Movie City News Archive for January, 2017

Masaya Nakamura, “Father Of Pac-Man,” Was 91

Masaya Nakamura, “Father Of Pac-Man,” Was 91

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“In my marriage, I am docile and loyal. Filmmaking is my alter ego. I’m the Hulk. I’m the hidden dragon. I’m that girl from Lust, Caution – the good girl gone bad. And I need that to feel alive. The movies possess me. Sometimes I worry that it’s something I’m addicted to. I don’t know. I don’t think so.”

“In my marriage, I am docile and loyal. Filmmaking is my alter ego. I’m the Hulk. I’m the hidden dragon. I’m that girl from Lust, Caution – the good girl gone bad. And I need that to feel alive. The movies possess me. Sometimes I worry that it’s something I’m addicted to. I don’t know….

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Robert Ellis Miller, 84, Directed Reuben, Reuben, Heart Is A Lonely Hunter

Robert Ellis Miller, 84, Directed Reuben, Reuben, Heart Is A Lonely Hunter, Brenda Starr

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Angelica Jade Bastién On “The Dangerous Beauty Of Jude Law”

Angelica Jade Bastién On “The Dangerous Beauty Of Jude Law”

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True/False Sets Media Literacy Initiative

  JANUARY 30, 2017 True/False Film Fest TRUE/FALSE MEDIA LITERACY INITIATIVE The Media Literacy Initiative is True/False’s ambitious new educational partnership with Ragtag Cinema, Columbia Public Schools, and the Columbia Public Schools Foundation. After more than 10 years of high school programming, T/F recognized that students are often already documentarians. Constantly recording, archiving and compiling…

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Cinematographer Frank Tidy, 84, Shot The Duellists, Code Of Silence, The Package‹

Cinematographer Frank Tidy, 84, Shot The Duellists, Code Of Silence, The Package

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And The Screen Actors Guild Salutes…

And The Screen Actors Guild Salutes… Emma Stone, Denzel Washington, Viola Davis, Mahershala Ali

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“You can get technical. You can talk about grain. But here’s the big mystery for me. There are films I’ve seen a dozen times that have always affected me emotionally, have devastated me, that just do not have the same effect on me when I see them projected digitally. I can’t explain that. It’s the same movie! It’s the same story! But there’s something different. I am really struck by this. We react to these formats differently on an emotional level.”

“You can get technical. You can talk about grain. But here’s the big mystery for me. There are films I’ve seen a dozen times that have always affected me emotionally, have devastated me, that just do not have the same effect on me when I see them projected digitally. I can’t explain that. It’s the…

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Jordan Mintzer On The Bookends Of Emmanuelle Riva’s Long Career, Hiroshima mon Amour And Amour

Jordan Mintzer On The Bookends Of Emmanuelle Riva’s Long Career, Hiroshima mon Amour And Amour

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Picturing When Paul Thomas Anderson Came To Whitby, Yorkshire

Picturing When Paul Thomas Anderson Came To Whitby, Yorkshire

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“They’ve been nominated for a Nobel Peace Prize — these people are the bravest humanitarians on the planet,” But Trump Ban Will Keep Syria’s White Helmets Away From Oscar

“They’ve been nominated for a Nobel Peace Prize — these people are the bravest humanitarians on the planet,” But Trump Ban Will Keep Syria’s White Helmets Away From Oscar

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“To Walk in Beauty”: Chris Ware On George Herriman and Krazy Kat

“To Walk in Beauty”: Chris Ware On George Herriman and Krazy Kat

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Why Are Cinematic Dog Deaths So Schmaltzy?

Why Are Cinematic Dog Deaths So Schmaltzy?

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Film Festivals And Other Artistic Exchanges In Limbo With Trump Immigration Ban

Film Festivals And Other Artistic Exchanges In Limbo With Trump Immigration Ban

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Trump Flummoxes James Bond Writers

Trump Flummoxes James Bond Writers

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Women In Film Lunch At Palatial Mansion During Sundance Grows Testy

“Right, but change your point of view,” Shirley MacLaine offered. “Change your point of view of being victimized. I’m saying: Find the democracy inside.” “I’m sorry,” Salma Hayek said, jumping in. “Can I ask you a question?” “Yes, ma’am,” Jessica Williams answered. “Who are you when you’re not black and you’re not a woman? Who…

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Asghar Farhadi Will Boycott Oscar

Asghar Farhadi Will Boycott Oscar

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Silicon Valley Co’s Offer Degrees Of Condemnation Of Trump Muslim Immigration Ban

Silicon Valley Co’s Offer Degrees Of Condemnation Of Trump Muslim Immigration Ban

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Manohla Dargis On Sundance: Political Or Not?

“There’s no ready-made definition of political film, which, unlike, say, pornography (‘I know it when I see it,’ Supreme Court justice Potter Stewart memorably said), isn’t necessarily obvious. All the President’s Men, which gave Mr. Redford one of his most enduring roles, as Bob Woodward, is an openly and transparently political film because it concerns…

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Jane Pauley On Mary Tyler Moore

Jane Pauley On Mary Tyler Moore

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon