother. But the film as a whole didn’t really feel all that vital to me. When we finally get the speech at the end, it’s really not such a great speech. So, we’re just supposed to look at this as a victory because he didn’t stutter much, but what about the content of the speech? It’s another example of the film telling me to feel something because other characters feel it rather than making me feel that emotion.
There is also a decided lack of tension in the film, even if you don’t know the history of what happened, because there’s no other possible way for the film to end. Every single time Firth and Rush part ways, we know they are going to come together again to finish out the therapy session because the film is firmly entrenched in a certain genre with a certain plot. The subplots don’t inform the characters any more than when we first meet them, there is no great change besides the speech of one particular character, and the film slowly comes to the only logical conclusion. Some films are about seeing the puzzle pieces come together in the way that you imagine it, but there are no puzzle pieces here, there is nothing to put together. If you hadn’t seen the film and just pictured what it would be about and what would happen, you could probably safely say that you’ve seen the movie.
Look, I don’t have the energy to mount some big take-down of the film because it’s not an awful movie. It’s just a pedestrian one that is handsomely mounted, like a decent HBO biopic. If it won Best Picture, it would be more like Shakespeare in Love over Saving Private Ryan (although in my eyes, the winner that year should have been The Thin Red Line) than Crash over Brokeback Mountain (although in my eyes, the winner that year should have been Munich). Still, I do think we’ll find it laughable in ten years if somehow The King’s Speech beats out the obviously superior The Social Network or Black Swan.
I think the Academy Awards should always, always, always be about rewarding the best film of the year and often, that’s not the case because of political jockeying. But, I would sincerely hope that the Academy members look at their ballots and think about which film will age the best, which film defines the year it came out, and which one they won’t be embarrassed about in ten years. I don’t see how it could be The King’s Speech.
Tags: Colin Firth, Geoffrey Rush, Helena Bonham Carter, The King's Speech
Posted in Frenzy On Blog, MCN Blogs | 1 Comment »
Tuesday, January 25th, 2011
… for announcing its nominations at such a ridiculously early hour during Sundance every year. Everyone in the business who’s already hitting their exhaustion point at the fest really appreciates getting to wake super early so we can hear nominations that rarely offer any huge surprises. But we’ll see.
… Okay, there were a few surprises, pleasant and otherwise:
I’m happy to see Dogtooth get a nomination for Best Foreign; we’ve been talking about that film since Toronto 2009, so it’s nice to see it get some love. But I’ll be rooting for my #1 film of the year, Biutiful, to win the category.
Speaking of Biutiful, how great is it that Javier Bardem got that well-deserved Best Actor nomination? In a perfect world, he would win it, but all things being what they are in Hollywood, you can give the performance of your career as he does here and still be the underdog.
No Ryan Gosling, though, which is too bad. Not sure which Best Actor nominee I would have bumped to make room for him. Bridges, maybe.
And also good to see John Hawkes get the Supporting Actor nom for Winter’s Bone. He’s my pick to win it. Fingers crossed.
On the chick side of things, I’m not unhappy to see any of the actresses who were nominated for Best Actress. It would be easy to get excited about the nominees all being from films with small budgets. Not that there’s anyone from a bigger film I would have liked to have seen nominated, but still.
As for the Supporting Actress noms, nothing shocking there, though it’s probably Hailee Steinfeld’s to lose. Here’s hoping her career survives the dreaded “child nominee” backlash, and that she has someone smart guiding her script choices post-True Grit.
Aronofsky and the Coens got well-deserved director nods. I wish Debra Granik’s name was on that list as well, but at least they tossed her a bone for screenplay. And what? No Christopher Nolan?
Nothing terribly shocking in the docs nominations. Once Exit Through the Gift Shop made the short list, it seemed likely to make the final cut. I hope it wins. And I guess I am going to have to get off my ass and force myself to watch Restrepo.
Good for The Illusionist for at least getting a nomination … maybe that will interest more parents in watching it with their kids. Okay, probably not, but a girl can dare to dream. If it actually beat out Toy Story 3 that would be probably the biggest shocker of the Oscars this year, but I wouldn’t hold my breath for that to happen.
And yay for the Roadside Attractions team for scoring noms for two films, Winter’s Bone and Biutiful. It’s been interesting to watch as Roadside has stepped up into the awards game with some smart acquisitions. Nice guys all around, and I’m happy for them almost as much as for the films, both of which I loved.
Okay, thanks Academy. Back to Sundance.
Tags: 127 Hours, Biutiful, Black Swan, Dogtooth, Inception, Inside Job, The Fighter, The Kids Are All Right, The King's Speech, The Social Network, Toy Story 3, True Grit, Winter's Bone
Posted in Film, Film Essent, MCN Blogs | 4 Comments »
Saturday, January 22nd, 2011
No Strings Attached|7.2|3018|NEW|7.2
The Green Hornet|5|3584|-55%|50.4
The Dilemma|3|2943|-52%|26.6
The King’s Speech |2.1|1680|-43%|51.6
True Grit|2.1|3464|-37%|132.7
Black Swan|1.7|2407|-28%|79.1
Little Fockers|1.2|2979|-41%|138
The Fighter |1.2|2275|-20%|69.7
Tron: Legacy|0.9|2018|-35%|160.5
Yogi Bear |0.75|2510|-29%|85.6
Also Debuting
The Way Back|0.39|659||0.39
The Company Men|0.17|106||0.17
Dhobi Ghat|0.13|79||0.13
Evangelion: 2.0|7,950|15||7,950
Un Vie Qui Commence|4,700|13||4,700
L’Autre Dumas|3,800|8||3,800
The Woodmans|1,800|1||1,800
* in millions
Tags: Black Swan, Dhobi Ghat, Dilemma, Evangelion: 2.0, L'Autre Dumas, Little Fockers, No Strings Attached, The Company Men, The Fighter, The Green Hornet, The King's Speech, the way back, The Woodmans, Tron - Legacy, True Grit, Un Vie Qui Commence, Yogi Bear
Posted in Friday Box Office Estimates, MCN Originals, MCN Weekend, Movie City News | Comments Off on Friday Estimates — January 22
Sunday, January 16th, 2011
Weekend Estimates – January 14-16, 2010
Title |
Distributor |
Gross (average) |
% change * |
Theaters |
Cume |
The Green Hornet |
Sony |
33.2 (9,270) |
NEW |
3115 |
33.2 |
Dilemma |
Uni |
17.4 (5,910) |
NEW |
2940 |
17.4 |
True Grit |
Par |
10.8 (3,130) |
-26% |
3459 |
126 |
The King’s Speech |
Weinstein Co. |
9.0 (5,810) |
40% |
1543 |
44.5 |
Black Swan |
Fox Searchlight |
8.0 (3,450) |
-1% |
2328 |
72.9 |
Little Fockers |
Uni |
7.3 (2,140) |
-46% |
3394 |
134.4 |
Tron: Legacy |
BV |
5.7 (2,350) |
-43% |
2439 |
157 |
Yogi Bear |
WB |
5.3 (1,950) |
-21% |
2702 |
82 |
The Fighter |
Par/Alliance |
5.1 (2,100) |
-28% |
2414 |
65.7 |
Season of the Witch |
Relativity |
4.5 (1,600) |
-57% |
2827 |
18 |
Tangled |
BV |
4.0 (1,940) |
-22% |
2048 |
181 |
Country Strong |
Sony |
3.6 (2,550) |
-51% |
1424 |
13.2 |
Chronicles of Narnia: Dawn Treader |
Fox |
2.3 (1,340) |
-51% |
1704 |
98 |
Gulliver’s Travels |
Fox |
2.0 (1,220) |
-56% |
1666 |
37.6 |
The Tourist |
Sony |
1.6 (1,150) |
-57% |
1420 |
64.2 |
Harry Potter & the Deathly Hollows, Part 1* |
WB |
1.4 (1,460) |
-42% |
1507 |
289.8 |
Blue Valentine |
Weinstein Co. |
1.4 (5,910) |
93% |
230 |
2.8 |
Megamind |
Par |
.62 (1,820) |
125% |
341 |
145.4 |
The Heart Specialist |
FreeStyle |
.48 (1,140) |
NEW |
422 |
0.48 |
Yamla Pagla Deewana |
Eros |
.43 (5,270) |
NEW |
82 |
0.43 |
How Do You Know |
Sony |
.41 (660) |
-78% |
615 |
29.9 |
|
|
|
|
|
|
|
|
|
|
|
|
Weekend Total ($500,000+ Films) |
|
$123.70 |
|
|
|
% Change (Last Year) |
|
-27% |
|
|
|
% Change (Last Week) |
|
15% |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Also debuting/expanding |
|
|
|
|
|
Barney’s Version * |
Sony Class/eOne |
.37 (8,270) |
259% |
45 |
0.8 |
Rabbit Hole |
Lions gate |
.26 (2,620) |
138% |
100 |
0.9 |
Somewhere |
Focus |
.25 (4,680) |
52% |
53 |
0.73 |
Mirapakaya |
Bharat |
.23 (8,820 |
|
26 |
0.13 |
Another Year |
Sony Classics |
.12 (9,380) |
40% |
13 |
0.34 |
Anaganga o Dheerudu |
Blue Sky |
66,500 (2,290) |
|
29 |
0.07 |
The Illusionist |
Sony Classics |
63,400 (9,060) |
92% |
7 |
0.25 |
Aadukalam |
Big Cinemas |
25,600 (4,270) |
|
6 |
0.03 |
Kaavalan |
Big Cinemas |
21,800 (1,680) |
|
13 |
0.02 |
Siruthai |
Bharat |
18,200 (2,020) |
|
9 |
0.02 |
Every Day |
Image |
8,800 (2,930) |
|
3 |
0.01 |
Ong Bak 3 |
Magnolia |
5,500 (1,830) |
|
3 |
0.01 |
A Somewhat Gentle Man |
Strand |
5,100 (5,100) |
|
1 |
0.01 |
Tags: a somewhat gentle man, Aadukalam, Anaganga o Dheerudu, Another Year, Barney's Version, Black Swan, Blue Valentine, Chronicles of Narnia: Dawn Treader, Country Strong, Dilemma, Every Day, Gulliver's Travels, Harry Potter & the Deathly Hollows, how do you know, Kaavalan, Little Fockers, Megamind, Mirapakaya, Ong Bak 3, Part 1, Rabbit Hole, Season of the Witch, Siruthai, Somewhere, Tangled, The Fighter, The Green Hornet, The Heart Specialist, The Illusionist, The King's Speech, The Tourist, Tron - Legacy, True Grit, Yamla Pagla Deewana, Yogi Bear
Posted in MCN Originals, MCN Weekend, Movie City News, The Weekend Report | Comments Off on The Weekend Report — January 16
Sunday, January 16th, 2011
The Green Hornet|33.2|NEW|33.2
The Dilemma|17.4|NEW|17.4
True Grit|10.8|-26%|126
The King’s Speech|9.0|40%|44.5
Black Swan|8.0|-1%|72.9
Little Fockers|7.3|-46%|134.4
TRON: Legacy|5.7|-43%|157
Yogi Bear|5.3|-21%|82
The Fighter|5.1|-28%|65.7
Season of the Witch |4.5|-57%|18
Tags: Black Swan, Little Fockers, Season of the Witch, The Dilemma, The Fighter, The Green Hornet, The King's Speech, True Grit, Yogi Bear
Posted in Estimates, MCN Weekend | Comments Off on Weekend Estimates — January 16
Saturday, January 15th, 2011
The Green Hornet|10.8|3584|NEW|10.8
The Dilemma|6.0|2940|NEW|6.0
True Grit|3.1|3459|-29%|118.3
The King’s Speech |2.4|1543|35%|37.9
Black Swan|2.3|2328|-4%|67.2
Little Fockers|2|2414|-33%|62.1
The Fighter |2.1|2528|-21%|52.9
TRON: Legacy|1.4|2439|-50%|152.6
Season of the Witch |1.2|2827|-67%|14.7
Country Strong |1.1|1424|-58%|10.7
Also Debuting
The Heart Specialist|0.35|422||0.35
Yamla Pagla Deewana|0.12|82||0.12
Barney’s Version *|0.09|45||0.09
Every Day|3,501|3||3,501
* in millions
Tags: Black Swan, Country Strong, Little Fockers, Season of the Witch, The Dilemma, The Fighter, The Green Hornet, The King's Speech, Tron - Legacy, True Grit
Posted in Friday Box Office Estimates, MCN Originals, MCN Weekend, Movie City News | Comments Off on Friday Estimates — January 15
Friday, January 14th, 2011
Our Players|Coming Soon|Box Office Prophets|Box Office Guru|EW|Box Office . com
The Green Hornet|41.7|n/a|33|41.0|37
The Dilemma|25.6|n/a|26|10.0|25
True Grit|10.7|n/a|12.0|16.0|12.5
Little Fockers |9.3|n/a|10.0|9.0|9.7
Black Swan|8.7|n/a|10.0|10.0|10.5
The King’s Speech|5.2|n/a|n/a|16.0|8.7
Tags: Black Swan, Little Fockers, The Dilemma, The Green Hornet, The King's Speech, True Grit
Posted in Box Office Hell, MCN Originals, MCN Weekend, Movie City News | Comments Off on Box Office Hell: January 12
Monday, January 10th, 2011
Awards for Outstanding Directorial Achievement
For the Year 2010
Outstanding Directorial Achievement in Feature Film
Tom Hooper, The King’s Speech
Outstanding Directorial Achievement in Documentary
Charles Ferguson, Inside Job
..
..
Nominees for Outstanding Directorial Achievement in Feature Film for the year 2010
DARREN ARONOFSKY
Black Swan
DAVID FINCHER
The Social Network
TOM HOOPER
The King’s Speech
CHRISTOPHER NOLAN
Inception
DAVID O. RUSSELL
The Fighter
Nominees for Outstanding Directorial Achievement in Documentaries for the year 2010
LIXIN FAN
Last Train Home
CHARLES FERGUSON
Inside Job
ALEX GIBNEY
Client 9: The Rise and Fall of Eliot Spitzer
DAVIS GUGGENHEIM
Waiting for “Superman”
TIM HETHERINGTON AND SEBASTIAN JUNGER
Restrepo
Tags: Inside Job, The King's Speech
Posted in Awards Watch, Scoreboards - Critics Awards | Comments Off on Director’s Guild 2010 Awards
Saturday, January 8th, 2011
True Grit|4.4|3124|-46%|99.8
Little Fockers|4.2|3675|-46%|114.4
Season of the Witch |3.6|2816|NEW|3.6
TRON: Legacy|2.7|3013|-46%|140.8
Country Strong |2.5|1424|NEW|2.7
Black Swan|2.4|1584|24%|55.5
The Fighter |2.1|2528|-21%|52.9
The King’s Speech |1.7|758|-31%|28.2
Yogi Bear|1.3|3288|-69%|70.1
Chronicles of Narnia: Voyage of the Dawn Treader|1.2|2814|-66%|91.1
Also Debuting
No One Killed Jessica|0.65|67||0.65
* in millions
Tags: Black Swan, Chronicles of Narnia, Country Strong, Little Fockers, Season of the Witch, The Fighter, The King's Speech, TRONL:Legacy, True Grit, Yogi Bear
Posted in Friday Box Office Estimates, MCN Originals, MCN Weekend, Movie City News | Comments Off on Friday Estimates: January 8
Sunday, January 2nd, 2011
Haply New Year
True Grit closed the gap with Little Fockers but couldn’t quite overtake the seasonal gag fest. Fockers emerged at the top of the charts with an estimated $26.2 million with Grit a trot behind at $24.5 million.
The closing frame of 2010 provided no new national releases and just two additions to the last gasp of the awards season. The searing drama Blue Valentine provided an opening weekend of $174,000 from four screens while the acclaimed Brit import Another Year bowed on six screens with $117,000.
Estimates for the year peg domestic box office at $10.52 billion, which translates into a 1.5% downturn from 2009. Admissions declined by a more sizable 7% drop largely as a result of premium pricing for 3D and large format movies. Eight of the top 10 top grossing movies of the year fell into that category and 2011 promises even more stereoscopic offerings.
Theater owners are scrambling to convert screens to digital 3D to capitalize in what no one can yet proclaim as either a temporary craze or the future of film going. The enhancements have been a finger in the dike of the eroding audience but with the arrival of 3D home entertainment this year that nagging recession may not abate. And there’s little doubt that the “windows” issue — the time between theatrical and ancillary release — will intensify with exhibition making grudging concessions that can only ramp up bad blood with major suppliers.
This year’s New Year weekend box office experienced a 13% uptick from the Christmas holiday session. However, it was 29% less fulsome than the same period last year when weekend three of Avatar grossed $68.5 million with Sherlock Holmes and Alvin: The Squeakquel adding $36.6 million and $35.2 million respectively.
Adult/awards fare, which includes The Fighter, Black Swan and The King’s Speech — all likely Oscar contenders — held their own with the holiday frivolity. That still leaves seven slots for films as diverse as Toy Story 3 and Blue Valentine in year that most film reviewers have characterized as overall sub-par.
True Grit has already become The Coen Brothers biggest grossing domestic release and actor Jeff Bridges can claim the rare distinction of having two holiday films (Grit, TRON: Legacy) that will gross in excess of $100 million. He’s easily the comeback kid in a year where seemingly more audience-friendly performers (and filmmakers) have taken it on the chin.
__________________________________________________
Weekend Estimates – December 31-January 1, 2010
Title |
Distributor |
Gross (average) |
% change * |
Theaters |
Cume |
Little Fockers |
Uni |
26.2 (7,380) |
-15% |
3554 |
103.1 |
True Grit |
Par |
24.5 (7,960) |
-1% |
3083 |
86.7 |
Tron: Legacy |
BV |
18.4 (5,480) |
-4% |
3365 |
131 |
Yogi Bear |
WB |
12.6 (3,580) |
62% |
3515 |
65.7 |
Chronicles of Narnia: Dawn Treader |
Fox |
10.3 (3,500) |
9% |
2948 |
87 |
The Fighter |
Par/Alliance |
10.0 (3,960) |
32% |
2534 |
46.4 |
Tangled |
BV |
9.9 (3,820) |
53% |
2582 |
167.9 |
Gulliver’s Travels |
Fox |
9.0 (2,910) |
42% |
3089 |
27.1 |
Black Swan |
Fox Searchlight |
8.4 (5,420) |
35% |
1553 |
47.3 |
The King’s Speech |
Weinstein Co. |
7.5 (10,760) |
67% |
700 |
22.7 |
The Tourist |
Sony |
6.7 (2,420) |
25% |
2756 |
54.7 |
Harry Potter & the Deathly Hollows, Part 1* |
WB |
4.5 (2,580) |
32% |
1732 |
283.4 |
How Do You Know |
Sony |
4.5 (1,800) |
28% |
2483 |
24.9 |
Megamind |
Par |
.57 (750) |
56% |
764 |
144.1 |
Unstoppable |
Fox |
.53 (1,180) |
61% |
450 |
79.5 |
The Social Network |
Sony |
.47 (1,890) |
71% |
249 |
93.2 |
Burlesque |
Sony |
.42 (1,270) |
19% |
330 |
37.8 |
Due Date |
WB |
.31 (770) |
10% |
404 |
98.8 |
127 Hours |
Fox Searchlight |
.27 (2,620) |
42% |
103 |
10.4 |
Red |
Summit |
.26 (860) |
44% |
303 |
89.5 |
|
|
|
|
|
|
|
|
|
|
|
|
Weekend Total ($500,000+ Films) |
|
$153.60 |
|
|
|
% Change (Last Year) |
|
-29% |
|
|
|
% Change (Last Week) |
|
13% |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Also debuting/expanding |
|
|
|
|
|
Blue Valentine |
Weinstein Co. |
.17 (43,500) |
|
4 |
0.27 |
Another Year |
Sony Classics |
.12 (19,550) |
|
6 |
0.17 |
Somewhere |
Focus |
.14 (17,870) |
20% |
8 |
0.44 |
Rabbit Hole |
Lionsgate |
.13 (3,850) |
52% |
34 |
0.42 |
Casino Jack |
IDP |
79,700 (4,430) |
63% |
18 |
0.23 |
The Illusionist |
Sony Classics |
50,200 (16,730) |
30% |
3 |
0.13 |
Country Strong |
Sony |
42,600 (21,300) |
40% |
2 |
0.12 |
Domestic Market Share (Jan. 1 – Dec. 23, 2010)
Distributor (releases) |
Gross |
Market Share |
Warner Bros. (30) |
1900.7 |
18.30% |
Paramount (20) |
1684.9 |
16.20% |
Fox (20) |
1470.5 |
14.10% |
Buena Vista (17) |
1408.5 |
13.50% |
Sony (26) |
1258.5 |
12.10% |
Universal (19) |
844.2 |
8.10% |
Summit (11) |
522.8 |
5.00% |
Lionsgate (16) |
519.6 |
5.00% |
Fox Searchlight (8) |
119.5 |
1.20% |
Overture (8) |
87.5 |
0.80% |
Focus (8) |
75.3 |
0.70% |
CBS (3) |
72.7 |
0.70% |
Weinstein Co. (9) |
72 |
0.70% |
Sony Classics (22) |
59.7 |
0.60% |
MGM (1) |
50.4 |
0.50% |
Other * (324) |
257.5 |
2.50% |
|
10404.3 |
100.00% |
* none greater than .04% |
Tags: 127 Hours, Another Year, Black Swan, Blue Valentine, Burlesque, Casino Jack, Chronicles of Narnia: Dawn Treader, Country Strong, Due Date, Gulliver's Travels, Harry Potter & the Deathly Hallows, how do you know, Little Fockers, Megamind, Rabbit Hole, Red, Somewhere, Tangled, The Fighter, The Illusionist, The King's Speech, The Social Network, The Tourist, Tron - Legacy, True Grit, unstoppable, Yogi Bear
Posted in MCN Originals, MCN Weekend, Movie City News, The Weekend Report | Comments Off on Weekend Box Office Report –January 2