Movie City News Archive for September, 2012

Béla Tarr Brings Doctorate-Level Filmmaking Academy To Sarajevo, Bosnia And Herzegovina

Béla Tarr Brings Doctorate-Level Filmmaking Academy To Sarajevo, Bosnia And Herzegovina With – Details On Staff And Curriculum

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Spain Enters Black-And-White Silent Blancanieves For Foreign-Language Oscar

Spain Enters Black-And-White Silent Blancanieves For Foreign-Language Oscar

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A Farewell Note From Auckland’s Academy Arthouse

A Farewell Note From Auckland’s Academy Arthouse

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Lay Off Lazenby!

Lay Off Lazenby!

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Nakoula Basseley Nakoula Held For Violating Bank Fraud Parole Conditions Of No Aliases And No Internet Use In Case Of Anti-Islam YouTube Short

Nakoula Basseley Nakoula Held For Violating Bank Fraud Parole Conditions Of No Aliases And No Internet Use In Case Of Anti-Islam YouTube Short

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Todd McCarthy And Richard Peña On NYFF’s Future

Todd McCarthy And Richard Peña On NYFF’s Future

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Bradshaw Proposes Michelangelo Antonioni’s Centenary Is That Of “A Forgotten Giant”

Bradshaw Proposes Michelangelo Antonioni’s Centenary Is That Of “A Forgotten Giant”

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Good Dr. Bordwell Opens Up To Cinerama

Good Dr. Bordwell Opens Up To Cinerama

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Anna Kendrick On The Wages Of Being “Aggressively Dorky”

Anna Kendrick On The Wages Of Being “Aggressively Dorky”

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Mihai Malaimare Jr. On The Master’s 70mm Needs, For Kodak

Mihai Malaimare Jr. On The Master‘s 70mm Needs, For Kodak

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New Zealand Prime Minister Apologizes To Kim Dotcom Over Illegal Spying In U.S.-Led Megaupload Prosecution

“Show your sincerity by supporting a full, transparent & independent inquiry into the entire Mega case.” New Zealand Prime Minister Apologizes To Kim Dotcom Over Illegal Spying In U.S.-Led Megaupload Prosecution

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Ted Hope On “The Elephant In The Room: Indie Filmmakers Cannot Survive As Things Are”

Ted Hope On “The Elephant In The Room: Indie Filmmakers Cannot Survive As Things Are”

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POST-TIFF, WELL GO USA ACQUIRES N.A. RIGHTS TO KOREAN BLOCKBUSTER THE THIEVES, FOR RELEASE OCTOBER 12

PLANO, TEXAS.  (September 27, 2012) — Coming off the North American premiere at the Toronto International Film Festival, Well Go USA has acquired all rights for the North American market to Korea’s summer blockbuster heist actioner The Thieves from Showbox / Mediaplex Inc.  The North American theatrical release is set for October 12. Written and directed by Dong-hoo Choi (Woochi,…

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IFC Has Passion

IFC Has Passion

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Brian Newman Argues: “Stop Making Docs!”

Brian Newman Argues: “Stop Making Docs!”

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Carax On Career And Holy Motors

 “From the age of 20-30 I made three films. From 30-40 I made one film. From 40-50 I made zero films. I’m 51. It’s not looking good.” Carax On Career And Holy Motors

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Lionsgate Refinances, Increases 5-Year Borrowing Facility To $840 Million

Lionsgate Refinances, Increases 5-Year Borrowing Facility To $840 Million

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Cinema Eye Honors Names 10 Finalists for 2013 Outstanding Short Film Award

FOR IMMEDIATE RELEASE: Camden, ME, Sept. 27, 2012 – Ten short documentary films from the U.S. and Europe have been named as finalists for the 2013 Cinema Eye Honor for Outstanding Achievement in Nonfiction Short Filmmaking.  The announcement was made on the opening day of the Camden International Film Festival (CIFF) in Camden, Maine.  CIFF…

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Behind The L. A. Dance Project From Black Swan Choreographer Benjamin Millipied, Rodarte And Composer Nico Muhly

Behind The L. A. Dance Project From Black Swan Choreographer Benjamin Millipied, Rodarte And Composer Nico Muhly

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Provocative Mandy Patinkin

Provocative Mandy Patinkin

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon