Movie City News Archive for September, 2017

Director Jesse Noah Klein On His Eternal Return To Elaine May’s Mikey And Nicky

Director Jesse Noah Klein On His Eternal Return To Elaine May’s Mikey And Nicky

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Two China Minority Investors In Dalian Wanda’s Legendary Entertainment Exit

Two China Minority Investors In Dalian Wanda’s Legendary Entertainment Exit

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Rolling Stone Pitches Going Monthly, Pivoting To Video

Rolling Stone Pitches Going Monthly, Pivoting To Video

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Mr. Crowe, what is your biggest vice?

Mr. Crowe, what is your biggest vice? Smoking, by miles! I enjoy drinking, but I don’t drink daily or what have you. I am not sure if smoking even comes under vice, there’s got be some other word that underlines the absurdity of it.

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“So why is ‘I Love Dick’ being the one that’s like ‘Jill Soloway’s “I Love Dick” gets huge fine’? I think that has something more to do with the triggering component of the bombastic, proud, content female, insisting that there’s such thing as the female gaze. Why is this the show that’s causing controversy?”

“So why is ‘I Love Dick’ being the one that’s like ‘Jill Soloway’s “I Love Dick” gets huge fine’? I think that has something more to do with the triggering component of the bombastic, proud, content female, insisting that there’s such thing as the female gaze. Why is this the show that’s causing controversy?”

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“Unlike traditional stories of possession and exorcism, I think Żuławski wrote Possession not to explain a woman, but to understand her.”

“Unlike traditional stories of possession and exorcism, I think Żuławski wrote Possession not to explain a woman, but to understand her.”

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Dee Rees Adapting Joan Didion Novel With Producer Cassian Elwes And Others

[PR] Award-winning independent filmmaker Dee Rees (Mudbound, Pariah) will direct the best-selling 1996 Joan Didion political thriller The Last Thing He Wanted from publisher Alfred A. Knopf.  Elevated’s Cassian Elwes (Dallas Buyers Club, Lee Daniels’ The Butler) optioned the book last year from Didion to develop it in partnership with Rees following their incredible collaboration on Mudbound, which premiered to standing…

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Harry Knowles Says He’s Leaving Ain’t It Cool News For “Therapy, Detox And Getting To A Better Place”

Harry Knowles Says He’s Leaving Ain’t It Cool News For “Therapy, Detox And Getting To A Better Place”

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Harry Knowles Is Still Posting, Here On The “Ins And Outs” Of His Website

Teaching my sister the ins and outs of AICN for take-over. I feel she’s doing a great job, while I step away. Tomorrow she emails contacts — Harry Knowles (@headgeek666) September 27, 2017 Harry Knowles Is Still Posting, Here On The “Ins And Outs” Of His Website

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Does This Pseudonymous Blatt Pass For An Acknowledgment From The AICN Family?

“Looks like AICN is going under ‘Female Control’ for a while!  MUUHAHAHAHAHAAA! Boy’s club out, Girl’s club in.  For my first post, let’s talk about a beautiful strong female creator and actress/director whose most recent directorial feature, ‘First They Killed My Father,’ which has debuted on Netflix, and I’ll be watching tonight and posting a…

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How John Boorman’s Gaudy, Great, Garish Point Blank Still Inspires Awe (And Homage)

How John Boorman’s Gaudy, Great, Garish Point Blank Still Inspires Awe (And Homage)

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Susan Doll On Dave Kehr’s Forthcoming “Movies That Mattered,” Excavating Work From 1974-1986

Susan Doll On Dave Kehr’s Forthcoming “Movies That Mattered,” Excavating Work From 1974-1986

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Louis Black’s 1998 Texas Monthly Profile Of Harry Knowles

“Despite the press, Harry is the same large red fireball I remember bouncing around comic book conventions run by his parents in the late seventies—the kid who would stop and look at your comics and say, ‘I have that, but in better condition.’” Louis Black‘s Slim 1998 Texas Monthly Profile Of Harry Knowles

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Ain’t-It-Daily News: Four More Women Accuse Harry Knowles of Sexual Assault and Harassment

“On more than one occasion HK has grabbed my ass and other parts of me. I just learned to not go within grabbing distance of him.” Ain’t-It-Daily News: Four More Women Accuse Harry Knowles of Sexual Assault and Harassment

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Michael Phillips On Horror, It And That Pesky Exorcist Gross

Michael Phillips On Horror, It And That Pesky Exorcist Gross    

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Ben Fritz Inside The Making Of Blade Runner 2049

“If you’re not in a position to make the fifteenth Star Wars movie, you have to search for things that people really feel they have got to go out to a movie theater and see.” Ben Fritz Inside The Financial Making Of Blade Runner 2049

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Blade Runner 2049

Blade Runner 2049 really is next-level staggering. I’m still processing how good it is — Peter Bradshaw (@PeterBradshaw1) September 26, 2017

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Sundance Institute Documentary Fund Awards Grants Across Nonfiction Formats

Los Angeles, CA — Projects and artists on the frontlines of nonfiction storytelling received nearly $2 million in grants from Sundance Institute, furthering their work across subjects and forms. Works originate in 26 countries and six continents, and teams include Academy Award nominees (Julia Reichert, Steven Bognar, Richard Rowley, Jon Else and David France), and first-time feature filmmakers (Cody Lucich, Sushmit Ghosh, Rintu…

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Movie City News

“I don’t think it’s cruel to say this, because John himself would undoubtedly have turned it into a gleeful anecdote: When he had the stroke that killed him, he was at a local dinner theater. Hell of a review.”

“I am inclined to aver that every activity needs its critics, from narcissists bloviating in Washington to exhibitors of knee holes in their blue jeans by way of following a fad. So, too, tennis players and others wearing their caps backward. There is, to be sure, only fairly innocuous folly in puncturing pants or reversing caps, but for political or artistic or religious twisting of thought or harboring holes in the head there is rather less excuse. I have always inveighed against the bleary journalism practiced by newspaper reviewers, as opposed to the real criticism performed by, well, critics.”

“I often felt a twinge of grief at the idea that John Simon had devoted his life to a method of work that could only make him increasingly unhappy. Here was a man, elegant, articulate, and vastly knowledgeable, fluent in at least half a dozen languages, whose gifts of mind gave nothing back to the arts he wrote about except a few unkind remarks that made fun of someone’s performance, ethnicity, physical attributes, or, with a pun, on his target’s name. (“If this is Norman Wisdom, I’ll take Saxon folly.”) Other theatre critics keep such darts in their rucksacks for occasional use; John lived by them.”

“One person’s critic is another person’s crackpot. That they are not united in their opinions is ascribable to the Latin saying: quot homines, tot sententiae. I myself prefer being considered a creep, but that is what you get for having what Vladimir Nabokov called ‘Strong Opinions.’ It is odd that in a country so wallowing in negativity, starting with mass shootings and climaxing with Trump, such an unimportant matter as theater criticism should generate so much hostility. The only target patently more important is lead in the drinking water.”

Review: Little Women (no spoilers)

The DVD Wrapup: Cold War, Betty Blue, Official Secrets, Demons, Olivia, American Dreamer, Land of Yik Yak

20 Weeks To Oscar: Cinema, Trump, and Oscar

E. Scott Weinberg On Youthful Fangoria Encounters

Rome Bookstore Closes

With a Grauniad-Alleged $300 Million Budget, Could The Yet-Unseen But Surely Weird Cats Pass A Billion Dollars at The Box Office?

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon