Movie City News Archive for January, 2012

Adam Curtis Muses On The Perfect Doc On Modern Cruise Ships

Adam Curtis Muses On The Perfect Doc On Modern Cruise Ships

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Why Were So Many Sundance Movies This Year About Splitting The Sheets?

Why Were So Many Sundance Movies This Year About Splitting The Sheets?

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“Please note that the use of any recording equipment to capture this film is strictly forbidden, including: camcorders, cameras, cell phones, charcoal, ink, paint (oil or water-based), and the human brain.”

“Please note that the use of any recording equipment to capture this film is strictly forbidden, including: camcorders, cameras, cell phones, charcoal, ink, paint (oil or water-based), and the human brain.”

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Gettin’ Emotional In Events Leading Up To Oscar

Gettin’ Emotional In Events Leading Up To Oscar

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Hasbro Relocating “Candyland” Project To Sony To Star Adam Sandler

Hasbro Relocating “Candyland” Project To Sony To Star Adam Sandler

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The Film Society of Lincoln Center announces 12th Edition of FILM COMMENT SELECTS, February 17-March 1

PRESS RELEASE New York, NY, January 31,—The Film Society of Lincoln Center announced the schedule for the 12th edition of FILM COMMENT SELECTS (February 17-March 1), Film Comment magazine’s essential and eclectic film festival. Featuring a handpicked lineup of films that are alternately previewing prior to their theatrical runs or quite possibly never coming back to…

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Burma’s Aung San Suu Kyi On Václav Havel

Burma’s Aung San Suu Kyi On Václav Havel

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Sean Penn Talks Sorrentino At Sundance

“I’m dazzled by this director.” Sean Penn Talks Sorrentino At Sundance

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Robert Elswit Talks Tech On Shooting Mission: Impossible – GP

Robert Elswit Talks Tech On Shooting Mission: Impossible – GP

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Universal Sez No Mo’ Hasbro

Good Bye, You Sunk My Franchise Universal Sez No Mo’ Hasbro

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LIONSGATE ENTERS WITNESS PROTECTION WITH TYLER PERRY

Eugene Levy, Doris Roberts, Tom Arnold, Denise Richards, John Amos, Marla Gibbs And Romeo Star In Next Installment Of Tyler Perry’s Beloved Madea Franchise SANTA MONICA, Calif., Jan. 30, 2011—LIONSGATE® (NYSE: LGF), a leading global entertainment company, together with Tyler Perry, today announced the commencement of production of MADEA’S WITNESS PROTECTION.  The film marks the prolific filmmaker and…

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John Bailey On “Trisha Ziff And The Mexican Suitcase”

John Bailey On “Trisha Ziff And The Mexican Suitcase“

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Wilmington on Movies: Man on a Ledge

Man on a Ledge has that slick, self-satisfied gleam movies can get when they cost too much and they’re stuffed with formula and clichés and stars, and nobody can do anything about it. It also has a plot so preposterous, motivations so inane, and an ending so bonkers that the only possible way to play them may be for laughs, if the show were good at comedy.

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TribCo Bankruptcy Costs Hit $231 Million

TribCo Bankruptcy Costs Hit $231 Million

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SnagFilm Adds $7 Million In Funding For Expansion

SnagFilm Adds $7 Million In Funding For Expansion

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After A Year, $315 Million HuffAOL Merger Nets Loss Of 5.3 Million Visitors

After A Year, $315 Million HuffAOL Merger Nets Loss Of 5.3 Million Visitors

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Slate’s Oscars For Dummies Suggests Increasing Acting Noms To 10

Slate’s Oscars For Dummies Suggests Increasing Acting Noms To 10

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Brody On Newly-Published Conversations Between Godard and Ophüls

Brody On Newly-Published Conversations Between Godard and Ophüls

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Slate Turns “Contrarian” Peashooter To Larger Game: Wyman Sez Meh To Spielberg

Slate Turns “Contrarian” Peashooter To Larger Game: Wyman Sez Meh To Spielberg

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Commenters Illuminate Small Blog Entry About Response To The Comedy Screening At Sundance

“Hi. I’m Tim Heidecker the “star” of The Comedy. There is clearly a destructive agenda running through the piece, starting with the incendiary, hyperbolic, misrepresentative title of the article.” Commenters Illuminate Small Blog Entry About Response To The Comedy Screening At Sundance

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon