Movie City News Archive for March, 2015

Screen Australia Gets Banker As New Boss

Screen Australia Gets Banker As New Boss

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Stephen King Challenges Maine Governor To Retract Lies About His Taxes

Stephen King Challenges Maine Governor To Retract Lies About His Taxes

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Netflix Digital-Only Down Under, With 7,000 Fewer Titles Than In U. S.

Netflix Digital-Only Down Under, With An Estimated 7,000 Fewer Titles Than In U. S.

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The Weekend Report

Estimates for DreamWorks Animation’s Home make it the best opening for the studio since moving to Fox for distribution, topping even last summer’s Oscar-winning Dragon sequel. Get Hard is the #3 opening of Will Ferrell’s live-action career, very similar to Blades of Glory. Radius/Weinstein throws It Follows into theatrical release without the threat of immediate VOD and it will become their #1 theatrical grosser ever, in just a few more days.

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Hw’d Food Stylist Melissa McSorley’s Not Talking About That Pile Of Caviar In Danny Collins

Hw’d Food Stylist Melissa McSorley’s Not Talking About That Pile Of Caviar In Danny Collins

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“Cinema is gone—everyone agrees. And yet cinema also abides, if only so that Jean-Luc Godard can go on delivering valedictions to what it used to be. Like the history of which it’s a part, the moving image has not finished its work, nor is it likely to anytime soon. I think it’s just gotten a little too much into itself. The future of the moving image, radical or otherwise, is now being decided by a bunch of 10-year-olds. My ideas won’t greatly affect what they like.”

“Cinema is gone—everyone agrees. And yet cinema also abides, if only so that Jean-Luc Godard can go on delivering valedictions to what it used to be. Like the history of which it’s a part, the moving image has not finished its work, nor is it likely to anytime soon. I think it’s just gotten a…

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Friday Box Office Estimates

Home lands in the top third of DreamWorks Animation openings, right in the range of last summer’s How To Train Your Dragon 2, prompting a much-needed sigh of relief for DWA and Fox marketing. Get Hard opens to a number remarkably close to another Will Ferrell late-March opening, Blades of Fire, which also happens to be one of his Top Five career openers as a lead. And, finally, some life on the arthouse scene, as Radius’ decision to withdraw It Follows from the day-n-date VOD market will pay off with a $4m+ weekend that would not have happened with day-n-date. And Noah Baumbach’s While We Are Young is looking at a $40K+ per-screen on four.

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While We’re Young DP Sam Levy On Removing What Seems Electronic In The Image And On Making The Final Film Print At Technicolor New York

While We’re Young DP Sam Levy On Removing What Seems Electronic In The Image And On Making The Final Film Print At Technicolor New York

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Incoming Guardian Editor Katherine Viner On New Digital Journalism And “The Rise Of The Reader”

Incoming Guardian Editor Katherine Viner On New Digital Journalism And “The Rise Of The Reader”

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“Robert Altman Wooed Me With A Capuccino,” Kathryn Altman Recounts

“Robert Altman Wooed Me With A Capuccino,” Kathryn Altman Recounts

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What Opinion Does The Internet Hold Of Lena Dunham This Fine Day?

What Opinion Does The Internet Hold Of Lena Dunham This Fine Day?

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Noah Baumbach On The Comedy Of Marriage

Noah Baumbach On Being Middle-Aged And – Noah Baumbach On The Comedy Of Marriage

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Bilge Ebiri Visits With Errol Morris As Thin Blue Line; Vernon, Florida And Gates Of Heaven Go Criterion

Bilge Ebiri Visits With Errol Morris As Thin Blue Line; Vernon, Florida And Gates Of Heaven Go Criterion

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Barney Hoskyns On Rocker-Screenwriter Nick Cave’s New Tour Diaries, “The Sick Bag Song”

Barney Hoskyns On Rocker-Screenwriter Nick Cave’s New Tour Diaries, “The Sick Bag Song”

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Kumiko The Treasure Hunter Built Legend Upon Legend

Kumiko The Treasure Hunter Built Legend Upon Legend

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The Return Of The Comic Genius Of Charles Grodin At The Age Of 79

The Return Of The Comic Genius Of Charles Grodin At The Age Of 79

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Zara Co. Buys Chicago’s Esquire Theater Building For $176 Million

Zara Co. Buys Chicago’s Esquire Theater Building For $176 Million

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“Get Hard knows how to screw around. But when it comes to anything more, it lacks the balls to —-,” Sez Wesley Morris

“Get Hard knows how to screw around. But when it comes to anything more, it lacks the balls to —-,” Sez Wesley Morris And – “There are ways to use homophobia in comic contexts which riff and evolve and wind up transcending it… Get Hard doesn’t dare get anywhere near this territory–it keeps pummelling you with…

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Sex Starts In The Brain For Kim Cattrall

Sex Starts In The Brain For Kim Cattrall

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Brilliant Opening Segment Of Wild Tales May Have Predicted Germanwings Crash All Too Well

Brilliant Opening Segment Of Wild Tales May Have Predicted Germanwings Crash All Too Well

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon