Movie City News Archive for November, 2015

The Passions Behind Patricia Highsmith’s Novel Of “Carol”

“I see her the same instant she sees me, and instantly, I love her. Instantly, I am terrified, because I know she knows I am terrified and that I love her. Though there are seven girls between us, I know, she knows, she will come to me and have me wait on her.” The Passions…

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Andrew O’Hehir On Team Todd

“Carol is such a moving film and such a beautiful film, which demonstrates in a thousand ways why cinema (however moribund or irrelevant it may appear) is not television, that I am reluctant to privilege any particular element of its construction. It is one of the greatest American screen romances of any era, period–and perhaps that…

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Charting James Bond’s Deadly Relationship With Women

Charting James Bond’s Deadly Relationship With Women

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Behind The Restoration Of Don’t Look Back

Behind The Restoration Of Don’t Look Back

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Craig Keller and Vincent-Paul Boncour Of Carlotta Films On The Restoration of Rivette’s OUT 1

Craig Keller and Vincent-Paul Boncour Of Carlotta Films On The Restoration of Rivette’s OUT 1 And – On Larger Questions Of Digital Restoration And Distribution

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“Why The Hunger Games: Mockingjay can help marketers understand Generation K”

“Why Mockingjay can help marketers understand Generation K”

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Three Bylines For LAT Redstone Update

Three Bylines For LAT Sumner Redstone Update

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Looking At An Australian Biography Of The Man “Before Rupert”

Looking At An Australian Biography Of The Man “Before Rupert”

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Peter Howell Christens Oscar Season

Peter Howell Christens Oscar Season And The Convening Of The Gurus O’ Gold

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Cahiers du Cinema Enjoins Playlist Against Publishing Their 2015 Top 10 List Before They’ve Published It, Although Mia Madre Remains In Playlist URL

Cahiers du Cinema Enjoins Playlist Against Publishing Their 2015 Top 10 List While – Fandor’s Keyframe Daily Goes Right Ahead

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Friday Box Office Estimates

The Hungry Finale is holding well going into its second 3-day weekend. The Good Dinosaur is running ahead of The Peanuts Movie, but behind the last Disney movie to open wide on Thanksgiving weekend, Tangled. And Creed is solid, not sensational, as it builds word of mouth that will probably make it the leggiest of the November movies. The Danish Girl arrives with over $50k per screen for 3 days on four.

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Eddie Murphy’s Six Minutes Of Stand-Up At The Mark Twain Prize

Watch Eddie Murphy’s Six Minutes Of Stand-Up At The Mark Twain Prize

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The Economist On What Zoolander 2 Trailer Brought To Trans Discussion

The Economist On What Zoolander 2 Trailer Brought To Trans Discussion

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Alex Proyas And Lionsgate Apologize Over Whiteness Of Gods Of Egypt Cast

Alex Proyas And Lionsgate Apologize Over Whiteness Of Gods Of Egypt Cast

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Wesley Morris And A. O. Scott On Six Films That Speak To The Idea Of “France”

“When he wants to be, Audiard is France’s most provocative director: a major film artist who doesn’t care about what’s politically correct, only what is just. Insanely, sensationalistically just.” Wesley Morris And A. O. Scott On Six Films That Speak To The Idea Of “France”

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“Why tie a film so explicitly to a cause that “needs immediate attention,” whether through the plotting or promotion, if not to profit on the outdated idea of that there is a foreign land that needs saving?”

“Why tie a film so explicitly to a cause that “needs immediate attention,” whether through the plotting or promotion, if not to profit on the outdated idea of that there is a foreign land that needs saving?”

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Variety Cover-Stories Warner Bros’ Kevin Tsujihara

“Despite all the changes that are occurring, great content is more valuable than ever We have the best array of assets that are going to allow us to be the most flexible and to win under many different scenarios.” Variety Cover-Stories Warner Bros And Boss Kevin Tsujihara

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“Both Creed and Mad Max should be instructive to studios: if you are planning to resurrect a franchise, that new entry should be able to stand on its own.”

“Both Creed and Mad Max should be instructive to studios: if you are planning to resurrect a franchise, that new entry should be able to stand on its own.”

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How Google Inspired Raspberry Pi’s $5 Computer

How Google Inspired Raspberry Pi’s $5 Computer

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Polanski Won’t Be Extradited To Los Angeles

“Polish judges and prosecutors appreciated how many grave mistakes had been made on the U.S. side and exposed its hypocrisy. Roman and his family can finally take a deep breath.” Polanski Won’t Be Extradited To Los Angeles

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon