Movie City News Archive for April, 2011

Times Enlists Recent Sunday Mag Contrib Carina Chocano To Review Atlas Shrugged Two Weeks After Its Opening

Times Enlists Recent Sunday Mag Contrib Carina Chocano To Review Atlas Shrugged Two Weeks After Its Opening

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Louisiana Holding Its Close-Up

Louisiana Holding Its Close-Up

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Tribeca Announces Competish Award Winners

Tribeca Announces Competish Award Winners

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2011 TRIBECA FILM FESTIVAL ANNOUNCES AWARDS

SHE MONKEYS, JOURNALS OF MUSAN, BOMBAY BEACH AND LIKE WATER WIN TOP AWARDS IN JURIED WORLD COMPETITIONS * * * FESTIVAL AWARDS MORE THAN $185,000 IN CASH PRIZES [April 28, 2011 – New York, NY] – The 10th annual Tribeca Film Festival, co-founded by Robert De Niro, Jane Rosenthal and Craig Hatkoff, and presented by…

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“My father would turn over in his grave to be remembered for Psycho. That was not his favorite score.”

“My father would turn over in his grave to be remembered for Psycho. That was not his favorite score.”

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Transformers 3: Trailer 2

Transformers 3: Trailer 2

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TRIBECA FILM INSTITUTE ANNOUNCES 2011 AWARD WINNERS AND GRANTEES FOR TRIBECA ALL ACCESS PROGRAM, LATIN AMERICA MEDIA ARTS FUND AND THE TFI DOCUMENTARY FUND

Overall TFI Funds for Filmmakers Reach $1,000,000 New York, NY – April 28, 2011 – The Tribeca Film Institute (TFI) today announced several program award winners and grantees at the TFI Awards Luncheon at Riverpark NYC during the 2011 Tribeca Film Festival. Two winners of the Tribeca All Access (TAA) Creative Promise Awards presented by…

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VARIANCE FILMS TO RELEASE LiTTLEROCK, SPECIAL ORDERS NO. 9 AND THE WEIRD WORLD OF BLOWFLY

New York, April 28, 2011 – Variance Films has acquired U. S. theatrical rights for three highly-acclaimed independent films, founder Dylan Marchett announced today: the thought-provoking Slamdance and River Run award-winning experimental documentary GENERAL ORDERS NO. 9, the Gotham and Independent Spirit Award-winning drama LiTTLEROCK, and SXSW favorite music documentary THE WEIRD WORLD OF BLOWFLY….

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Cars 2 Celebrates The Royal Wedding

Cars 2 Celebrates The Royal Wedding

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Chicago Gets Its First Theater Where You Watch Movies With Your Ass

Chicago Gets Its First Theater Where You Watch Movies With Your Ass

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Sometimes I Doubt Tom Hall’s Devotion To Sparkle Blogging

Sometimes I Doubt Tom Hall‘s Devotion To Sparkle Blogging

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Herzog Goes Into The Caves For T Fashion Mag

Herzog Goes Into The Caves For T Fashion Mag

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Trailering Harry Potter and the Deathly Hallows Part 2

Trailering  Harry Potter and the Deathly Hallows Part 2

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Grauman’s Chinese Set For Sale To Producers Don Kirshner, Elie Samaha

Grauman’s Chinese Set For Sale To Producers Don Kirshner, Elie Samaha

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Alex Gibney On The Silence Of The Bartman

Alex Gibney On The Silence Of The Bartman

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PRESIDENT’S COMMITTEE ON THE ARTS AND THE HUMANITIES (PCAH) AND SUNDANCE INSTITUTE TO PRESENT 10 AWARD-WINNING FILMS AT 10 LOCATIONS ON NATIONAL MALL

Winter’s Bone, Last Train Home, La Mission, Son of Babylon, Freedom Riders, A Small Act, Amreeka, Afghan Star, Boy, and Udaan to Be Screened One Night Only May 12 — in Partnership with the National Endowment for the Arts, National Endowment for the Humanities and the Institute of Museum and Library Services Expected Attendees Include…

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PAUL HAGGIS TO BE HONORED AT 16TH ANNUAL NANTUCKET FILM FESTIVAL

Disney•Pixar’s Cars 2 and Sundance Selects’ Buck to open; Vera Farmiga’s directorial debut Higher Ground to close. April 28, 2011 (New York, NY) – Today the Nantucket Film Festival (NFF) announces its film lineup for its expanded 16th edition, taking place June 22-26, 2011.  With a sum total of 55 films (and more to be announced…

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NATIONAL GEOGRAPHIC FILMS, HOT DOCS AND REALSCREEN UNITE TO PAY TRIBUTE TO DIRECTOR/PHOTOGRAPHER TIM HETHERINGTON WITH SPECIAL ONE-OFF SCREENING OF “RESTREPO”

·         RESTREPO Co-Director Sebastian Junger will attend the event and pay tribute to his friend and collaborator, with Q&A following the screening ·         Proceeds will be donated to a charitable organization to be chosen by the Hetherington family to honor Tim’s life and work ·         Screening will take place Saturday, May 7, during the Hot…

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First Beijing Film Festival Seems To Have Lacked Film Festival

First Beijing Film Festival Seems To Have Lacked Film Festival

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Christian Marclay Is Late For “The Clock”

Christian Marclay Is Late For “The Clock”

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon