Movie City News Archive for December, 2011

Interactive-Mapping War Horse’s Journey

Interactive-Mapping War Horse‘s Journey

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Jonnie Rosenbaum Muses On What It Means To Be A “Neglected” Filmmaker

Jonnie Rosenbaum Muses On What It Means To Be A “Neglected” Filmmaker

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Wilmington on DVDs. Co-Pick of the Week: Classic. Tokyo Drifter

   Tokyo Drifter (Three and a Half Stars) Japan: Seijun Suzuki, 1966 (Criterion Collection) Off the wall and over the edge from its first scene to its last, Tokyo Drifter is one of the outrageous crime melodramas and outlandish neo-noirs made in the ‘60s for Nikkatsu Studio by super-cult Japanese director Seijun Suzuki. It’s a classic…

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Wilmington on DVDs. The Rest: Final Destination 5; A Good Old-Fashioned Orgy

Final Destination 5 (Also Blu-ray/DVD/ 3D/ UV Combo) (Two Stars) U.S.: Steven Quale, 2011 (Warner Bros.) In Final Destination 5, as in the other Final Destinations, blood is the money shot. The actors, or their characters, are expendable (again), and a guy named Bludworth, or his boss Destiny, is breaking up that old gang of mine…

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UK Conservative Politician Demands Frivolous Debate Of The Iron Lady In Parliament Before January 5 Release

UK Conservative Politician Demands Frivolous Debate Of The Iron Lady In Parliament Before January 5 Release

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Kim Jong-Il’s Funeral As Cecil B. DeMille-Style Epic Filmmaking

Kim Jong-Il’s Funeral As Cecil B. DeMille-Style Epic Filmmaking

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Jamie Stuart On Why He Thinks 2011 Marked A Shift In Cinematography’s Fortunes

Jamie Stuart On Why He Thinks 2011 Marked A Shift In Cinematography’s Fortunes

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SCOLDJA: Latest On Penske-Vs.-Prometheus/Hollywood Reporter-Vs.-Deadline Law Spat

SCOLDJA: Latest On Penske-Vs.-Prometheus/Hollywood Reporter-Vs.-Deadline Law Spat

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Reznor On How He Crafts Songs, Not Cues, For Fincher’s Films

Reznor On How He Crafts Songs, Not Cues, For Fincher’s Films

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Ebert’s 6 Reasons For Slack Movie Revenues

Ebert’s 6 Reasons For Slack Movie Revenues

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Goldstein Sez H’wd Mad, Mad To Make “Relationship” Movies

Goldstein Sez H’wd Mad, Mad To Make “Relationship” Movies

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Elle Fanning, 13, Averts The Male Gaze

“I’d much rather look like a two-year-old than a 21-year-old.” Elle Fanning, 13, Averts The Male Gaze

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Paula Patton: My First Job

Paula Patton: My First Job

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Austin Film Critics Go Hugo

Austin Film Critics Go Hugo

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Austin Film Critics Association 2011 Awards

December 28, 2011 (Austin, TX) – The Austin Film Critics Association today announced its 2011 awards, with Martin Scorsese’s ode to classic cinema, HUGO, winning Best Film. It lead a group of awards that AFCA Founder and President Cole Dabney called “a unique blend highlighting the best of both Hollywood and indie filmmaking.” The hyper-stylized…

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Farber’s History Of Movies About Movies

Farber‘s History Of Movies About Movies

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The Oscar Poster is Here

The Oscar Poster Is Here!  The Oscar Poster Is Here!

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Academy “Celebrates the Movies” as Poster Art Kicks Off Oscar® Campaign

“Whether it’s a first date or a holiday gathering with friends or family, movies are a big part of our memory,” said Academy President Tom Sherak. “The Academy Awards not only honor the excellence of these movies, but also celebrate what they mean to us as a culture and to each of us individually.”

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A Special Constellation Screening: “99%- The Occupy Wall Street Collaborative Film”

Event hosted by filmmakers to preview selections of submitted documentary footage New York, (Dec. 28, 2011) – Constellation and the producers of “99%- The Occupy Wall Street Collaborative Film,” a documentary made by more than 75 independent filmmakers across America about the Occupy Wall Street movement, are pleased to announce a special online preview screening…

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New York Times Inadvertently Spams Eight Million With Email Meant For 300

“The lord spoke to me to share this with you. Please kindly sympathize with my current situation and assist.” New York Times Inadvertently Spams Eight Million With Email Meant For 300 And – “We’re working to coordinate a response.”

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon