Movie City News Archive for November, 2016

How Andrew Stanton Found A Narrative For Finding Dory

“There was some glass ceiling on why our story wasn’t getting better.” How Andrew Stanton Found A Narrative For Finding Dory

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Post-Election, Internet Archive Stores Copy Of Data, Including Wayback Machine, In Canada

Post-Election, Internet Archive Stores Copy Of Data, Including Wayback Machine, In Canada While – Royal Canadian Mounted Police To Lobby Public For Further Surveillance Powers

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Canada Gov’t Prepares For A Nation Without Newspapers

Canada Gov’t Prepares For A Nation Without Newspapers

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Art Of The Title Credits David Fincher’s Fantastic Panic Room Opener

Art Of The Title Credits David Fincher’s Fantastic Panic Room Opener

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“Stay Gold, Indie Filmmakers, Stay Gold,” Oliver Stone Says

“Stay Gold, Indie Filmmakers, Stay Gold,” Oliver Stone Says

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Secretive Coven Calling Self “National Board Of Review” Weeps For Manchester By The Sea, Affleck, Lonergan Screenplay; Barry Jenkins, Director; Also Kubo; O.J.:MIA

“The awards are voted on by a group of film enthusiasts, professionals, academics, young filmmakers and students.” Secretive Coven Calling Self “National Board Of Review” Weeps For Manchester By The Sea, Affleck, Lonergan Screenplay; Barry Jenkins, Director; Also Kubo; O.J.:MIA (Past Best Pictures: A Most Violent Year, Her,  Zero Dark Thirty)

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Refugee Comedy A Smash Hit At German Kinos

Refugee Comedy A Smash Hit At German Kinos

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Sean Fennessey Chastises Warren Beatty: “Don’t Wait To Make Your Masterpiece”

Sean Fennessey Chastises Warren Beatty: “Don’t Wait To Make Your Masterpiece”

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Ben Child Chastises J. K. Rowling Over Dumbledore’s Sexuality

Ben Child Chastises J. K. Rowling Over Dumbledore’s Sexuality

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How Films Influence Kate Bush’s Sound

How Films Influence Kate Bush’s Sound

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And The Gothams Go To….

And The Gothams Go To…. Moonlight; Huppert, Affleck; Barry Jenkins, Screenplay, Ensemble, Audience Award, Moonlight; Adams, Hawke, Stone, Milchan; O. J.: Made In America

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Lena Dunham E-Chats With Novelist-Screenwriter Zadie Smith

“Zadie Smith and I met for the first time the same night I went on my third date with my boyfriend. We met in a dark bar on Lafayette, and I was way more nervous about impressing Zadie than about making sure my new paramour liked me. So nervous that on the way to see her…

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Slamdance Announces 2017 Competition

Festival to Showcase 11 Narrative and 8 Documentary Features Lineup Spotlights 8 Directorial Debuts From Women Filmmakers The Slamdance Film Festival announced today their Narrative and Documentary Feature Film Competition programs for its 23rd Festival edition, taking place in Park City from January 20-26, 2017. Driven by a dedication to emerging artists, Slamdance continues to…

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Presenting Anton Yelchin’s Portraits

Presenting Anton Yelchin’s Portraits mnsfw

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Brent Lang On Moana As Disney’s “Latest Feminist, Progressive Hit”

Brent Lang On Moana As Disney’s “Latest Feminist, Progressive Hit”

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Tina Hassannia On The Almost-Lost History Of Canada’s Cinematic Birthplace, Montreal Chinatown’s Now-Incinerated Robillard Building

Tina Hassannia On The Almost-Lost History Of Canada’s Cinematic Birthplace, Montreal Chinatown’s Now-Incinerated Robillard Building

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Filmmaker Josh Gilbert Was 54

Filmmaker Josh Gilbert Was 54 With – 8 Dispatches Gilbert Wrote For “Mr. Beller’s Neighborhood”

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Visiting With Dave Smith, Disney’s Retired Archivist Of Forty Years

“Smith is perhaps the most respected, if unheralded, member of a small clique of in-house Hollywood historians, someone who has quietly dedicated his life to assiduously documenting, preserving and cataloging all facets of America’s most iconic entertainment company.” Visiting With Dave Smith, Disney’s Retired Archivist Of Four Decades

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Rogue One Headed To China

Rogue One Headed To China

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Wasn’t It Easy To Predict Wes Anderson’s Christmas Ad For Fast-Fashion Conglom H&M Would Star Adrien Brody On A Train?

Wasn’t It Easy To Predict Wes Anderson’s Christmas Ad For Fast-Fashion Conglom H&M Would Star Adrien Brody On A Train?

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon