MCN Columnists
Noah Forrest

Columns By Noah ForrestForrest@moviecitynews.com

I Want to be The Son of Rambow

Director Garth Jennings is one half of the British production team known as Hammer & Tongs (along with producer Nick Goldsmith) and together they made a bunch of commercials and music videos. I took note of who they were about nine years ago when I saw their video for Blur’s “Coffee and TV” which I thought was…

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Poehler Opposiyuks

Comedy was king as a rare instance of a trio of laughers led weekend movie going. At the top of the list were newcomers Baby Mama and Harold & Kumar Escape from Guantanamo Bay that bowed to respective estimated grosses of $18.2 million and $14.5 million. The session’s third national opener – the thriller Deception…

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Leatherheads and The Ruins

When I finally caught up to George Clooney’s latest directorial effort, I found myself kind of astounded by the critical reception; most just shrugged it off as something of a light, fanciful throwback film. t’s true that it’s all of those things, but that doesn’t really get to the heart of the matter, which is that…

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Fagetaboutit!

The anticipated dust up between the Jackie and Jet in Forbidden Kingdom and the naughty bits of Forgetting Sarah Marshall saw the martial artists draw in an estimated $20.8 million and the latest comedy from the Apatow corral gross $17.4 million. The opening strength of the two films left poor seconds for the Al Pacino…

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Vadim Perelman

Vadim Perelman had the sort of feature film debut most filmmakers dream about but rarely are able to realize. An acclaimed director of commercials, he optioned the novel House of Sand and Fog by Andre Dubus III, adapted it for the screen with Shawn Lawrence Otto and co-produced the film with Michael London. The tale of a young woman…

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Summer Movie Preview

Only the most elitist curmudgeons do not look forward to the summer movie season. Sure, it’s not likely that we’ll find works of art that stand the test of time, but that’s not what we look for during the summer months. I’ve long been of the belief that quality movies should be released year-round, not…

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Into the Wild

As an actor, Sean Penn has exhibited an appreciable range in the characters he has portrayed, but as a director, he seems permanently locked into one emotional aesthetic, that of the sophomoric adolescent male. Each of his movies has been gratingly obvious and whiny, striving so hard and with such tunnel vision to achieve certain emotional…

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Hop To It

Weekend movie going dressed up and gave its corsage to the scare fare Prom Night that bested all comers with an estimated $22.8 million. Another freshman, the tough cop Street Kings ranked second with a so-so $12.1 million and the limited wide release preem Smart People entered the fray with respectable revenues of $4.2 million….

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This and That

My Blueberry Nights Wong Kar Wai is definitely a visionary filmmaker; perhaps one of the best currently working. This is a man who has credits like Chungking Express, Happy Together, In the Mood for Love and 2046under his belt. I’ve never been the biggest fan of the man’s work, but I’ve always respected the loving care…

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Pulitzer Day

When the Chicago Sun-Times’ Roger Ebert was awarded the Pulitzer Prize for criticism in 1975, I was working at a small newspaper a few miles down the interstate, editing copy and reviewing the occasional movie. No other film critic had been so honored, and I suffered no delusions about following in Roger’s footsteps any time soon, if…

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Charlton Heston

Charlton Heston was the sort of movie icon that received either grudging respect or abject derision rather than the praise or affection extended such contemporaries as William Holden and Burt Lancaster. The caricature is one of a face permanently cemented in some tense fashion with teeth clenched. The verity of his filmography contradicts such easy comic illustrations….

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Leathertails … Oops!

The thrill of victory eluded the debut of Leatherheads as its estimated $13.4 million weekend trailed the $15.4 million sophomore session of 21. The frame’s other freshmen releases also opened on the dull side with the family friendly Nim’s Island grossing $13.2 million and the horror entry The Ruinsbowing to $7.6 million. In the continuing…

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Bonnie and Clyde

In the throes of my adolescence, I loved Bullitt madly, and the company that had produced and distributed the film, Warner Bros., also produced and distributed Bonnie and Clyde, a movie that I saw when it first came out and greatly admired. In those days, there was no such thing as home video and successful…

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Can’t Get Him Pegged

Run, Fatboy, Run is a fine movie; it’s simple, entertaining and utterly forgettable. Still, for some reason this viewing experience was a profound disappointment – despite the fact that I knew going in that the film would be a strictly by-the-numbers affair, replete with all of the usual clichés of the tired genre of “lazy…

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Columns

Gary Dretzka on: The DVD Wrapup: Ophelia, Ambition, Werewolf in Girls' Dorm, Byleth, Humble Pie, Good Omens, Yellowstone …More

rohit aggarwal on: The DVD Wrapup: Ophelia, Ambition, Werewolf in Girls' Dorm, Byleth, Humble Pie, Good Omens, Yellowstone …More

https://bestwatches.club/ on: The DVD Wrapup: Diamonds of the Night, School of Life, Red Room, Witch/Hagazussa, Tito & the Birds, Keoma, Andre’s Gospel, Noir

Gary Dretzka on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

GDA on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

Larry K on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

gwehan on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

Gary J Dretzka on: The DVD Wrapup: Peppermint, Wild Boys, Un Traductor, Await Instructions, Lizzie, Coby, Afghan Love Story, Elizabeth Harvest, Brutal, Holiday Horror, Sound & Fury … More

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon