Movie City News Archive for June, 2016

Viacom CEO Dauman Asks Judge For Immediate Mental Exam For Sumner Redstone

Viacom CEO Dauman Asks Judge For Immediate Mental Exam For Sumner Redstone

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Los Angeles Times Mocks Director Peter Atencio’s Twitter Posts About Keanu’s Kitten-Centric Promtion, Embedding A Shitload Of Tweets But Making No Apparent Attempt To Contact Filmmaker

Los Angeles Times Mocks Director Peter Atencio’s Twitter Posts About Keanu’s Kitten-Centric Promtion, Embedding A Shitload Of Tweets But Making No Apparent Attempt To Contact Filmmaker

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I Am The Colorist Of Terrence Malick

“Terry sometimes cuts the movie to the look of things — or even to the exposure — rather than directly to the story, because he’s looking for more of a feeling. With me doing the dailies, Terry could go in and start editing according to how things flow color-wise. So we were very conscious about it during…

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Ramin Setoodeh Thinkpieces Three Reasons Independence Day Not Resurgent Stateside (Aside From Quality, Or Lack Thereof)

Ramin Setoodeh Thinkpieces Three Reasons Independence Day Not Resurgent Stateside (Aside From Quality, Or Lack Thereof)

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“I didn’t really understand where I stood in relationship to the film, the story, Rupert Pupkin, and Jerry Langford, too, until I was in the process of making the film—the shooting, the editing. I don’t think I necessarily liked what I found.”

“I didn’t really understand where I stood in relationship to the film, the story, Rupert Pupkin, and Jerry Langford, too, until I was in the process of making the film—the shooting, the editing. I don’t think I necessarily liked what I found.”

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“Stanley Kubrick” Joins Twitter

“Stanley Kubrick” Joins Twitter

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Hw’d Shrink On Reacting To Being Fired From The Dream Factory

Hw’d Shrink On Reacting To Being Fired From The Dream Factory

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StalkRoulette: Facebook Using Your Phone Location To Suggest New Friends Near You

StalkRoulette: Facebook Using Your Phone Location To Suggest New Friends Near You

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Cover Story-ing Eva Green

“It is very paradoxical. I am so shy, and, at the same time, I expose myself literally to thousands of people. I don’t really understand why I do that. I need to go through therapy!” Cover Story-ing Eva Green

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Stephen Galloway Argues H’wd Commits Hari-Kiri Once A Decade

“It used to be that success meant stability. Not any more. Today, even when you’re doing great, you’re not safe.” Stephen Galloway Argues H’wd Hari-Kiris Each Decade

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Terence Davies Tells Steve Erickson About “Nostalgia Without Sentiment”

Terence Davies Tells Steve Erickson About “Nostalgia Without Sentiment”

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Fat Polynesian God In Moana Prompts Preemptive Criticism

Fat Polynesian God In Moana Prompts Preemptive Criticism

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Dog Eat Dog Screenwriter Matthew Wilder On “My Struggle With The Cannes Film Festival”

“What a perfect topsy-turvy relationship for the age of Trump: by making his most splattery, toxic, self-consciously wacky and absurdly punk-rock movie, Schrader assured that he would be received with the calmly respectful applause of an old master.” Dog Eat Dog Screenwriter Matthew Wilder On “My Struggle With The Cannes Film Festival”

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Pride, Unprejudiced: The Look Of Silence

“The films avoid a kind of journalistic or historical account. They provide only enough information as required for the viewer to understand the next scene. The film doesn’t become a primer about Indonesian history. I think the films avoid being about Indonesia as such, by focusing on the perpetrator and the men around him in The Act of Killing, and one family in The Look of Silence. Instead of becoming smaller, they grow, because they could be your brothers.”

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The Heavy-Duty Working Class Documentaries Of Michael Glawogger, Seen By Jonathan Kiefer

The Heavy-Duty Working Class Documentaries Of Michael Glawogger, Seen By Jonathan Kiefer

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Brexit Could Convulse British Broadcasting, Including Forcible Relocation of Channel 4 To Birmingham

Brexit Could Convulse British Broadcasting, Including Forcible Relocation of Channel 4 To Birmingham

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Chicago Tribune Architecture Critic Blair Kamin On George Lucas’ “Arrogance” And Hiding Behind Unpopular Mayor To Represent Him

Chicago Tribune Edit Board Finds Five Silver Linings To Vamoosing Of George Lucas’ Memorabilia Museum “Lucas himself was the man behind the curtain in The Wizard of Oz — the unseen force pulling the levers, known to everyone but accountable to no one. He did not deign to speak to reporters. He denied their requests…

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The Weekend Report

The story was Dory as the Blue Tang clan of Finding Dory boop boop ditem whatem an estimated $73.2 million in its second weekend. That was bad news for Independence Day: Resurgence that settled into second with $41.6 million. The session’s other two national openers saw upbeat results for The Shallows , churning $16.2 million, while Civil War lesson Free State of Jones struggled to $7.5 million.

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New York Times Fashion Photographer Bill Cunningham Was 87

“To see a Bill Cunningham street spread was to see all of New York.” New York Times Fashion Photographer Bill Cunningham Was 87

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Reviews: Free State of Jones and Hunt for the Wilderpeople

Free State of Jones harkens back to the Civil War era and its aftermath for an arcane and fascinating piece of time that eluded even Ken Burns. Set in Jones County, Mississippi, It centers on disaffected Southerners struggling through a war and a cause unrelated to their daily existence but nonetheless demanding sacrifice they find unduly oppressive.

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon