Movie City News Archive for January, 2016

Filmmakers React To Shuttering Of NYC’s Ziegfeld

“With All The Billionaire Art Patrons That Reside In NYC Why Wasn’t A Plan Put In A Place To Save This Major Cultural Institution. Would This Have Ever Happened To Lincoln Center Or Carnegie Hall? Is Film A Bald Headed, Buck Toothed Step Child In The Hierarchy Of The Arts? The Sad Thing There Is…

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Martin Scorsese On The Late Jacques Rivette

“I vividly remember the shock of seeing his first two films, Paris Belongs to Us and The Nun. Two very different experiences, both uniquely troubling and powerful, quite unlike anything else around. Rivette was a fascinating artist, and it’s strange to think that he’s gone. Because if you came of age when I did, the New Wave still seems new….

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JACQUES RIVETTE WAS 87

JACQUES RIVETTE WAS 87 With – “Order Of The Exile,” The Invaluable Jacques Rivette Resource

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Patricia Resnick, Gay Female Screenwriter Of 9 To 5, Weighs In On Oscar Diversity Moves

Patricia Resnick, Gay Female Screenwriter Of 9 To 5, Weighs In On Oscar Diversity Moves “It’s ageism, pure and simple.” Wishing It To The Cornfield: Long-Grown Child Actor Billy Mumy Objects To Oscar Membership Changes

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Screenvision Offers Movie Theaters “Beacons” To Track Your Activities

“A moviegoer who just left a screening might receive marketing relating to the movie they’ve seen, such as a coupon for a Star Wars mask. Or they might get a coupon for an ad they saw earlier in the theater. They might be pinged with a coupon for a discount on a large popcorn as…

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THR Culls Social Media For Cues To Final Ziegfeld Show, Force Awakens With Free Soda And Popcorn

THR Culls Social Media For Cues To Final Ziegfeld Show, Force Awakens With Free Soda And Popcorn

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Mark Harris Gets Monthly Column At Vulture

Mark Harris Gets Monthly Column At Vulture

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Redford Swings For The Fences With Some Wild Sundance Growth Options

Redford Swings For The Fences With Some Wild Sundance Growth Options

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Slamdance 2016 Announces Audience And Jury Prizes

  [PR]  (PARK CITY, UT – January 28, 2016) – The 22nd Slamdance Film Festival tonight announced the feature and short film recipients of this year’s Sparky awards in the Audience, Jury, and Sponsored Categories. The award winners were announced at the festival’s annual Awards Ceremony at the Treasure Mountain Inn in Park City, UT. As…

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Jessica Ritchey Remembers Her Father Through Five 2015 Films

Jessica Ritchey Remembers Her Father Through Five 2015 Films

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Amazon Hits $107 Billion In Revenue In 2015

Amazon Hits $107 Billion In Revenue In 2015

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Gillian Bohrer, Lionsgate Production Co-Pres, Who Supervised Twilight And Divergent Series, Moving On

Gillian Bohrer, Lionsgate Production Co-Pres, Who Supervised Twilight And Divergent Series, Moving On

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Mario Puzo’s Godfather Archive, 45 Bankers Boxes Worth, Up For Auction

Mario Puzo’s Godfather Archive, 45 Bankers Boxes Worth, Up For Auction

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Charges Of Extensive Sexual Harassment In Chicago Improv Community

“I don’t know if I want to say anything about a director because I don’t want to be marked as the girl who causes trouble. It’s a very competitive environment and you don’t want to lose opportunities.” Charges Of Extensive Sexual Harassment In Chicago Improv Community

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Open Road Films Partners On Upcoming Productions

OPEN ROAD FILMS PARTNERS WITH CRYSTAL CITY ENTERTAINMENT AND BOUNDARY STONE FILMS FOR MULTI-YEAR DEVELOPMENT FINANCING DEAL   Los Angeles, CA – January 28, 2015 – Open Road Films and Crystal City Entertainment/Boundary Stone Films today announced a multi-picture development financing pact for all of Open Road Films’ own productions over the coming years. The…

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P.O.’ed PAs Petition Par

P.O.’ed PAs Petition Par

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Tony Rayns Remembers Screen Great Hara Setsuko

Tony Rayns Remembers Screen Great Hara Setsuko

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Bigelow-Boal Set Untitled 1967 Detroit Riot Crime Drama With Annapurna

Details about the Detroit project are not being revealed at this time.

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Mike Nichols Biographer Mark Harris Provides Career Timeline For This Week’s “American Masters” Doc

Mike Nichols Biographer Mark Harris Provides Career Timeline For This Week’s “American Masters” Doc

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“The Big Short: So White, So Male, So On Purpose,” Writes Devin Faraci

“The Big Short: So White, So Male, So On Purpose,” Writes Devin Faraci

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon