Movie City News Archive for March, 2015

Beleaguered Chicago Sun-Times Cuts Veteran Showbiz Columnist Bill Zwecker To Half-Time

Beleaguered Chicago Sun-Times Cuts Veteran Showbiz Columnist Bill Zwecker To Half-Time

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Dame Helen Mirren Says Sex Better Than Ever At 69

Dame Helen Mirren Says Sex Better Than Ever At 69

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On The Origin Of Color Bars And Other TV Test Patterns

On The Origin Of Color Bars And Other TV Test Patterns

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Michael Cieply On Buzzfeed, VICE, CNN And Others Who Think It Would Be Fun To Run A Mini-Studio

“It is a magical moment in a marketing plan. It’s fun, even if only 45 people show up.” Michael Cieply On Buzzfeed, VICE, CNN And Others Who Think It Would Be Fun To Run A Mini-Studio

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Ebert Website Gathers Remembrances On Secondary Anniversary Of Roger’s Passing

Ebert Website Gathers Remembrances On Secondary Anniversary Of Roger’s Passing And – Ray Pride’s Memories From Time Of Release Of Life Itself

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An Interesting (If Confusingly Organized) Look At New Approaches To Security In Hw’d

An Interesting (If Confusingly Organized) Look At New Approaches To Security In Hw’d

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The Wrap Seeks, Finds, Celeb Tweets About Going Clear

The Wrap Seeks, Finds, Celeb Tweets During Broadcast Of Going Clear

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Esquire Asks Anna Faris Some Semi-Random But Definitely Goonish Questions

Esquire Asks Anna Faris Some Semi-Random But Definitely Goonish Questions

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PIXAR Makes Its Renderman Rendering Software Free For Noncommercial Use

PIXAR Makes Its Renderman Rendering Software Free For Noncommercial Use

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Rome’s Cinecittà Studios Advertises Italian Tax Credit To Lure Studio Productions Like Zoolander 2 And Ben Hur

Rome’s Cinecittà Studios Advertises Italian Tax Credit To Lure Studio Productions Like Zoolander 2 And Ben Hur

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What Excites Bill Nighy?

What Excites Bill Nighy?

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Oscar-Nominated Cinematographer Miroslav Ondricek, 80, Photographed Amadeus, Fireman’s Ball, A League Of Their Own, Garp, Silkwood

Oscar-Nominated Cinematographer Miroslav Ondricek, 80, Photographed Amadeus, O Lucky Man!, Fireman’s Ball, A League Of Their Own, Garp, Silkwood

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Academy Pays $344,000 For 2001’s Aries 1B Trans-Lunar Space Shuttle

Academy Pays $344,000 For 2001‘s Aries 1B Trans-Lunar Space Shuttle

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Gene Saks, 93, Film And Stage Director Largely Known For Work With Neil Simon

Gene Saks, 93, Actor, Film And Stage Director Largely Known For Work With Neil Simon

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Alex Gibney On Stylistic Choices In Going Clear

“In another environment without drones, we would have been limited to a tripod on the street, which is not nearly as exciting as God’s Louma crane.” Alex Gibney On Stylistic Choices In Going Clear

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Jim Ridley Talks To Reclusive, Nashville Based Video Eassayist ::kogonada

Jim Ridley Talks To Reclusive, Nashville-Based Video Essayist ::kogonada

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Sheri Linden On Los Angeles Retrospective Of Taiwan’s Master Director Hou Hsiao-hsien

Sheri Linden On Los Angeles Retrospective Of  Taiwan’s Master Director Hou Hsiao-hsien

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Sally Forrest, 86, Dancer-Turned-Actress In Noir And Musicals Including While The City Sleeps And Three Ida Lupino Movies, Including Hard, Fast And Beautiful

Sally Forrest, 86, Dancer-Turned-Actress In Noir And Musicals Including While The City Sleeps And Three Ida Lupino Movies, Including Hard, Fast And Beautiful

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Adam Driver At Length Of Where He Sees Himself Today

Adam Driver At Length Of Where He Sees Himself Today

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Sir Roger Moore Says He Is Not Racist

Sir Roger Moore Says He Is Not Racist

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon