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By Ray Pride Pride@moviecitynews.com

Ishtar unfeathered: defending May

The Departed is unlikely to make as lasting an imprint on the film community as another high-profile title, now celebrating its 20th anniversary: Ishtar, writes Dalton Ross at EW. “Starring A-listers Warren Beatty and Dustin Hoffman as failed songwriters caught up in international espionage, Ishtar [1987] is considered [by some] one of the greatest Hollywood flops of all time… Time magazine even included the movie on its list of ‘The 100 Worst Ideas of the Century‘… Certainly one of the reasons Ishtar is so widely ridiculed has to do with the [then] huge cost ($40 million, with only a $14 million return [theatrically, not including an HBO sale or video revenue]) and even huger egos involved, but I’m here to tell you something that many may find funnier than anything in the actual film—it’s not that bad… I cackle watching Isabelle_Adjani_Ishtar.jpgHoffman try in vain to teach Beatty the difference between ”smuck” and ”schmuck,” guffaw at the bit about a blind camel, and pause the screen every time that [Isabelle Adjani] flashes her left breast. (I never claimed to be a proud man.) … [O]ne could even call Ishtar a cutting-edge precursor to awkwardly uncomfortable gems such as “The Office” and “Curb Your Enthusiasm.” Jonathan Rosenbaum takes Elaine May’s comedy more seriously. May converses at length with Mike Nichols after a 2006 Manhattan screening held by Film Comment in which her former performing partner suggests “you invented the perfect metaphor for the behavior of the Bush administration in Iraq” and May observes, “If all of the people who hate Ishtar had seen it, I would be a rich woman today… [O]ddly enough when I made this movie Ronald Reagan was president and there was Iran-Contra, we were supporting Iran and Iraq. We put in Saddam. We had taken out the Shah. Khomeini was there. I remember looking at Ronald Reagan and thinking—I’m qualifying this, this was just an idea, I didn’t really believe it—I thought, he’s from Hollywood, he’s a really nice man. It’s possible the only movie he’s ever seen about the Middle East are the road movies with Hope and Crosby, and I thought I would make that movie.” elainemike_49.jpgWhen Ishtar opened, “I left almost immediately for Bali,” May says. “The film was political and it was a satire but it was my secret. When these articles started coming out, I thought—only for five minutes—it’s the CIA. I didn’t dream that it would be the studio. For one moment it was sort of glorious to think that I was going to be taken down by the CIA, and then it turned out to be David Putnam. I think this man was unique in that way, in that he was going to redo Hollywood and make it a better place. He was going to work from the inside…” [It’s a fascinating Q&A in its entirety, plus, a dialogue transcript.]

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One Response to “Ishtar unfeathered: defending May”

  1. mattlove1 says:

    Ishtar is a great movie, and more and more people are catching on to that fact… With the documentary on the way, and perhaps a DVD release in the US (lucky Europeans have had one for years) … this is going to be a great year!
    http://movies.groups.yahoo.com/group/ILoveIshtar/
    http://www.waitingforishtar.com/
    http://www.ishtarthemovie.com/

Movie City Indie

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon