Movie City News Archive for January, 2012

Some Facts And Figures On Indian Cinema Going Digital

Some Facts And Figures On Indian Cinema Going Digital

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“Inside Oscars”‘ Damien Bona Was 57

“Inside Oscars”‘ Damien Bona Was 57

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PETA Bites At The Grey

PETA Bites At The Grey

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James Marsh On The Current State Of Documentary Oscar Noms

James Marsh On The Current State Of Documentary Oscar Noms

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How Much Can A Mega-Producer Make (And Spend)?

How Much Can A Mega-Producer Make (And Spend)?

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Cieply And Barnes Soothsay DreamWorks’ Fortunes (With Bonus Typos: “Real Steal”?)

Cieply And Barnes Soothsay DreamWorks’ Fortunes (With Bonus Typos: “Real Steal“?)

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Room 237, The Fair-Use Documentary With “Explanations” Of The Shining

Room 237, The Fair-Use Documentary With “Explanations” Of The Shining

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John Rich, 86, Fifty-Year Directing Career Included Many Pilots And “All In The Family,” “The Dick Van Dyke Show,” “Twilight Zone”; Roustabout, Boeing Boeing

John Rich, 86, Fifty-Year Directing Career Included Many Pilots And “All In The Family,” “The Dick Van Dyke Show,” “Twilight Zone”; Roustabout, Boeing Boeing

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Shame’s Sex-Dubber

Shame‘s Sex-Dubber spoilers

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Taylor Hackford Has Some Words At The DGA Awards

“Outright lies spread by Google and other technology companies whose business models are made all the more profitable if the work of the people in this room is stolen, made available on the Internet for free.” Taylor Hackford Has Some Words At The DGA Awards

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Gleiberman Claims Oscar Is “Elite” And Not About The Audience

“The snobs have taken over the Academy asylum.” Gleiberman Claims Oscar Is “Elite” And Not About The Audience

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The Weekend Report: Wolf at the Door

There was a lack of Lupophobia at the multiplex as The Grey ascended to the top of the weekend movie charts with an estimated $19.5 million debut. Two other national bows figured into the top five with the romantic actioner One For the Money slotted third with $11.7 million and the suspenseful Man on a Ledge two notches back at $7.9 million.

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Magnolia Sundance Swag Includes Compliance, 2 Days In New York, Nobody Walks

Magnolia Sundance Swag Includes Compliance, 2 Days In New York, Nobody Walks

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WeinsteinCo Goes Lay The Favorite

WeinsteinCo Goes Lay The Favorite

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2012 SUNDANCE FILM FESTIVAL ANNOUNCES AWARDS

FOR IMMEDIATE RELEASE January 28, 2012 The House I Live In, Beasts of the Southern Wild, The Law in These Parts and Violeta Went to Heaven Earn Grand Jury Prizes Audience Favorites Include The Invisible War, The Surrogate, SEARCHING FOR SUGAR MAN and Valley of Saints Sleepwalk With Me Receives Best of NEXT <=> Audience…

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Eulogy For Bingham Ray, By Ben Barenholtz, Eamonn Bowles, Tom Prassis, Arnie Sawyer

(As read by John Cooper at the Sundance 2012 award ceremony.) We are here to mourn, and honor, an icon of the film industry.  And as we begin we can hear his voice whispering in our ears, “Don’t fuck it up, Kitty Kats!”  Followed by a huge roar of sarcastic laughter. This was Bingham Ray…

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The Sundance Awards Eulogy For Bingham Ray, By Ben Barenholtz, Eamonn Bowles, Tom Prassis And Arnie Sawyer, Read By John Cooper

“Don’t f— it up, Kitty Kats!” The Sundance Awards Eulogy For Bingham Ray, By Ben Barenholtz, Eamonn Bowles, Tom Prassis And Arnie Sawyer, Read By John Cooper

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Sundance 2011 Awards

Sundance 2011 Awards Best Dramatic: Beasts Of The Southern Wild Best Doc: House We Live In Best Directing: Queen Of Versailles, Middle Of Nowhere Audience:  Surrogate, Invisible War Cinematography: Chasing Ice, Beasts Of The Southern Wild Waldo Salt:  Safety Not Guaranteed and more…

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Statement from SAG National President Ken Howard Regarding the AFTRA National Board Vote

FOR IMMEDIATE RELEASE LOS ANGELES (January 28, 2012) — Screen Actors Guild National President Ken Howard released the following statement regarding the AFTRA National Board vote on the proposed merger with Screen Actors Guild: “This is a terrific outcome and I offer my sincere thanks and congratulations to AFTRA’s National Board  and National President Roberta…

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Is Barnes & Noble The Bookstore’s Last Stand?

Is Barnes & Noble The Bookstore’s Last Stand?

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon