MCN Blogs
Ray Pride

By Ray Pride Pride@moviecitynews.com

The uses of disenchantment: Hard Candy's red hoody

Ellen Page HC-7947.jpgEven among colleagues who admire Hard Candy, the Patrick Wilson-Ellen Page two-hander about nasty things that happen when an older man meets an apparently underage woman online, there’s been one head-shaking question: how do you sell material this touchy? While the key art in one of the movie’s posters from the House of SAW (aka Lionsgate) diminishes the visual impact of the film’s ending—a girl in a red hoody standing in an enormous metal trap—the use of red gets taken one step farther with the sponsorship of a website called “Surf Safe, Wear Red,” wear-red-196x285.jpgwhich is described at the link as “a movement for online empowerment and awareness, inspired by the film Hard Candy and its protagonist’s red hoody. Wear a red hoody to stand up for online safety and against internet violence.” The site also promises to revisit a long-fallow fad, with plans for “flash mobs in New York and Los Angeles.” In light of the movie, a listing of basic precautions turns itchy: “Avoid posting anything that would make it easy for a stranger to find you, such as where you hang out every day after school. People aren’t always who they say they are. Be careful about adding strangers to your friends list. It’s fun to connect with new friends from all over the world, but avoid meeting people in person whom you do not fully know. If you must meet someone, do it in a public place and bring a friend or trusted adult… Don’t post anything that would embarrass you later. Think twice before posting a photo or info you wouldn’t want your parents or boss to see! Don’t mislead people into thinking that you’re older or younger. Be truthful online.”

Be Sociable, Share!

One Response to “The uses of disenchantment: Hard Candy's red hoody”

  1. Ju-osh says:

    What about the Crips?

Movie City Indie

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon