Movie City News Archive for August, 2012

Steve Franken, 80, Comic Actor, Drunk Waiter In The Party; Chatworth Osborne, Jr. In “The Loves Of Dobie Gillis”

Steve Franken, 80, Comic Actor, Drunk Waiter In The Party; Chatworth Osborne, Jr. In “The Loves Of Dobie Gillis”; Also Which Way To The Front?, Hardly Working, The Missouri Breaks

Read the full article »

The DVD Wrapup: Battleship, Lonesome, Monsieur Lazhar, Penumbra … More

Those fans of the movie “Battleship” born after Nintendo and Sega were introduced to American consumers might find it difficult to believe that one of Hollywood’s most expensive movies was inspired by one of the least costly pastimes of all. Back in the day, all it took to play the Battleship guessing game was a pencil; illegally mimeographed sheets of papers replicating the grids on the Milton Bradley board; and a folded-over checker board to prevent cheating. Players used their pencil to indicate where various sized warships are located and guess the location of their opponent’s fleet, using a bingo-like alphanumeric system. It provided simple, time-consuming and free fun on a rainy day.

Read the full article » 3 Comments »

TIFF12: “Protecting Sarah Polley’s Secret” full-on spoilers

TIFF12: “Protecting Sarah Polley’s Secret”  full-on spoilers

Read the full article »

Jon Voight Brings His Popular Take On The News To Tampa Bay For RNC

Jon Voight Brings His Popular Take On The News To Tampa Bay For RNC

Read the full article »

Brian Gerber, 41, Producer And Head Of Digital Hollywood Content Summit, Drives Car Off Angeles Crest Highway

Brian Gerber, 41, Producer And Head Of Digital Hollywood Content Summit, Drives Car Off Angeles Crest Highway

Read the full article »

Jacques Bensimon, 69, Documentarian And Former Head Of National Film Board Of Canada

Jacques Bensimon, 69, Documentarian And Former Head Of National Film Board Of Canada At A Crucial Time

Read the full article »

Two Unproduced Kubrick Scripts Headed For The Box

Two Unproduced Kubrick Scripts Headed For The Box

Read the full article »

Slavoj Žižek G0es 4,000 Words On The Politics Of Batman

Slavoj Žižek Goes 4,000 Words On The Politics Of Batman

Read the full article »

Fire Walk With Me Turns 20

Fire Walk With Me Turns 20

Read the full article »

Silent Star “Baby Peggy” At 93

Silent Star “Baby Peggy” At 93

Read the full article »

Just-Released Gov’t Documents On Thirty Dark Zero Appear To Disprove Conspiracy Theories

Just-Released Gov’t Documents On Thirty Dark Zero Appear To Disprove Conspiracy Theories

Read the full article »

Killing Me Softly Co-Producer Files For Bankruptcy

Killing Me Softly Co-Producer Files For Bankruptcy

Read the full article »

What Do The Internet’s Extreme Trolls Get From Their Private Sport?

“Social distance can cause a 55-year-old climate change sceptic with a job and a mortgage to behave like a spastic donkey with strange malicious behavior.” What Do The Internet’s Extreme Trolls Get From Their Private Sport?

Read the full article »

A 2005 Report Of The Kentucky Incident That Inspired Compliance

A 2005 Report Of The Kentucky Incident That Inspired Compliance spoilers

Read the full article »

China Cracks Down On “Co-Productions” Meant To Get U. S. Product Onto Local Screens

Looper, Cloud Atlas, Iron Man 3 Could Be Affected China Cracks Down On “Co-Productions” Meant To Get U. S. Product Onto Local Screens

Read the full article »

AFS GRANTS $121,000 TO 2012 TEXAS FILMMAKERS’ PRODUCTION FUND & TRAVEL GRANT RECIPIENTS

FOR IMMEDIATE RELEASE Wednesday, August 29, 2012 (Austin, TX)–The Austin Film Society (AFS) is very proud to announce the recipients of its 2012 Texas Filmmakers’ Production Fund (TFPF), which this year awarded cash grants totalling $89,500 to 16 projects by emerging Texas filmmakers. In addition to cash grants, AFS gave away $10,000 in goods and services from MPS Camera Austin,…

Read the full article »

Wilmington on DVDs: Darling Companion; Headhunters; Down by Law… more

The movie has its flaws — an outlandishly implausible ending chiefly among them — but compared to most of the un-naturalistic, unfunny, unserious, totally phony and sometimes obnoxiously ageist and condescendingly smart-ass gloppy stuff that often passes for American movie comedy-drama these days (and that sometimes gets a pass from the same people who pile on movies like Darling Companion), it’s a movie that deserves some encouragement.

Read the full article » 1 Comment »

Oscar-Winner Geoffrey Fletcher’s Financier, His Hedge-Fund Manager Brother, Faces Losses On Violet & Daisy

Oscar-Winner Geoffrey Fletcher’s Financier, His Hedge-Fund Manager Brother, Faces Losses On Violet & Daisy

Read the full article »

IFC’s Jonathan Sehring On The VOD-Theatrical Business Model Of His Co. And Magnolia, As Well As A Recut Of On The Road

“You don’t see Eamonn at Magnolia, you don’t see us—the two pioneers in the changing of the windows—coming out and reporting our numbers on a weekly basis. Magnolia and IFC Films invented the wheel five or six years ago.” IFC’s Sehring On The VOD-Theatrical Business Model, As Well As A Recut Of On The Road

Read the full article »

Wilmington on DVDs: High Noon, 60th Anniversary Edition

High Noon became one of the most influential of all movie Westerns, exerting lasting effects even on films and filmmakers you wouldn’t expect it to, like Sam Peckinpah’s The Wild Bunch (four men, like the Miller gang, walking alone at the end, instead of one), Clint Eastwood‘s hip, dark High Plains Drifter (which might have been the last vengeful nightmare of a dying Will Kane) and Sergio Leone‘s operatic Once Upon a Time in the West.

Read the full article »

Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon