Movie City News Archive for May, 2015

Netflix Faces Obstacles In Entering China Market

Netflix Faces Obstacles In Entering China Market

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Chinese Filmmaker Wang Xiaoshuai Says It’s The Worst Of Times For Chinese Indies

Chinese Filmmaker Wang Xiaoshuai Says It’s The Worst Of Times For Chinese Indies

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Vanity Fair’s Forever-Editor Says The Mag Will “Think Like A Start-Up”

Vanity Fair’s Forever-Editor Says The Mag Will “Think Like A Start-Up”

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“Part of the reason Aloha works is because Crowe never holds back: he is never less than 100% committed to really Going For It, which doesn’t necessarily mean an endless series of epiphanies, and it’s certainly not all about love. Whether you find this charming, cloying or both is a little irrelevant: rote connective tissue is systematically rejected for something more aggressive.”

“Part of the reason Aloha works is because Crowe never holds back: he is never less than 100% committed to really Going For It, which doesn’t necessarily mean an endless series of epiphanies, and it’s certainly not all about love. Whether you find this charming, cloying or both is a little irrelevant: rote connective tissue…

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Review: Aloha (non-spoiler)

There should be no pleasure in tearing down the work of a mighty and sincere aesthetic warrior. Cameron Crowe is one such warrior. It would be easy, if lazy, to compare him to other greats who disintegrated before our eyes, their personal visions somehow muddled by too much success, too much money, too many years. But Aloha doesn’t feel like that to me. It feels like something that has ambition to spare, but an utter inability to tie all of its disparate strands together.

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SLAMDANCE LOOKS FORWARD, GROWING YEAR ROUND ENTERPRISES

Submissions open for the 2016 Film Festival, Slamdance Alumni returns for Manager Position, and programs expand through Slamdance Cinema Club, Slamdance Studios on HULU, and beyond (LOS ANGELES, CA—May 29, 2015) Following last year’s record breaking submission numbers, Slamdance Film Festival is now open for 2016 entries with a new program called DIG and the return of…

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Kyle Buchanan Marks The 10th Anniversary Of Leonardo DiCaprio Going From “Twink” To “Twunk”

Kyle Buchanan Marks The 10th Anniversary Of Leonardo DiCaprio Going From “Twink” To “Twunk”

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The DVD Wrapup: Magician: Orson Welles, The Confession and more

In the stage and cinema works of Rainer Werner Fassbinder, it wasn’t always easy for postwar German audiences to differentiate between social satire, parody and provocation. The same holds true for his legacy on film, outside Germany. In a career that lasted 16 years, he was responsible for writing, directing and acting in nearly 50 movies, shorts and TV mini-series, as well as continuing to create Brechtian theater pieces. After beginning his career in the late 1960s making films that ranged from experimental to difficult, Fassbinder would turn to the Hollywood melodramas of German émigré Douglas Sirk for creative inspiration.

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Thelma Adams And John Waters Have A Small Sit-down

“I want to enter someone else’s life and learn something. A lot of gay men have boyfriends that look like them. Mine are never age-appropriate. Most of my men friends that are successful in the arts do not have age-appropriate boyfriends.When you’re 68, 40s are young. Things work or they don’t.” Thelma Adams And John…

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Wally Cassell, 103, Bad Guy In White Heat, Never Had A Fight With His Wife

Wally Cassell, 103, Bad Guy In White Heat, Never Had A Fight With His Wife

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Sony Puts First 8 Minutes Of Aloha Online

Sony Puts First 8 Minutes Of Aloha Online

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Peak Netflix Consumes Up To 37% Of All Internet Bandwidth, More Than Amazon, Hulu And YouTube Combined

Peak Netflix Consumes Up To 37% Of All Internet Bandwidth, More Than Amazon, Hulu And YouTube Combined

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A. O. Scott Misses Cameron Crowe, Still

“Everybody is too eager to forgive, forget and move on. I guess that goes for me too.” A. O. Scott Misses Cameron Crowe, Still

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“His “love letter” to Hawaii feels about as authentic as a mainlander’s #TBT to that one exotic Oahu vacay years ago, sipping Mai Tais on the beach at sunset while watching the hula show.”

“His “love letter” to Hawaii feels about as authentic as a mainlander’s #TBT to that one exotic Oahu vacay years ago, sipping Mai Tais on the beach at sunset while watching the hula show.”

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“Aloha is one of those films whose characters behave and speak so irrationally that they no longer make any human sense at all. Crowe may have had us at hello, but he’s losing us with Aloha.”

“Aloha is one of those films whose characters behave and speak so irrationally that they no longer make any human sense at all. Crowe may have had us at hello, but he’s losing us with Aloha.”

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“Even with its off-balance, overstuffed storytelling, the film maintains a charm and energy that never flags, with brisk pacing and generally engaging performances from its deep-bench cast.”

“Even with its off-balance, overstuffed storytelling, the film maintains a charm and energy that never flags, with brisk pacing and generally engaging performances from its deep-bench cast.”

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After Release Of Doc Critical Of Putin Friend, 33-Year-Old Russian Activist In Coma

“We are now in such a phase with Russia, you never know what really can happen.” After Release Of Doc Critical Of Putin Friend, 33-Year-Old Russian Activist In Coma

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“The Cinema Isn’t A Place, It’s An Idea”: Richard Brody’s Thoughts After NYT’s New Review Policy

“The Cinema Isn’t A Place, It’s An Idea”: Richard Brody‘s Thoughts After NYT’s New Review Policy

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“The Douchebag Factor: Why The Entourage Movie Is Bound To Fail”

“The Douchebag Factor: Why The Entourage Movie Is Bound To Fail”

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Cameron Crowe Talks Movie Music

Cameron Crowe Talks Movie Music

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon