Movie City News Archive for May, 2017

Tracy Letts On His Next B’wy Play And Becoming A Leading Man With The Lovers At 50

Tracy Letts On His Next B’wy Play And Becoming A Leading Man With The Lovers At 50

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What Are Indie Distribs Looking For At Cannes?

What Are Indie Distribs Looking For At Cannes?

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“My remarks have been misrepresented. I did not say I quit cinema. Simply that nobody knows what the future holds.”

“My remarks have been misrepresented. I did not say I quit cinema. Simply that nobody knows what the future holds.”

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Are Photographers Making More Lasting Commentary Of Trump Than Comedians?

Are Photographers Making More Lasting Commentary Of Trump Than Comedians?

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Delia Ephron On A Gift Her Sister, Nora Ephron, Left Her

“After 54 Years, We Fell in Love. After Five Months, I Got Leukemia. I Thought It Was A Romantic Comedy. I Was Wrong About The Comedy.” Delia Ephron On A Gift Her Sister, Nora Ephron, Left Her

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David Lowery On Six Lessons He’s Learned After Wrapping Production On The Old Man And The Gun

David Lowery On Six Lessons He’s Learned After Wrapping Production On The Old Man And The Gun

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William Friedkin In The Footsteps Of Proust In France

William Friedkin In The Footsteps Of Proust In France

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John Boorman & Co. On Making Deliverance

“Wherever poor Ned Beatty went, people would say: Squeal like a pig! It went on for years” John Boorman & Co. On Making Deliverance

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“Shuffle Off, Bollywood: It’s Time For Tollywood And Kollywood As Baahubali 2: The Conclusion Puts Southern India Filmmaking On The Map”

“Shuffle Off, Bollywood: It’s Time For Tollywood And Kollywood As Baahubali 2: The Conclusion Puts Southern India Filmmaking On The Map”

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Memorial Day Three-Day Estimates

Pirates are not all Dead Men with $76.8 million on 4,276, while Guardians Vol. 2 steams to $26.3 million on 3,871 for a $339.6 million cume. A quiet third, Baywatch proves not so biggle with its jiggle, $22.9 million on 3,647.

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Manohla Dargis And Robert Pattinson

“Good Time doesn’t peddle a message or redemption, but instead tethers you to an oblivious narcissist who pushes the story into an ever-deepening downward spiral. As errors turn into catastrophes, Connie grows increasingly feral, becoming a character who is a biliously funny reproach to the American triumphalism that suffuses superhero flicks and indies alike and…

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Wrapping Cannes 70

The Square, though. I can’t wait for actual audiences to see it. I can’t wait to discuss its many possible interpretations. It’s one of the best Palme decisions in years.

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The DVD Wrapup: World Cinema Project 2, Obsession, Pelle the Conqueror, Jacques Rivette, Dark Angel and more

It would be difficult for most of us to sustain the level of affection and enthusiasm Martin Scorsese displays in his introductions to the half-dozen films collected in World Cinema Project: No. 2. They are his godchildren. Scorsese has always been a key player in the film preservation movement and this is the second batch of movies the World Cinema Project has rescued for future generations to enjoy. Established in 2007 under the auspices of the Film Foundation, which, in 1990, Scorsese founded and now chairs, the project has thus far restored 30 marginalized, infrequently screened films from 21 regions generally unequipped to preserve their own cinema history. They have been made available for exhibition on various platforms. For its part, the foundation has helped restore more than 750 films, accessible to the public through programming at festivals, museums and educational i.nstitutions around the world. It easily qualifies as God’s work and Scorsese has a right to be expect a few plenary indulgences.

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Iger Says Disney Hack Was Hoax

Iger Says Disney Hack Was Hoax 

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China To Recognize “Private Cinemas,” Including Microcinemas

China To Recognize “Private Cinemas,” Including Microcinemas

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Kim Morgan On Elaine May’s A New Leaf

“May understands there is a judging prick inside many of us, particularly when we’re rolling through a series of terrible dates. You don’t exactly feel sorry for Henry, you just recognize those moments of distaste. And cringe. For everyone involved.” Kim Morgan On Elaine May’s A New Leaf

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Nanna Frank Rasmussen Says Cannes Doesn’t Do Enough To Accommodate Mothers

“Working mothers are not very welcome at the Cannes Film Festival, it seems. This year at least two mothers attending the fest have spoken out about the major barriers they’ve encountered.” Nanna Frank Rasmussen Says Cannes Doesn’t Do Enough To Accommodate Mothers

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Almodóvar Jury Awards Palme d’Or To Östlund’s The Square; Grand Prix, BPM; Director, Sofia Coppola, The Beguiled; Actor, Joaquin Phoenix,You Were Never Really Here; Actress, Diane Kruger In In the Fade; Screenplay (Tie) The Killing Of A Sacred Deer, You Were Never Really Here; Jury Prize: Zvyagintsev’s Loveless; Nicole Kidman, With Four Fest Features, Gets A Special 70th Anniversary Award

Almodóvar Jury Awards Palme d’Or To Östlund’s The Square; Grand Prix, BPM; Director, Sofia Coppola, The Beguiled; Actor, Joaquin Phoenix,You Were Never Really Here; Actress, Diane Kruger In In the Fade; Screenplay (Tie) The Killing Of A Sacred Deer, You Were Never Really Here; Jury Prize: Zvyagintsev’s Loveless; Nicole Kidman, With Four Fest Features, Gets A Special 70th Anniversary Award

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The Weekend Report

Pirates of the Caribbean: Dead Men Tell No Tales easily led the Memorial holiday with an estimated $61.9 million debut during the three-day portion of the weekend. (All figures reflect 3-day box office; chart will be updated on Monday). The session’s other national opener — and alternative ocean-splasher — Baywatch had a less auspicious beach experience at $18.1 million.

On Friday, Disney also became the first distributor to cross the $1 billion threshold domestically — it was also first to the mark in 2016 but 19 days earlier — with Beauty and the Beast passing $500 million on Sunday. Internationally, The Fate of the Furious became 2017’s first $1 billion box office behemoth.

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Bill Cosby Lives In Fear That Someone Will Drug His Drink

Bill Cosby Lives In Fear That Someone Will Drug His Drink

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon