Movie City News Archive for December, 2012

Ishmael Reed On A Mess Of Movies He Loathes, Sometimes Django Unchained

“You really have to suspend disbelief for this movie… Samuel L. Jackson plays himself.” Ishmael Reed On A Mess Of Movies He Loathes, Sometimes Django Unchained

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Ian Jack Rewatches A Frosty Childhood Attraction 50 Years On

Ian Jack Rewatches A Frosty Childhood Attraction 50 Years On

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Pakistan Blocks YouTube Again

Pakistan Blocks YouTube Again

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The Inglorious Life Of A Bollywood Extra

The Inglorious Life Of A Bollywood Extra

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Fuqua Sez Spike Wrong On Quentin

Fuqua Sez Spike Wrong On Quentin

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Yamato’s 2012 Sexytime At The Flickers

Yamato‘s 2012 Sexytime At The Flickers

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Irving Saraf, 80, Co-Oscared For In The Shadow Of The Stars and Emmy’ed For “Dialogues With Mad Women”

Irving Saraf, 80, Co-Oscared For In The Shadow Of The Stars and Emmy’ed For “Dialogues With Mad Women”

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Kristof Talks To Ai Weiwei About How His Humor Confounds The Chinese Government

Kristof Talks To Ai Weiwei About How His Humor Confounds The Chinese Government

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The Weekend Report (3-Day)

The Hobbit: An Unexpected Journey nudged ahead of some fierce competition to retain the top spot on the weekend charts with an estimated $32.9 million. The Christmas day behemoths followed close behind with Django Unchained grossing $30.5 million and the screen adaptation of Les Misérables scoring with $28 million. The frame’s other wide release, Parental Guidance, ranked fourth with $14.8 million to win the seasonal comedy honors by default. Other newcomers included Matt Damon-starring Promised Land with an okay $190,000 at 25 venues and a disappointing $14,200 at five sites for Peter Jackson’s production of West of Memphis.

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“When you learn of the rules and practices of slavery, it was as violent as anything I could do–and absurd and bizarre. You can’t believe it’s happening, which is the nature of true surrealism.”

“When you learn of the rules and practices of slavery, it was as violent as anything I could do–and absurd and bizarre. You can’t believe it’s happening, which is the nature of true surrealism.”

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David O. Russell On How He Arrived At Silver Linings Playbook

“I’ve had my own mild struggles with some of these bipolar issues and my son struggled with some of them. When you’ve been through that, you get it. And then on top of that I just found the family, the neighborhood and the community very enchanting.” David O. Russell On How He Arrived At Silver…

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J. Mark Travis, 61, Produced Richard Pryor: Live In Concert

J. Mark Travis, 61, Produced Richard Pryor: Live In Concert

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L.A.’s Big Business Of MagicSnow

L.A.’s Big Business Of MagicSnow

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Keith Phipps’ Own Private This Is 40

Keith Phipps‘ Own Private This Is 40

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More NYT Mag 2012 Remembrances

More NYT Mag 2012 Remembrances Pappademas On Yauch And – Conceptual Art Based On Nora Ephron’s Orgasmoliloquoy In When Harry Met Sally Plus – Kimmelman On Lebbeus Woods

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Listen To Jonny Greenwood’s Unreleased Score For The Master

Listen To Jonny Greenwood’s Unreleased Score For The Master And –  Have You Read “The Cause Footpath”?

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Portuguese Director Paulo Rocha Was 77

“New Portuguese Cinema” Director Paulo Rocha Was 77 Português

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Turan’s Personal Reminiscence Of Charles Durning

Turan‘s Personal Reminiscence Of Charles Durning

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Billy Crystal Says He Was Always Cold At The Oscars

Billy Crystal Says He Was Always Cold At The Oscars

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Queen Names Observer Film Cricket Philip French OBE (Officer of the Most Excellent Order of the British Empire) For 50 Years Of Film Reviewing

“My successors will inherit a profession with a remarkable past and an assured future.” Queen Names Observer Film Cricket Philip French OBE (Officer of the Most Excellent Order of the British Empire) For 50 Years Of Film Reviewing And – The Daily Mirror Thanks Danny Boyle For Refusing Knighthood

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon