Movie City News Archive for September, 2017

April Wolfe In The Embers And Ashes Of Fantastic Fest

April Wolfe In The Embers And Ashes Of Fantastic Fest

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Thirst Street’s Nathan Silver Says “The Movie Industry Doesn’t Have Any Etiquette, Just Fear”

Thirst Street‘s Nathan Silver Says “The Movie Industry Doesn’t Have Any Etiquette, Just Fear”

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Academy Releases Renderings Of Its Eventual Museum

Academy Releases Renderings Of Its Eventual Museum

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Alex Haley’s 1965 Playboy Interview with Reverend Martin Luther King, Jr.

Alex Haley’s 1965 Playboy Interview with Reverend Martin Luther King, Jr.

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“The 15 Worst Things Playmates Have Said About Life in the Playboy Mansion”

“The 15 Worst Things Playmates Said About Life in the Playboy Mansion”

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“Progress necessarily requires the exchange of outdated ideas for new and better ones. By keeping open all lines of communication in our culture, every new idea—no matter how seemingly perverse, improper or peculiar, has its opportunity to be considered, to be challenged, and ultimately to be accepted or rejected by society as a whole or…

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Hefner

“That I changed attitudes toward sex. That nice people can live together now. That I decontaminated the notion of premarital sex. That gives me great satisfaction.” Hugh Hefner Was 91; Survived By His Bathrobe, Which Is 66

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Hugh Hefner

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Anne Thompson Says A24 Has Nine Oscar Contenders

Anne Thompson Says A24 Has Nine Oscar Contenders

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Netflix Set For $500 Million In Canadian Product Over Five Years

Netflix Set For $500 Million In Canadian Product Over Five Years

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Playwright Albert Innaurato Was 70; Work Includes “Gemini,” “The Transfiguration of Benno Blimpie,” “The Idiots Karamazov”

Playwright Albert Innaurato Was 70; Work Includes “Gemini,” “The Transfiguration of Benno Blimpie,” “The Idiots Karamazov”

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Wanda’s AMC Entertainment Partners With Startup Dreamscape To Build “Multi-Person, Room-Scale VR Stories And Adventures”

Wanda’s AMC Entertainment Partners With Startup Dreamscape To  Build “Multi-Person, Room-Scale VR Stories And Adventures”

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Mike Fleming Jr and Dino-Ray Ramos Have Posted

“The shocking allegations of sexual harassment and groping of women by bloggers popular in the fringe film community is a microcosm of what happens when bad behavior isn’t addressed head-on. Just as we saw with Ailes, Cosby, O’Reilly and even filmmaker Nate Parker, there is no statute of limitations on the emotional scars inflicted upon…

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“It’s a pattern we’re going to see until either we collectively stop believing that people who have geeky interests are somehow still wacky, misunderstood outcasts in this day and age, or the Universe grinds to a halt. You know, whichever comes first.”

“It’s a pattern we’re going to see until either we collectively stop believing that people who have geeky interests are somehow still wacky, misunderstood outcasts in this day and age, or the Universe grinds to a halt. You know, whichever comes first.”

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Another Meandering Film Website Mea Culpa

“Even well-meaning allies are guilty of missing the bigger picture, of not realizing that their words have power and that they can do more to create a positive, safe environment for women. Over the past few weeks, the /Film staff has grappled with the knowledge that we could have done more, that we could have…

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Another AICN Contributor Says It Ain’t Cool No More

Another AICN Contributor Says It Ain’t Cool No More

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“Last-minute Oscar-hopeful buys are relatively rare; awards campaigns aren’t meant to be rush jobs. Sometimes it pays to be opportunistic and the 2018 race looks like one of those years.”

“Last-minute Oscar-hopeful buys are relatively rare; awards campaigns aren’t meant to be rush jobs. Sometimes it pays to be opportunistic and the 2018 race looks like one of those years.”

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Academy Museum Gets $50 Million Gift From Cheryl And Haim Saban

RON MEYER TO LEAD NEWLY ESTABLISHED MUSEUM BOARD OF TRUSTEES The Academy Museum of Motion Pictures announces a landmark donation of $50 million from philanthropists Cheryl and Haim Saban. This commitment—the largest gift to the Academy Museum Campaign—brings the museum’s fundraising success to $288 million, nearly 75% of its $388 million goal. In recognition of…

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Louis C. K.’s Hot-Button Clandestinely-Produced Woody Allen Homage Gets November NY/LA Release

THE ORCHARD ANNOUNCES LOUIS C.K.’S “I LOVE YOU, DADDY” TO OPEN THEATRICALLY NOVEMBER 17 IN NEW YORK AND LOS ANGELES Comedy Stars Louis C.K., John Malkovich, Chloë Grace Moretz, Rose Byrne, Edie Falco, Charlie Day, Pamela Adlon, Helen Hunt, and Ebonee Noel Photo credit: Courtesy of The Orchard. Click here for artwork. NEW YORK (September 27, 2017) – The Orchard announced…

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon