Movie City News Archive for May, 2017

League Of Internet Men Diss Drafthouse Women-Only Wonder Woman Showings So Drafthouse Adds More Sister-Solo Seances

“It sold out immediately, and with good reason—what better way to spend an evening than with Gal Gadot, a vat of rosé and a blissfully testosterone-free environment?” League Of Internet Men Diss Drafthouse Woman-Only Wonder Woman Showings; Drafthouse Adds More Sister-Solo Seances, With Proceeds To Planned Parenthood “That providing an experience where women truly reign supreme has…

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NYT’s Obit For The Great American Author Denis Johnson, Who Was 67; Cameo In Film Of Jesus’ Son

NYT’s Obit For The Great American Author Denis Johnson, Who Was 67; Cameo In Film Of Jesus’ Son

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For Memorial Day, National Review Suggests Movies About Confederates

For Memorial Day, National Review Suggests Movies About Confederates

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Eric Kohn Diaries A Week On A Cannes Jury

Eric Kohn Diaries A Week On A Cannes Jury

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Kyle Buchanan Appreciation For The Work Of Lynne Ramsay And Joaquin Phoenix In You Were Never Really Here Rocks Indecent Raft Of Spoilers

Kyle Buchanan Appreciation For The Work Of Lynne Ramsay And Joaquin Phoenix In You Were Never Really Here Rocks Indecent Raft Of Spoilers

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J. Hoberman On Saturday Night Fever At 40, With 15 Minutes Added

J. Hoberman On Saturday Night Fever At 40, With 15 Minutes Added

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Gregg Allman Was 69

Gregg Allman Was 69

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Friday Box Office Estimates

56, 43, 35, 23. See a pattern here?

Those are the opening days of the first four Pirates movies. The first film had a Wednesday open and a $14m first Friday.

Domestically, Pirates is over at this scale, what with a $40 million star in the lead. Internationally, Disney is hoping not to care what happened domestically.

Paramount had an ugly Baywatch launch.

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Manohla Dargis On An Actress Who Calls Her Own Shots

“Sitting in the Roman Polanski Suite at the Cannes Carlton Hotel, Kirsten Dunst did her best to smile.” Manohla Dargis On An Actress Who Calls Her Own Shots

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James Ivory At 89

“Ismail was my life’s partner. From the beginning right on down to his final day. I lived openly with him for forty-five years, in New York and wherever else we were. That says what it says.” James Ivory At 89

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Mekado Murphy Offers Concern Over Lengthy Movie Credits

Mekado Murphy Offers Concern Over Lengthy Movie Credits

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“With the minimalism of the material providing the cleanest of canvases for the matchless technique of director and star alike, You Were Never Really Here isn’t the genre crossover effort Lynne Ramsay’s admirers may have feared, or possibly even have wished for. Rather, it’s an arthouse signal flare, reminding the industry of perhaps its greatest working filmmaker not to work often enough.”

“With the minimalism of the material providing the cleanest of canvases for the matchless technique of director and star alike, You Were Never Really Here isn’t the genre crossover effort Lynne Ramsay’s admirers may have feared, or possibly even have wished for. Rather, it’s an arthouse signal flare, reminding the industry of perhaps its greatest working…

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“Ramsay has been working on this movie right up until the lowering of the house lights, and that it is still not finished. Yet for me it is the very unfinishedness that is daring: a piercing glimpse of some larger obscenity.”

“Ramsay has been working on this movie right up until the lowering of the house lights, and that it is still not finished. Yet for me it is the very unfinishedness that is daring: a piercing glimpse of some larger obscenity.”

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“This intoxicatingly stylish work is all over the place, a hot mess at times so ravishing it sends shivers down to the toes.”

“This intoxicatingly stylish work is all over the place, a hot mess at times so ravishing it sends shivers down to the toes.”

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Michiko Kakutani On Denis Johnson

“His America is a troubled land, staggering from wretched excess and aching losses, a country where dreams have often slipped into out-and-out delusions, and people hunger for deliverance, if only in the person of a half-baked messiah. Reason is in short supply here, and grifters and con men peddling conspiracy thinking and fake news abound; families…

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“These days, movie trailers practically tell the whole story. I think it’s really harmful. For me, personally, I don’t want to know anything when I go into a theater. I like to discover it, get into that world, try to get as good of picture and sound as possible, no interruptions – so you can have an experience. And anything that putrefies that is not good.”

“These days, movie trailers practically tell the whole story. I think it’s really harmful. For me, personally, I don’t want to know anything when I go into a theater. I like to discover it, get into that world, try to get as good of picture and sound as possible, no interruptions – so you can…

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“How The ‘Twin Peaks’ Revival Set Fans Up for Disappointment”

“How The ‘Twin Peaks’ Revival Set Fans Up for Disappointment”

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Manohla Dargis Reports Cannes 70 Is “Lackluster”

Manohla Dargis Reports Cannes 70 Is “Lackluster”

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Watch Or Listen To Alfonso Cuaron’s Cannes Masterclass

“I come from a middle-class family and I grew up at a time when the golden age of cinema was over in Mexico. Cinema was my survival instinct, I needed it. I wouldn’t recommend the path I took to anyone!” Watch Or Listen To Alfonso Cuaron’s Cannes Masterclass 85 minutes

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How The Costumes Of Lust, Caution Tell A Story

How The Costumes Of Lust, Caution Tell A Story

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon