Movie City News Archive for August, 2011

VF Offers Some Chewy Angelina Quotes In Advance Of October’s Cover Story

VF Offers Some Chewy Angelina Quotes In Advance Of October’s Cover Story

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Art Of The Title Sequence Opens Captain America

Art Of The Title Sequence Opens Captain America

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Honeyboy Edwards, 96, Believed To Be Oldest Living First-Generation Delta Bluesman; Played With Robert Johnson

Honeyboy Edwards, 96, Believed To Be Oldest Living First-Generation Delta Bluesman; Played With Robert Johnson With –  The Grammy Award Winner’s Website

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CRAZY HORSE, FREDERICK WISEMAN’S LATEST, TO OPEN THEATRICALLY ON JANUARY 18, 2012 AFTER PLAYING IN VENICE, TORONTO AND NEW YORK FILM FESTIVALS

CRAZY HORSE, FREDERICK WISEMAN’S LATEST, TO OPEN THEATRICALLY ON JANUARY 18, 2012 AFTER PLAYING IN VENICE, TORONTO AND NEW YORK FILM FESTIVALS Zipporah Films and mTuckman media dance again on documentary about famous Parisian cabaret club New York, NY (August 28, 2010) – Zipporah Films announced today that it will once again work with Michael Tuckman…

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MoviePass Tries Another Way Of Sneaking All-You-Can-Watch Past Exhibs

MoviePass Tries Another Way Of Sneaking All-You-Can-Watch Past Exhibs

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Scott Video-Picks In A Lonely Place

Scott Video-Picks In A Lonely Place

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Bumble Ward Named Executive Vice President of Publicity in Twentieth Century Fox’s Domestic Theatrical Marketing

LOS ANGELES (August 29, 2011) — Bumble Ward has been named Executive Vice President of Publicity in Twentieth Century Fox’s Domestic Theatrical Marketing Department, it was announced today by Oren Aviv, the studio’s President of Domestic Theatrical Marketing and Chief Marketing Officer, and Tony Sella, President, Domestic Theatrical Marketing and Chief Creative Officer. Ward will…

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Artist Ai Weiwei Speaks Out, Sez His Beijing Is A “Nightmare”

Artist Ai Weiwei Speaks Out, Sez His Beijing Is A “Nightmare”

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Cinderella And Her BlackBerry: Writing The Modern RomCom

Cinderella And Her BlackBerry: Writing The Modern RomCom

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John Madden Sez The Debt Harks Back To 1970s Thrillers

John Madden Sez The Debt Harks Back To 1970s Thrillers

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The “Dangerous White Stereotypes” Of The Help

The “Dangerous White Stereotypes” Of The Help

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“Joseph Gordon-Levitt Wants To Make A Movie With You”

“Joseph Gordon-Levitt Wants To Make A Movie With You”

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Wilmington on Movies: Colombiana

  Colombiana (Two Stars) U.S.: Olivier Megaton, 2011 She’s young. She’s tough. She’s agile. She’s half-naked. And  she’s definitely deadlier than the male — at least in this movie. Zoë Saldana, who was kind of blue in James Cameron‘s Avatar, plays producer-writer Luc Besson‘s notion of a rock ‘em sock ‘em action heroine in Colombiana…

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Almodovar’s Coming To LA This Fall… And AFI Fest Landed Him

Almodovar’s Coming To LA This Fall… And AFI Fest Landed Him

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AMERICAN FILM INSTITUTE ANNOUNCES PEDRO ALMODÓVAR AS GUEST ARTISTIC DIRECTOR OF AFI FEST

2011 Marks 25th Edition of AFI FEST LOS ANGELES, CA, August 29, 2011 – American Film Institute (AFI) announced today that internationally acclaimed filmmaker Pedro Almodóvar will serve as its Guest Artistic Director at AFI FEST 2011 presented by Audi. AFI FEST — celebrating its 25th year in 2011 — will take place November 3…

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Drive-Ins In The Digital Age

Drive-Ins In The Digital Age

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Remembering Tex Avery

Remembering Tex Avery

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István Szabó Looks Back

István Szabó Looks Back

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A New £12million Home For Flammable British Film Institute Nitrate Film Stock

A New £12 Million Home For Flammable British Film Institute Nitrate Film Stock

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Experimental Filmmaker George Landow Gets A Proper Obit

Experimental Filmmaker George Landow Gets A Proper Obit

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon