Movie City News Archive for September, 2012

California Gov Signs Law Restricting Child Molesters And Registered Sex Offenders From Managing Child Actors

California Gov Signs Law Restricting Child Molesters And Registered Sex Offenders From Managing Child Actors

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London Time Out: The Listings Magazine With No Listings

London Time Out: The Listings Magazine With No Listings

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James Bond Theme Said To Be Manly And To Evoke Feelings Of Male Invincibility And Memories Of Dad

James Bond Theme Said To Be Manly And To Evoke Feelings Of Male Invincibility And Memories Of Dad

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Director Robert Wilson On Brad Pitt In Boxers And “Trusting The Silence”

Director Robert Wilson On Brad Pitt In Boxers And “Trusting The Silence”

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Marco Bellocchio OnThe LIfe Of Death

Marco Bellocchio OnThe LIfe Of Death

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Aspden: 3D Is Not Going Away

Aspden: 3D Is Not Going Away

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Brody Sez “Antonioni, born on this date in 1912, is younger at his posthumous centenary than are many active filmmakers today.”

Brody Sez “Antonioni, born on this date in 1912, is younger at his posthumous centenary than are many active filmmakers today.”

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Sam “The Record Man” Sniderman, Played Key Role In Canadian Music And “CanCon” Quota Laws

Sam “The Record Man” Sniderman, Played Key Role In Canadian Music And “CanCon” Quota Laws

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“I’m like Pi. I feel adrift over the Pacific. I haven’t locked the picture yet. There are lots of confusions, constant surprises. There are times you feel defeated. You feel like your faith is being tested. When you’re on the ocean, it’s spiritual. I look at God and ask, ‘Why?’ But it’s a happy why.”

“I’m like Pi. I feel adrift over the Pacific. I haven’t locked the picture yet. There are lots of confusions, constant surprises. There are times you feel defeated. You feel like your faith is being tested. When you’re on the ocean, it’s spiritual. I look at God and ask, ‘Why?’ But it’s a happy why.”

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Ebiri On Woody’s Place In Our Culture

Ebiri On Woody’s Place In Our Culture

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“You get such a film education as an usher.”

“You get such a film education as an usher.”

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Deadline Goes Full Nikki, Shutting Down For A Week

Deadline Goes Full Nikki, Shutting Down For A Week

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Princess Of Wales Theater, A Toronto Film Festival Gem, Likely To Be Demolished By Owner Mirvish For Three 80-Story Frank Gehry Condo Towers

Princess Of Wales Theater, A Toronto Film Festival Gem (for two whole years), Likely To Be Demolished By Owner Mirvish For Three 80-Story Frank Gehry Condo Towers With 2,600 Sky-Priced Units

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Kyle Maclachlan On Plying David Lynch With Alcohol

Kyle Maclachlan On Plying David Lynch With Alcohol

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Even The Master Isn’t Helping Manhattan’s Ziegfeld Theater

Even The Master Isn’t Helping Manhattan’s Ziegfeld Theater

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“Cultivated” Cinematographer Agnès Godard On Shooting Digital For The First Time

“Cultivated” Cinematographer Agnès Godard On Shooting Digital For The First Time

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When Pauline Kael Told David Denby He Simply Did Not Have A Future As A Film Critic

“I recommend to everyone that they have a mentor and be rejected by their mentor. It’s an invaluable growing-up experience.” When Pauline Kael Told David Denby He Did Not Have A Future As A Film Critic

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Friday Estimates

Sony takes the two top spots with an animated film about a guy who never dies and his daughter and the hotel they own and a live action thriller about a guy who is supposed to kill himself and a kid and a mom and the house in the cornfield. Two other new entries, focused on female audiences, open to considerably less box office, though the singing hotties nearly doubled up on the shouting mommies.

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Taylor Negron On The Murder At Los Feliz’s “Writer’s Villa” And Catherine Davis, “A Hollywood legend. A near saint. And a kind and loving mother to so many, including me.”

“Our sweet Miss Cathy has been murdered.” Taylor Negron On The Murder At Los Feliz’s “Writer’s Villa” And Catherine Davis, “A Hollywood legend. A near saint. And a kind and loving mother to so many, including me.”

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Roger Moore’s Family Values

Roger Moore’s Family Values

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon