Movie City News Archive for October, 2012

Warner And Redbox Agree To Same 28-Day Window As Other Studios

Warner And Redbox Agree To Same 28-Day Window As Other Studios

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Study Shows Streaming Increases Home Entertainment Spending

Study Shows Streaming Increases Home Entertainment Spending

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HuffPo Comes Out Against Stealing, Or Is That John Mellencamp Writing For Free?

“The entertainment business has been criminally assaulted by wrong-headed thinking that says we need to keep up with the Internet.” HuffPo Comes Out Against Stealing, Or Is That John Mellencamp Writing For Free?

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Iranian Filmmaker Jafar Panahi Shares European Union’s “Sakharov Prize For Freedom of Thought”

Iranian Filmmaker Jafar Panahi Shares European Union’s “Sakharov Prize For Freedom of Thought”

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Scouting NY Pictures Rosemary’s Baby Locations, Then And Now

Scouting NY Pictures Rosemary’s Baby Locations, Then And Now

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“Amazon Is A Black Hole Threatening To Devour Corporate America”

How A Company Grows But Never Turns A Profit “Amazon Is A Black Hole Threatening To Devour Corporate America”

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Happy 102, “Disney Legend” Animator Tyrus Wong

Happy 102, “Disney Legend” Animator Tyrus Wong

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Seal Team Six Makers Differ With NY Times’ Account Of Film’s Edit

“Believe me, in 85 million homes, a movie from National Geographic is not going to change the outcome of the election in a country of 300 million.” Seal Team Six Makers Differ With NY Times’ Account Of Film’s Edit

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Henry Thomas Recollects Making E. T.

Henry Thomas Recollects Making E. T.

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FOX INTERNATIONAL PRODUCTIONS AND BONA FILM GROUP ANNOUNCE PRODUCTION DEAL

Agreement Includes Development Co-production and Joint Distribution of  Multiple Chinese-Language Films LOS ANGELES & BEIJING (October 26, 2012) FOX INTERNATIONAL PRODUCTIONS (FIP), a division of 20th Century Fox Film Corporation, and BONA FILM GROUP LTD. (Nasdaq: BONA), one of China’s largest motion picture producers and distributors, today announced a multi-picture deal in which the two…

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Whishaw On His Q

Whishaw On His Q

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Elfman On Hitchcock

Elfman On Hitchcock

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Filming Pavlova

Filming Pavlova

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Historian Jacques Barzun Was 104

Historian Jacques Barzun Was 104, Noted As Baseball Maven

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Sony Sued By William Faulkner Estate Over Midnight In Paris Paraphrase “The past is not dead! Actually, it’s not even past. You know who said that? Faulkner. And he was right. And I met him, too. I ran into him at a dinner party”

Sony Sued By William Faulkner Estate Over Midnight In Paris Paraphrase “The past is not dead! Actually, it’s not even past. You know who said that? Faulkner. And he was right. And I met him, too. I ran into him at a dinner party” 

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Hail To The Chameleon: Winter On How Daniel Day-Lewis Stays In Character

“The voice was Lincoln’s: a gentle tenor, reedy and slightly cracked, the accent a frontier blend of Illinois, Indiana and Kentucky. A beautiful voice.” Hail To The Chameleon: Winter On How Daniel Day-Lewis Stays In Character

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Anita Bjork, “The New Garbo,” Of 1952, Was 89

Anita Bjork, “The New Garbo” Of 1952, Was 89

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Revenge of the Nerds’ Screenwriter On Popularity And Success

Revenge of the Nerds‘ Screenwriter On Popularity And Success 

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“Cast defends timing of bin Laden raid movie”

“Cast defends timing of bin Laden raid movie”

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Lookbooking “Sofia Coppola Chic”

Lookbooking “Sofia Coppola Chic”

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon