Movie City News Archive for September, 2012

“Noah And Greta Make A Movie”

“Noah And Greta Make A Movie”

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Ezra Miller And The Perks Of Being A Pin-Up

Ezra Miller And The Perks Of Being A Pin-Up

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“The Case For Abolishing Patents (Yes, All Of Them)”

“The Case For Abolishing Patents (Yes, All Of Them)”

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Rupert Everett Memoirs As Queen Of Mean

Rupert Everett Memoirs As Queen Of Mean

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Restoring Lawrence Of Arabia Once More

Claim: “Film degrades; digital files of 0’s and 1’s do not.” Restoring Lawrence Of Arabia Once More

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Tom Green On Joining Trailer Park Boys

Tom Green On Joining Trailer Park Boys

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Andrea Arnold On Her “Harsh And Brutal” Wuthering Heights

Andrea Arnold On Her “Harsh And Brutal” Wuthering Heights

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It’s The Beginning Of The World’s End As We Know It

It’s The Beginning Of The World’s End As We Know It

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THE WORLD’S END, THIRD COMEDY TEAMING DIRECTOR EDGAR WRIGHT WITH STARS SIMON PEGG AND NICK FROST, COMMENCES PRODUCTION

LONDON, September 28, 2012— Working Title Films and Big Talk Productions have commenced filming on The World’s End, the third installment of Edgar Wright’s trilogy of comedies, following the successes Shaun of the Dead (2004) and Hot Fuzz (2007).  The new movie is filming in the U.K. As with the first two movies in the…

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ANDREW GARFIELD AND DIRECTOR MARC WEBB SET TO RETURN FOR NEXT CHAPTER OF THE AMAZING SPIDER-MAN™

Andrew Garfield will return to the role of Peter Parker and Marc Webb is set to direct as Columbia Pictures prepares to begin production on the next installment of The Amazing Spider-Man.

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Dickey Says H’wd Is Listening To “Klout”

Dickey Says H’wd Is Listening To “Klout”

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“Edginess Pays for Family Films”

“Edginess Pays For Family Films”

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To The Wonder To Magnolia While Passion Overtakes eOne

To The Wonder To Magnolia While Passion Overtakes eOne

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David Mitchell On His Cloud Atlas Becoming A Movie Epic

David Mitchell On His Cloud Atlas Becoming A Movie Epic

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The Wachowskis’ First Live Radio Interview

The Wachowskis’ First Live Radio Interview (41’46”)

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Documenting Bond; Clinton’s A Fan And Mendes Doubted Craig

Documenting Bond: Clinton’s A Fan And Mendes Doubted Craig

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Review: Life of Pi

I sat in the film, completely open to all of the elements of the film. Ang Lee, check. Irrfan Khan, check. Fantastical journey story, check. Spiritual enlightenment, check. One man confronts his soul, check. The elements had me at “Hello.” But…

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The Job Of Storyboard Artist David Russell

The Job Of Storyboard Artist David Russell

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Pride’s Friday 5: Looper, Drunkboat, Woman In The Fifth, Damsels In Distress,The Samaritan

This was a Sunday afternoon a long time ago, sometime near the end of the twentieth century. In years of theatergoing in Chicago and other cities, I’d seen some grand coups de theatre, but this one, this one that shaped itself beyond the actors’ pace, made an indelible mark. Outside, a sunny afternoon on the second floor above the Victory Gardens theater; inside, a variation on Fritz Lang’s M. Somewhere in the middle of the brief, striking piece, the sound of whistling rose from the Clark Street sidewalk a floor below. The character of The Detective stood at an open window, listening to the whistling, holding the pose, holding the scene…

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To Celebrate 50th Anniversary, Baltimore’s Center Stage Commissions 50 Shorts From Playwrights, Directed, For $50,000 Total, By Hal Hartley

To Celebrate 50th Anniversary, Baltimore’s Center Stage Commissions 50 Shorts From Playwrights, Directed, For $50,000 Total, By Hal Hartley And – Anna Deavere Smith Is Up First (8’35”) Plus – The Artistic Director And Artistic Producer Explain  (1’14”)

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon