Movie City News Archive for January, 2017

Editors Laud La La Land, Arrival

ACE Editors Laud La La Land, Arrival

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The 2017 ACE Eddie Awards

WINNERS ANNOUNCED FOR THE 67TH ANNUAL ACE EDDIE AWARDS RECOGNIZING THE BEST EDITING OF THE YEAR IN FILM, TELEVISION AND DOCUMENTARIES “ARRIVAL,” “LA LA LAND” AND “ZOOTOPIA” AMONG WINNERS AT THE 67TH ANNUAL ACE EDDIE AWARDS RECOGNIZING THE BEST FILM EDITING OF THE YEAR “Arrival” (edited by Joe Walker, ACE) and “La La Land” (edited by…

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And Sundance Awards…

And Sundance Awards…

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Producers Guild Goes La La, Boos Trump Producer Mark Burnett

Producers Guild Goes La La, OJMIA, Zootopia; Boos Trump Producer Mark Burnett

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The Weekend Report

The Split held sway at the box office with a second weekend estimate of $26.2 million. Nipping at its heels was newcomer A Dog’s Purpose that wow bowed at $18.4 million. Also debuting were a fond farewell for Resident Evil: The Final Chapter, slotting fourth with $13.5 million and pure pyrite for Gold that opened to $3.4 million.

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“The last time I was moved was the three weeks before the death of Abbas Kiarostami. We watched his latest short films that he made at his home, and they moved me. I really respected him, and we had a very good friendship. He’s a master.”

“The last time I was moved was the three weeks before the death of Abbas Kiarostami. We watched his latest short films that he made at his home, and they moved me. I really respected him, and we had a very good friendship. He’s a master.”

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Netflix Streams Trump Refugee Ban

“Trump’s actions are hurting Netflix employees around the world, and are so un-American it pains us all. Worse, these actions will make America less safe. A very sad week, and more to come with the lives of over 600,000 Dreamers here in a America under imminent threat. It is time to link arms together to…

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Sir David Hare Says Europeans “Beginning To Infect” British Theater

Sir David Hare Says Europeans “Beginning To Infect” British Theater

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“As supporters of filmmakers—and the human rights of all people—around the globe, we find it extremely troubling that Asghar Farhadi, the director of the Oscar-winning film from Iran A Separation, along with the cast and crew of this year’s Oscar-nominated film The Salesman, could be barred from entering the country because of their religion or country of origin.”

“As supporters of filmmakers—and the human rights of all people—around the globe, we find it extremely troubling that Asghar Farhadi, the director of the Oscar-winning film from Iran A Separation, along with the cast and crew of this year’s Oscar-nominated film The Salesman, could be barred from entering the country because of their religion or…

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Apple’s Tim Cook On Trump Refugee Ban

“Apple would not exist without immigrants.” Apple’s Tim Cook On Trump Refugee Ban

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A Call To @Jack To Suspend Trump From Twitter

“Twitter was intended to encourage positive interactions, but we’ve seen your platform silence others by allowing abuse.” A Call To @Jack To Suspend Trump From Twitter

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Report: Trump Visa Ban Likely To Prevent Oscar-Winner Asghar Farhadi From Attending For The Salesman

Trump Visa Ban Likely To Prevent Oscar Winner Asghar Farhadi From Attending For The Salesman

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Friday Estimates

Split becomes a monster for Universal, likely to hold off the family film, A Dog’s Purpose, also from a happy Universal, scoring early in 2017 with 2 non-franchise films, reminding the industry that IP is not the only way. Resident Evil 6 doesn’t care much about the soft US opening. Their grosses have been 80% international the last 2 films, both over $195 million. La La Land and Hidden Figures both pass $100m domestic this weekend, buoyed by Oscar noms. Even with a nice expansion bump, Team La may be a little disappointed that the bump isn’t bigger. They’ll live. And the weekend bump may well be bigger than the Friday. Gold fools.

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Emmanuelle Riva Was 89

Emmanuelle Riva Was 89

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China Dailian Wanda Still Hasn’t Closed Dick Clark Productions Deal

China Dailian Wanda Still Hasn’t Closed Dick Clark Productions Deal

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Cintra Wilson’s 2004 Profile Of John Hurt Is An Essential Marvel

“I imagine that his fans wouldn’t want to molest him so much as respectfully throw back icy shots of his distilled essence — a toast, a swallow, and a wincing, hearty aurgh! Hurt is a toxic luxury, delicious as a nasty fruit brandy — an afterdinner vice of giddy, overpriced pleasure.” Cintra Wilson‘s 2004 Profile…

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John Hurt Reads From Mohamedou Ould Slahi’s “Guantánamo Diary” (4’51”

John Hurt Reads From Mohamedou Ould Slahi’s “Guantánamo Diary” (4’51”

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GRIMSBY’S OWN JOHN HURT WAS 77

John Hurt Said He Wasn’t Worried Over Mortality GRIMSBY’S OWN JOHN HURT WAS 77

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And The Slamdance Winners Are…

And The Slamdance Winners Are…

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon