Movie City News Archive for November, 2016

Colin McCabe Visits With Writer-Critic-Filmmaker John Berger At 90

Colin McCabe Visits With Writer-Critic-Filmmaker John Berger At 90

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Joe Leydon Recalls Tales Told By Fritz Weaver

Joe Leydon Recalls Tales Told By Fritz Weaver

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Anita Gates Looks Back On Movies Featuring Howard Hughes

Anita Gates Looks Back On Movies Featuring Howard Hughes

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Stephen Galloway On “Why I Hate Star Wars”

“Whatever the merits of the original Star Wars,  the empire it spawned is not about art; it’s not even about myth; it’s about money.” Stephen Galloway On “Why I Hate Star Wars“

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Jason Bailey On The “Backwards Creep” Of Oscar Season

“When I see a movie — I mean, sometimes my first response is, ‘Oh my God, Anne Hathaway’s totally winning an Oscar for this, because I just saw her fucking sing a song for three minutes in one shot, and she’s gonna win.’ That’s the news.” Jason Bailey On The “Backwards Creep” Of Oscar Season

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A Meandering Take On The Profit Model Of Screen Gems Holds A Sharp Notion Or Two

A Meandering Take On The Profit Model Of Screen Gems Holds A Sharp Notion Or Two

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Zootopia And Kubo Lead Annie Noms

Zootopia And Kubo Lead Annie Noms

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Boris Kachka On Natalie Portman’s Jackie

Boris Kachka On Natalie Portman’s Jackie

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150 Pics Of “At Home With Monsters,” The Now-Shuttered LACMA Guillermo Del Toro Show,

150 Pics Of “At Home With Monsters,” The Now-Shuttered LACMA Guillermo Del Toro Show, 

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Paramount Hires COO Fresh From Sony

Paramount Hires COO Fresh From Sony

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Tony-Award Winning Actor Fritz Weaver Was 90

Tony-Award Winning Actor Fritz Weaver Was 90

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MGM Suing Earl Mac Rauch And W. D. Richter Over Remake Rights To Buckaroo Banzai

MGM Suing Earl Mac Rauch And W. D. Richter Over Remake Rights To Buckaroo Banzai

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Francis Coppola Writes To The Times About President-Elect Trump

“This is a challenge we are capable of meeting with America’s technical ingenuity. Perhaps an immigrant like Nikola Tesla will help solve it.” Francis Coppola Writes To The Times About President-Elect Trump

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Alejandro Jodorowsky On A Career On Fire

Alejandro Jodorowsky On A Career On Fire

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Star Trek IV: The Voyage Home Screenwriter Dishes Behind-The-Scenes

Star Trek IV: The Voyage Home Screenwriter Dishes Behind-The-Scenes 

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“Let’s not be naive. Creating on-screen chemistry is a massive job shared by hundreds of smart people, some of them utterly cynical about how to compel an audience with a thrilling, romantic tale told directly to your pocket.”

“Let’s not be naive. Creating on-screen chemistry is a massive job shared by hundreds of smart people, some of them utterly cynical about how to compel an audience with a thrilling, romantic tale told directly to your pocket.”

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Why Werner Herzog Likes Netflix And VOD podcast

“The regular system isn’t able to absorb my film output fast enough.” Why Werner Herzog Likes Netflix And VOD podcast

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Spike Lee And Bernie Sanders Have A Sit-Down

“Where do we go? Where is the hope?” Spike Lee And Bernie Sanders Have A Sit-Down

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Stalking Reclusive Comics Artist Steve Ditko, Co-Creator Of Doctor Strange, Whose Last Interrview Was In 1968

“I dialed his number on my iPhone, and heard a blaring ring from an analog phone on the other side of the door, but the tone just continued; no answering machine intervened. Perhaps he’d gone to lunch? Figuring I’d give it some time, I slumped against the wall to the left of the door and…

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Meet The Location Managers Who Sought Sites For Rules Don’t Apply For Over A Decade

Meet The Location Managers Who Sought Sites For Rules Don’t Apply For Over A Decade

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon