Movie City News Archive for January, 2012

Tupitsyn Essays 1980s Proto-Yuppie Films: Of Course Ferris Bueller Would Become A Late-Middle-Age Sellout

Tupitsyn Essays 1980s Proto-Yuppie Films: Of Course Ferris Bueller Would Become A Late-Middle-Age Sellout And – The 2’25” “Extended Version” Of Todd Phillips’ Post-John Hughes Super Bowl Honda Commercial

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Does The Times Get A Fee Each Time David Carr Mentions Kickstarter?

Does The Times Get A Fee Each Time David Carr Mentions Kickstarter?

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From The Arthouse Convergence, Good Dr. Bordwell On Pandora’s Digital Box

“We will lose a lot of little theaters around the country.” From The Arthouse Convergence, Good Dr. Bordwell On Pandora’s Digital Box

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Nigel Andrews On Modern Movie Money Melodramas

Nigel Andrews On Modern Movie Money Melodramas

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Chariots Of Fire In Running As London Stage Musical

Chariots Of Fire In Running As London Stage Musical

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Scorsese Shrugs Uggie, Bites Back For Blackie

Scorsese Shrugs Uggie, Bites Back For Blackie

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Never Sorry: Ai Weiwei And The Extended Middle Finger

Never Sorry: Ai Weiwei And The Extended Middle Finger And – The Photo Taken From Stage Of Sundance Award Audience Flipping The Bird

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Besides 56-Day Wait For Warner Titles On Netflix, Consumers Must Wait 28 Days To Add To Queue

Besides 56-Day Wait For Warner Titles On Netflix, Consumers Must Wait 28 Days To Add To Queue

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Film Forum Pulls Advertising From Village Voice Over BackPage.Com

“On an unrelated note, Ms. Cooper added that she was disappointed that longtime Voice film critic Jim Hoberman was laid off earlier this month.” Film Forum Pulls Advertising From Village Voice Over BackPage.Com

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The Kristof Column That Triggered Choice

And – The Kristof Column That Triggered Choice

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Help Wanted: FBI Seeking Tillers Of Farmville, Translators Of “Tweet Lingo”

Help Wanted: FBI Seeking Tillers Of Farmville, Translators Of “Tweet Lingo”

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At 94, Kirk Kerkorian Is Ready To Buy Another Film Studio

The Lion Roars Again At 94, Kirk Kerkorian Is Ready To Buy Another Film Studio

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When Parker Posey Is Worried About Indie Film…

When Parker Posey Is Worried About Indie Film…

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Screen Actors Guild Honors Outstanding Film And Television Performances at the 18th Annual Screen Actors Guild Awards

FOR IMMEDIATE RELEASE LOS ANGELES (Jan. 29, 2012) – Screen Actors Guild presented its coveted Actor statuette for the outstanding motion picture and primetime television performances of 2011 at the “18th Annual Screen Actors Guild Awards” in ceremonies attended by film and television’s leading actors, held Sunday, Jan. 29, at the Los Angeles Shrine Exposition…

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The Help Goes Davis, Spencer And Ensemble At SAG; Plummer, Dujardin, Too

The Help Goes Davis, Spencer And Ensemble At SAG; Plummer, Dujardin, Too

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David Carr Dwells On The Tweets Of Murdoch

David Carr Dwells On The Tweets Of Murdoch

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Filmdistrict Times Safety Not Guaranteed

Filmdistrict Times Safety Not Guaranteed

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Why So Many Multi-Million-Dollar Newspaper Sales If The Industry’s So Fragile?

Why So Many Multi-Million-Dollar Newspaper Sales If The Industry’s So Fragile?

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Wilmington on Movies: The Grey

At its best, The Grey reminds you of such classics as Boorman’s and Dickey’s Deliverance, or Lev Kuleshov‘s London-derived Russian silent Outside the Law, or even a flawed but exciting show like Lee Tamahori’s and David Mamet’s The Edge, The Grey makes the wilderness a terrifying place. And it works, sometimes smashingly.

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Fincher Says No Cuts, So India Won’t Get Girl With Dragon Tattoo

Fincher Says No Cuts, So India Won’t Get Girl With Dragon Tattoo

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon