Movie City News Archive for January, 2015

Behind The Scenes At Sundance With Foodies At The Jonathan Gold Doc

Behind The Scenes At Sundance With Foodies At City Of Gold Doc

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Dead Author Can’t Stop Lisbeth Salander

Dead Author Can’t Stop Lisbeth Salander

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Chenjerai Kumanyika On The Whiteness Of The “Public Radio Voice”

Chenjerai Kumanyika On The Whiteness Of The “Public Radio Voice”

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Cara Buckley Carpetbags The Emergence Of American Sniper As Cultural Phenom

“As American Sniper continues to spawn think pieces, internecine celebrity squabbles and diatribes from hand-wringing lefties and chest-thumping righties, it’s interesting to remember the naysaying about the film’s prospects that swirled just last month.” Cara Buckley Carpetbags The Emergence Of American Sniper As Cultural Phenom

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Timbuktu Strikes Nerve In France Post-Charlie Hebdo, Playing On At Least A Third Of Local Screens

Timbuktu Strikes Nerve In France Post-Charlie Hebdo, Playing On At Least A Third Of Local Screens

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Studio Exec Alan J. Hirschfield Was 79; Ran Columbia In 1970s During “Indecent Exposure”-Shampoo-Taxi Driver-Close Encounters Era

Studio Exec Alan J. Hirschfield Was 79; Ran Columbia In 1970s During “Indecent Exposure”-Shampoo–Taxi Driver–Close Encounters Era

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Online Pioneer Andrew Sullivan To Call It Quits After 15 Years Of Blogging

Online Pioneer Andrew Sullivan To Call It Quits After 15 Years Of Blogging

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Sundance Selects Gourmandizes City Of Gold

Sundance Selects Gourmandizes City Of Gold

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Fox Searchlight Buys Brooklyn

Fox Searchlight Buys Brooklyn

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Variety Cover-Stories “Broken H’wd”: Are There Fixes?

“Every day we face new technology challenges. We have to look at our models—the theatrical model, the VOD model. We have to think about what we do with the lack of a DVD business. That was once an insurance policy for the industry. How do we deal with the newer technologies that are emerging and…

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Sundance 2015 Review: Advantageous

In Phang’s imaginary future, it’s pretty much the same-old, same-old: As men grow older and wiser, they morph into handsome “silver foxes” without losing stride on the career or social desirability fronts. As women grow older and wiser, though, their perceived worth diminishes while those aging men chase after younger, newer versions to upgrade to. Phang’s tale imagines a reality where a woman could choose to “upgrade” herself to a younger and thereby more desirable version. You don’t have to be a woman working in the film industry to relate to (or fear) such a thing, though Hollywood is perhaps closer to the future we see here than anywhere else and, sadly, populated by a lot of women who would quite likely line up around the block to take advantage of it.

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Eric Hynes Talks To Kim Longinotto About Dreamcatcher At Sundance

Eric Hynes Talks To Kim Longinotto About Dreamcatcher At Sundance

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Juliane Moore Believes In Therapy, Not God

“I’ve completely created my own life. Structure, it’s all imposed.” Juliane Moore Believes In Therapy, Not God

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“what it’s like to be a woman forced to sit through ‘Blackhat’ and its macho ilk.”

“What it’s like to be a woman forced to sit through Blackhat and its macho ilk”

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Steven Hyden On Gene Hackman As America’s Greatest Actor Even After 11 Years Of Silence

Steven Hyden On Gene Hackman As America’s Greatest Actor Even After 11 Years Of Silence

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Guardian Site Drops Ad Rollouts Before All Videos

Guardian Site Drops Ad Rollouts Before All Videos

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Wesley Morris Finds “Exploitation Blues” At Sundance In Dope, Tangerine And End Of The Tour

“More power to him. But he’s feeding them black shit white people like.” Wesley Morris Finds “Exploitation Blues” At Sundance In Dope, Tangerine And End Of The Tour

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Sean Baker On Making Tangerine On An iPhone 4S With An $8 App

Sean Baker On Making Tangerine On An iPhone 4S With An $8 App

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Does “Empire”‘s Runaway Success Make Lee Daniels The King Of Fox?

Does “Empire”‘s Runaway Success Make Lee Daniels The King Of Fox?

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How Leslie Jones Got To Ghostbusters

How Leslie Jones Got To Ghostbusters

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon