Movie City News Archive for June, 2016

“Neon Demon ends at a point where everything has been fulfilled; it can’t go on. You want it to go on, because now it has revealed what it essentially is. But I ended the movie on a note that is off-key, so it penetrates your mind. But if I completed it, it’d have vanished from your mind. Now it stays within you. It’s a trick. You’re looking for the last note to finish it.”

“Neon Demon ends at a point where everything has been fulfilled; it can’t go on. You want it to go on, because now it has revealed what it essentially is. But I ended the movie on a note that is off-key, so it penetrates your mind. But if I completed it, it’d have vanished from…

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Jonnie Rosenbaum Makes Global DVD Discoveries

Jonnie Rosenbaum Makes Global DVD Discoveries

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Robbie Collin Into The Female “Persona Swap” Genre

Robbie Collin Into The Female “Persona Swap” Genre

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Mark Peranson Suggests Cannes Kill Its Darlings, Not Limited To Arnold, Refn, Dolan, Mungiu, Park, Mendoza, The Dardennes, Sorrentino , “The Great Maiwenn,” Kawase, Ceylan, Audiard, Noé, Haneke And Von Trier

Mark Peranson Suggests Cannes Kill Its Darlings, Not Limited To Arnold, Refn, Dolan, Mungiu, Park, Mendoza, The Dardennes, Sorrentino , “The Great Maiwenn,” Kawase, Ceylan, Audiard, Noé, Haneke And Von Trier

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Toronto Int’l Adds Virtual Reality Component

Toronto Int’l Adds Virtual Reality Component

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Dardennes Slice Their Cannes Unknown Girl After Criticism

Dardennes Slice Their Cannes Unknown Girl After Criticism

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Nate Parker To Receive Sundance Institute Vanguard Award

Sundance Institute today announced it will present its Vanguard Award to filmmaker and actorNate Parker at NIGHT BEFORE NEXT, a summer celebration benefiting the Institute and its artists on the eve of Sundance NEXT FEST at the iconic Theatre at Ace Hotel Downtown Los Angeles on Thursday, August 11. Parker’s directorial debut, The Birth of…

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An Estimate Of The Devastation “Brexit” Will Wreak On British Television, Newspapers

An Estimate Of The Devastation “Brexit” Will Wreak On British Television, Newspapers

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Joshua Oppenheimer And Werner Herzog Talk Look Of Silence

Joshua Oppenheimer And Werner Herzog Talk Look Of Silence 32’39” vid

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Australian Photographers On What Bill Cunningham’s Work Meant To Them

Australian Photographers On What Bill Cunningham’s Work Meant To Them

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Wilmington on Movies: The Shallows

The Shallows is a genuinely scary movie thriller that spooks you because, in a way, it seems so real — this tense, taut movie manage to get by without ghosts, monsters, supernatural maniacs or The Devil, indeed without almost anything that absolutely couldn’t happen (maybe) in the real world. Like Jaws, it’s the white-knuckle, full-throttle story of a battle between human vs. shark: a visually voluptuous thriller, set in a mostly deserted stretch of Australian coast, about a great white shark that traps a young surfer and medical student on an ocean-bound rock and buoy only about 200 yards from shore — a deserted beach near an ocean that is mostly empty except for that trapped girl and that toothy shark and one other creature we‘ll introduce later. (You’ll like him.)

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A Slight Burst Of Pessimism About Filmmakers Having Careers

“No-budget filmmaking is not a career. And at some point, 20-somethings become 30-somethings.” A Slight Burst Of Pessimism About Filmmakers Having Careers

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London Independent Newspaper Neared Breakeven Even As It Went Digital And Five Directors Doubled Their Pay

London Independent Newspaper Neared Breakeven Even As It Went Digital And Five Directors Doubled Their Pay

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A24, Oscilloscope Partner With BitTorrent Now Distribution Platform

A24, Oscilloscope Partner With BitTorrent Now Distrib Platform

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Filmmaker Peter Hutton Remembered By J. Hoberman

Filmmaker Peter Hutton Remembered By J. Hoberman

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Ben Wheatley’s High-Rise Seen As “Brexit” Parable

Ben Wheatley’s High-Rise As Seen As “Brexit” Parable

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Bud Spencer Was 86

Bud Spencer Was 86

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“The Reuters report suggests that many news consumers are resistant to watching video because it is faster to read an article, and because of the ads that often precede videos.”

“The Reuters report suggests that many news consumers are resistant to watching video because it is faster to read an article, and because of the ads that often precede videos.”

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NYPost Lets Go Of First String Theater Critic Directly After Deadline Ditches Jeremy Gerard

NYPost Lets Go Of First String Theater Critic Directly After Deadline Ditches Jeremy Gerard And – What Does It Mean For The Boston Globe To “Refocus” Its Arts Coverage?

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Here’s The Blood Simple Pitch Trailer That Got The Coens Their Cash In 1985

Here’s The Blood Simple Pitch Trailer That Got The Coens Their Cash In 1985

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon