Movie City News Archive for August, 2016

Jason Statham Makes Terrible Films, but I Love Him Anyway

“Jason Statham Makes Terrible Films, But I Love Him Anyway”

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Adrian Martin On The Missing Critics On Any List Of The World’s Historically Most Influential

Adrian Martin On The Missing Critics On Any List Of The World’s Historically Most Influential

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Kyle Buchanan’s Opening Oscar Predix Predictably Unsettled

Kyle Buchanan‘s Opening Oscar Predix Predictably Unsettled

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“Gawker was stupid, loud, bullying and ill-informed, and most days it was the only honest thing you could read,” Writes Alex Balk

“Gawker was stupid, loud, bullying and ill-informed, and most days it was the only honest thing you could read,” Writes Alex Balk

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Turkey Bans All Foreign Plays From State Theaters While Compelling Lists Of “Dissidents” To Vanquish

“The fool doth think he is wise, but the wise man knows himself to be a fool.” Turkey Bans All Foreign Plays From State Theaters While Compelling Lists Of “Dissidents” To Vanquish

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WGA President Howard Rodman Tub-Thumps For Honorary Oscar For 93-Year-Filmmaker-Life Force Jonas Mekas

“Mekas came to the U. S. from Lithuania in 1949 with everything he owned in his arms: three bags of books and one set of clothes. What he’s done since is a rags-to-riches story of a very different kind. Rather than enrich himself, he’s made the lives of so many others richer.” WGA President Howard…

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“Sekrit Cinema” Of Austin Man With Aspergers Ratted Out

“Sekrit Cinema” Of Austin Man With Aspergers Ratted Out

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Don’t Breathe Gets The Traditional Condescension-To-Horror Analysis

“Horror movies always seem to find an audience. They are extraordinarily cost-efficient. You don’t need a ton of money to make one. All you have to have is a darkened room and some people chasing other people and you’ve got a horror movie.” Don’t Breathe Gets The Traditional Condescension-To-Horror Analysis

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“Ava DuVernay Is On A Mission To Make The Kind Of Movies You’ve Never Seen”

“Ava DuVernay Is On A Mission To Make The Kind Of Movies You’ve Never Seen”

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Margaret Sullivan Predicts What TRUMP*TV Will Look Like

Margaret Sullivan Predicts What TRUMP*TV Will Look Like

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“Brexit” Will Damage British Film Exports

“Brexit” Will Damage British Film Exports

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Hidden Figures Starts Award Push At Toronto Fest Side Event, Concert

Hidden Figures Starts Award Push At Toronto Fest Side Event, Concert

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Wired Says To Hell With Movies Anyway, They’re Over

Wired Says To Hell With Movies Anyway, They’re Over

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At 83, John Boorman Publishes Black Comic Novel, “Crime Of Passion,” About A Failed Film Director After A Commercial Audience

At 83, John Boorman Publishes Black Comic Novel, “Crime Of Passion,” About A Failed Film Director After A Commercial Audience

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“Six Things Our Terrible Movie Summer Taught Us”

“Six Things Our Terrible Movie Summer Taught Us”

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The Weekend Report

Don’t Breathe became the air apparent as it scared up an opening estimate of $25.9 million. The session’s other new national debut was the actioner Mechanic: Resurrection that ranked fifth with a $7.3 million tally. Additionally two films got a limited wide launch. The pre-political romance Southside With You inaugurated with modest approval of $2.8 million while Hands of Stone — the fictionalized early years of boxing champion Roberto Duran — bowed to a low blow of $1.7 million. Greater, a fact-based college football drama, fumbled with $640,000 at 434 stadia.

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An Unexpected Sentence From Vanity Fair’s Richard Lawson

“Bekmambetov shows us a more contemplative, sensitive side here, allowing for moments of quiet reflection or, more often, raging emotion.” An Unexpected Sentence From Vanity Fair’s Richard Lawson

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Ebony Magazine Has An Audience With Nate Parker

“Put it this way, when you’re 19, a threesome is normal. It’s fun. When you’re 19, getting a girl to say yes, or being a dog, or being a player, cheating. Consent is all about–for me, back then–if you can get a girl to say yes, you win.” Ebony Magazine Has An Audience With Nate…

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Jack Garfein On Life And Acting

Jack Garfein On Life And Acting

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Trudeau Gov To Cut Back On Funds For Canadian Content Without Public Consultation

Trudeau Gov To Cut Back On Funds For Canadian Content Without Public Consultation

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon