Movie City News Archive for January, 2011

The Weekend Report: January 30, 2011

The debut of the ExoRcIsT-lite The Rite possessed the top of the weekend box office charts with an estimated $14.7 million. In another soft film going frame the other national opener The Mechanic ranked fifth with an $11.1 million bow.

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The Sunday NY Times

The Sunday NY Times Scott Celebrates The Golden Age Of World Cinema That Americans Don’t Go To See And –  Lim On Katz And Cold Weather And – Roger Corman, Apocalypse Lover Plus – IMAX Digital Plans Worldwide Include Moscow Tix Costing Almost $100 With –  The French Eco-Filmmaker Who Wants To Be Known In The…

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Milton M. Levine, 97, Inventor Of Ant Farm

Milton M. Levine, 97, Inventor Of Ant Farm

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Is Azazel Jacobs’ Terri A Latterday “John Hughes Movie”?

Is Azazel Jacobs’ Terri A Latterday “John Hughes Movie”?

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How To Eat As If At A SAG Awards Table

How To Eat As If At A SAG Awards Table

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Is The Oscar Story Weinstein VS. Rudin?

Is The Oscar Story Weinstein VS. Rudin?

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Sharkey Sez Sundance 2011 Was The Coming Of Ages

Sharkey Sez Sundance 2011 Was The Coming Of Ages

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Critics On Criticism Of Criticism And Critics’ Futures

“It could be that bad criticism might drive out serious writing.” “Critics praise work that doesn’t upset them. So much looks like art but just tastes of cardboard.” Critics On Criticism Of Criticism And Critics’ Futures

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The Jurassic Park Theme, Now 1000% Slower!

The Jurassic Park Theme, Now 1000% Slower!

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TorStar Latest To Go With Review Of “Unequivocally Awful” “Spider-Man” Musical

TorStar Latest To Go With Review Of “Unequivocally Awful” “Spider-Man” Musical

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For Filmmakers, The Best, Most Optimistic Interview On The Last Day Of Sundance

For Filmmakers, The Best, Most Optimistic Interview On The Last Day Of Sundance

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Reporter Has Way With Mumble’s Corpse

Reporter Has Way With Mumble’s Corpse

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Schager Has A Nominee For Worst Film Of 2011

Schager Has A Nominee For Worst Film Of 2011

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The New Superman Comes From Tudor Stock

The New Superman Comes From Tudor Stock

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Ebert Expands On Maxivision

Ebert Expands On Maxivision

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Sundance Announces 2011 Winners

Grand Jury Prizes Go To Like Crazy, How To Die In Oregon; Audiences Go For Senna, Circumstance, Kinyawaranda And Buck Sundance Announces 2011 Winners Plus – Spend Half An Hour With Winners, Including The Makers Of Buck; Martha Marcy May Marlene; With Much More To Come, Including Being Elmo

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2011 SUNDANCE FILM FESTIVAL ANNOUNCES AWARDS

Happy, Happy, Hell and Back Again, How to Die in Oregon and Like Crazy Earn Grand Jury Prizes Audience Favorites Include Buck, Circumstance, Kinyawaranda and Senna; to.get.her Awarded Best of NEXT! Audience Award For Immediate Release – January 29, 2011 – Park City, UT–The Jury, Audience, NEXT! and other special award-winners of the 2011 Sundance Film Festival were…

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Olsen On The V-O-D Portman Pic That’s A Successful Caboose To Black Swan’s Freight Train

Olsen On The V-O-D Portman Pic That’s A Successful Caboose To Black Swan‘s Freight Train

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The Tweet That Came From Beneath Brentwood: Roger Corman’s On Twitter

The Tweet That Came From Beneath Brentwood: Roger Corman’s On Twitter

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Tennessee Retailers Against Amazon Sales Tax

Tennessee Retailers Against Amazon Sales Tax

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon