Movie City News Archive for October, 2012

Copyright Office Says DMCA Does Not Prevent Documentarians From Ripping DVDs Or Streaming Video, But Keep Your Software Off Those Damn Blu-Rays

Copyright Office Says DMCA Does Not Prevent Documentarians From Ripping DVDs Or Streaming Video, But Keep Your Software Off Those Damn Blu-Rays

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Wreck-It Ralph And The Vintage Videogame

Wreck-It Ralph And The Vintage Videogame

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Agyness Deyn, From Model To Pusher

Agyness Deyn, From Model To Pusher

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The Man Behind The Faulkner Estate, Suing Sony For Paraphrasing A Sentence

The Man Behind The Faulkner Estate, Suing Sony For Woody Allen Paraphrasing A Quotation

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Ex-Con Media Fraudster Conrad Black Says He’s Doing Quite Well With “Public Disgrace,” Thank You Very Much

Ex-Con Media Fraudster Lord Black Of Crossharbour (aka Conrad Black) Says He’s Doing Quite Well With “Public Disgrace,” Thank You Very Much

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Billboard Shakes Up Charts, Musicians, Music Co’s

Billboard Shakes Up Charts, Musicians, Music Co’s

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Wilmington on Movies: Cloud Atlas

I loved it. And for once, I’m speechless. But I promise to get to it at greater length, next week. It’s a movie, after all, that can probably be watched repeatedly, and discussed endlessly. It’s divided the critics — some are fervently pro, some contemptuously con — in a way that usually only the more interesting pictures can and do. It’s long, it’s complex, and it violates about half the rules for a big-budget big-audience movie, while following (and triumphing in) about half the others.

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Friday Estimates

Paranormal‘s not-so-normal drop of 71% takes it from the top to the 4-spot, leaving the strong holding Argo on top of the pack. None of the 3 major newcomers could deliver much, with Cloud Atlas hoping for a $10m weekend, Silent Hill: Whatever praying for $9m, and Fun Size chasing $4.2m.

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Robert Zemeckis On The Spectacle On Intimacy

Robert Zemeckis On The Spectacle On Intimacy

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Jeff Berg Out Immediately At ICM Partners

Jeff Berg Out Immediately At ICM Partners

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“I will tell you in the same breath that Cloud Atlas is a flawed and potentially ridiculous work and that I loved it, and can’t wait to see it a second time (and then a third). Indeed, all of that is connected, as the movie itself reminds us—perhaps too many times. I’d almost always rather see the rare kind of pop spectacle that takes enormous risks, that reaches for grand themes, big ideas and operatic emotions, even if it makes indefensible mistakes along the way.”

“I will tell you in the same breath that Cloud Atlas is a flawed and potentially ridiculous work and that I loved it, and can’t wait to see it a second time (and then a third). Indeed, all of that is connected, as the movie itself reminds us—perhaps too many times. I’d almost always rather see the rare…

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Grantland Writer Gets What Cloud Atlas Does So Well But Is Not Pleased At The Prospect

“F— continuity.” Grantland Writer Gets What Cloud Atlas Does So Well But Is Not Pleased At The Prospect

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Earlier: Aleksandr Hemon’s September New Yorker Profile Of The Wachowskis

Earlier: Aleksandr Hemon‘s September New Yorker Profile Of The Wachowskis

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West Memphis Three Sets Off Another Investigation

West Memphis Three Sets Off Another Investigation

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The Torontonian Reviews: Skyfall

More than making up for the dog’s breakfast that was 2008’s Quantum of Solace, Skyfall–James Bond’s 23rd film adventure–sets the bar high: not only is it 2012’s best blockbuster screened thus far, but it is also one of the strongest films in Bond history. Director Sam Mendes knows what makes a great Bond movie.

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Wilmington on Movies: Chasing Mavericks

Jonny Weston has curly-frizzy blonde locks and a ripped torso and he even does most of his own surfing. But he also has amiable but vacuous pretty boy looks that suggest blonde actors like Troy Donahue or Christopher Atkins — that summon up less a great, driven surfer on a date with destiny than a male model with a date at the Santa Monica pier. I’ve seen Weston at least one other time recently, in the lousy behind-the scenes porno industry movie About Cherry, but I can barely remember what he did in it. I can and will remember him in Chasing Mavericks. But that’s mostly because of his role, and because he’s playing, at least part of the time, with those incredible waves — the awesome rolling towers of water and spray and curling doom that better men (and women) than I am, conquer or fall before.

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Criterion Peeks A Couple Minutes Of Its Tour Of Guillermo Del Toro’s Epic Man Cave

Criterion Peeks A Couple Minutes Of Its Tour Of Guillermo Del Toro’s Epic Man Cave

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The Limber Comedy Cinema Of Pierre Étaix, Unseen For 20 Years

The Limber Comedy Cinema Of Pierre Étaix, Unseen For 20 Years

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A Shrine Of Stenberg Brothers Soviet Cinema Posters At Auction

A Shrine Of Stenberg Brothers Soviet Cinema Posters At Auction

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Are There Technical Reasons For Digital “Classic” Screenings Looking Worse Than Over-The-Air Television?

Are There Technical Reasons For Digital “Classic” Screenings Looking Worse Than Over-The-Air Television?

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon