Movie City News Archive for August, 2016

Friday Box Office Estimates

Don’t Breathe scares up almost $10 million since Thursday night showings, while Suicide Squad snags $3.33 million. Jason Statham kicks out $3.3 million with Mechanic: Resurrection.

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Pablo Villaça On The Gov’t Attacks Against Aquarius, Brazil’s Favorite For Foreign Language Film And How Other Filmmakers Have Reacted

Pablo Villaça On The Gov’t Attacks Against Aquarius, Brazil’s Favorite For Foreign Language Film And How Other Filmmakers Have Reacted

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Peter Howell Says Toronto 2016 Has More Than One Controversial Film

Peter Howell Says Toronto 2016 Has More Than One Controversial Film

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First-Time Feature Filmmaker Aaron Keene Reminds, “Nobody Wants To Make Your —ing Movie”

First-Time Feature Filmmaker Aaron Keene Reminds, “Nobody Wants To Make Your —ing Movie”

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“Our country is —- right now. Being a black person in America right now is —-, being a homosexual in America right now is —-, and being a black homosexual is the bottom for certain people. That’s why I’m so excited for people to see Moonlight. I don’t feel like there’s a solution for our problems, but this movie might change people.”

“Our country is —- right now. Being a black person in America right now is —-, being a homosexual in America right now is —-, and being a black homosexual is the bottom for certain people. That’s why I’m so excited for people to see Moonlight. I don’t feel like there’s a solution for our problems, but…

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Natasha Lyonne On Getting Her Movies Out There

Natasha Lyonne On Getting Her Movies Out There

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Andrea Pitzer On Kubrick, Nabokov, Lolita And The Holocaust

Andrea Pitzer On Kubrick, Nabokov, Lolita And The Holocaust

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The Wave Wins Best Norwegian Film As Louder Than Bombs Takes Four

The Wave Wins Best Norwegian Film As Louder Than Bombs Takes Four

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Nigel Andrews On Kirk Douglas As He Nears 100

Nigel Andrews On Kirk Douglas As He Nears 100

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Hedge Fund Buys Largest Share Of Tribune Media Successor, tronc™, Displacing Entrepreneur Michael Ferro And May Force Its Sale

Hedge Fund Buys Largest Share Of Tribune Media Successor, tronc™, Displacing Entrepreneur Michael Ferro And May Force Its Sale

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Matt Zoller Seitz Talks Howard’s End With James Ivory

Matt Zoller Seitz Talks Howard’s End With James Ivory

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Vox’s Aja Romano Says “The Leslie Jones hack is the flashpoint of the alt-right’s escalating culture war”

Vox’s Aja Romano Says “The Leslie Jones Hack Is The Flashpoint Of The Alt-Right’s Escalating Culture War”

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Ben Foster Reflects On Hell Or High Water And Acting Today

“I just don’t have a lot of interest in watching them if they’re done. I enjoy the build, and if I’m honest about it, I just don’t care to review it. It feels like a love affair gone past. I don’t feel like re-reading the Valentines. Maybe when I’m an older man, I’ll have something…

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Joe Coscarelli Looks Back 25 Years At Madonna: Truth Or Dare

Joe Coscarelli Looks Back 25 Years At Madonna: Truth Or Dare

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Apocalypse Pooh And The Accidental Father Of The Mash-Up

Apocalypse Pooh And The Accidental Father Of The Mash-Up, By Jim Knipfel

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Surveying Little People On The Big Screen

Surveying Little People On The Big Screen

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The DVD Wrapup: Jungle Book, Weiner, Dark Horse, Roots, Narcos and more

Comparing live-action apples to live-action apples, The Jungle Book has swamped Maleficent and Cinderella, but slightly trails Tim Burton’s 2010 Alice in Wonderland, which benefitted from huge 3D numbers. Of these, the only live-action title even close to Jon Favreau’s “reimagining” of the Kipling classic at the Metacritic site is Kenneth Branagh’s delightful Cinderella, starring Lily James.

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Jerry Lewis On Dino, De Niro And His Favorite Joke

Jerry Lewis On Dino, De Niro And His Favorite Joke

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Justine Smith Asks, “Is There Still A Place For Eroticism In Cinema?”

Justine Smith Asks, “Is There Still A Place For Eroticism In Cinema?”

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon