Movie City News Archive for April, 2016

Kyle Buchanan Wonders Why H’wd Hides The Faces Of Black Actors

“Since her Oscar win, no white director has cast Lupita Nyong’o in a live-action role that lets her live in her own black skin. Idris, Lupita, Paula, and Zoe have faces that matter.” Kyle Buchanan Wonders Why H’wd Hides The Faces Of Black Actors

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City Of Cannes Simulated Terrorist Attack Exercise Video Circulates

“We are training, we are preparing, we are ready. It’s not frightening. What should be frightening is all the videos you see on the Internet, not the coverage of an exercise.” City Of Cannes Simulated Terrorist Attack Exercise Video Circulates

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Former Ticketmaster CEO Looks Askance At The Screening Room Scheme

“The only ones qualified to price the content are the studios. Home viewing of a lower-budgeted movie like Brooklyn or The Room might cost $200-$250, while a blockbuster like Jurassic World or Star Wars might be $600-$700.” Former Ticketmaster CEO Looks Askance At Screening Room Scheme

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Comcast Universal In Talks To Buy DreamWorks Animation For Over $3 Billion

Comcast Universal In Talks To Buy DreamWorks Animation For Over $3 Billion

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Purple Rain Expands To 212 AMC Theaters Friday

Purple Rain Expands To 212 AMC Theaters Friday

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At 75, Leonard Riggio Set To Retire From Barnes & Noble

At 75, Leonard Riggio Set To Retire From Barnes & Noble

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UK Culture Sec’y Sets Agenda To Privatize Channel 4 After BBC Charter Renewal

UK Culture Sec’y Sets Agenda To Privatize Channel 4 After BBC Charter Renewal

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http://www.vulture.com/2016/04/new-girl-liz-meriwether-prince.html

“It was clear, in those few weeks that we made something together, that Prince rarely, if ever, lost his vision. That wasn’t because he was a magical, otherworldly being; it was because he was rigorous, and generous, and he knew how to fight for what he wanted. It was a beautiful, constant fight. It was…

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Miles Raymer On “Lemonade”

“Beyoncé is frequently overlooked as one of the most radical pop musicians of the current century, probably because a) she’s a woman and b) she has an uncanny gift for wrapping up her most challenging ideas up in hugely catchy hooks and smuggling them straight into the mainstream under everyone’s noses.” Miles Raymer On “Lemonade”

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Bilge Ebiri On The Alien Films’ Attack On Humanity Itself

Bilge Ebiri On The Alien Films’ Attack On Humanity Itself

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Filmmaker Robert Greene On The Movie Scene

“It used to be that movies would convey very complex messages in very straightforward, speech-y ways. We could roll our eyes at those, and I don’t like those movies all that much, but I like the idea that that’s something we should fight for. I wanted to make a movie that had a point, and has…

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Behind The Interactive Technology That Makes Guy Maddin’s Seances Possible

Behind The Interactive Technology That Makes Guy Maddin’s Seances Possible

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Peter Becker Introduction To Filmstruck Streaming Says Hulu Loses Criterion In November

“Criterion Channel will give us a chance to champion and show more films by filmmakers working today, not just the few we have rights to publish on disc.” Peter Becker Introduction To Filmstruck Streaming Says Hulu Loses Criterion In November

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Verizon Wants Yahoo To Make It Third Digital Ad Purveyor, After Google And Facebook

Verizon Wants Yahoo To Make It Third Digital Ad Purveyor, After Google And Facebook

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Toronto Int’l Takes Nollywood

Toronto Int’l Takes Nollywood

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Filmmaker Bob Byington On “Basic Aimlessness”

Filmmaker Bob Byington On “Basic Aimlessness”

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NYT Leaving Paris And Its Strict Employment Laws; 70 Jobs Eliminated Or Displaced

NYT Editing Office Leaving Paris And Its Strict Employment Laws; 70 Jobs Eliminated Or Displaced

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“The Ancient One was a racist stereotype who comes from a region of the world that is in a very weird political place. He originates from Tibet, so if you acknowledge that Tibet is a place and that he’s Tibetan, you risk alienating one billion people. ‘Hey, you know one of the biggest film-watching countries in the world? We’re not going to show your movie because you decided to get political.’”

“The Ancient One was a racist stereotype who comes from a region of the world that is in a very weird political place. He originates from Tibet, so if you acknowledge that Tibet is a place and that he’s Tibetan, you risk alienating one billion people. ‘Hey, you know one of the biggest film-watching countries…

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A Local Interview With The 18-Year-Old Prince About His Ambitions

A Local Interview With The 18-Year-Old Prince About His Ambitions

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“Jodie Foster Is Still Afraid Of Failure”

“Jodie Foster Is Still Afraid Of Failure”

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon