DVD Reviews Archive for May, 2012

The DVD Wrapup: Talk About Kevin, more

Plus Aggression Scale, Maverick, Coriolanus, Harry Belafonte, Ernie Kovacs: The ABC Specials
, New York Stories and Highlights of the 2012 Masters Tournament.

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Suddenly, the great Swedish cop Wallander is everywhere …

If one were to judge the crime rate in Sweden strictly by the number of mysteries, you’d think it was a haven for sociopaths, drug runners and gangbangers.

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Wilmington on DVDs. Man on a Ledge; Kill Bill, Volumes One and Two; Run for Cover; The Lawless

Quentin Tarantino’s forte is probably his mastery of tough guy dialogue; in movies like Reservoir Dogs and Pulp Fiction (and, courtesy of Elmore Leonard, in Jackie Brown), he reaches heights of wise guy film noir grandeur.

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Wilmington on DVDs: We Need to Talk About Kevin

Certainly Kevin is at his cutest when he finally listens to Eva, as she reads him the tale of Robin Hood, champion Saxon archer — and his father, whom Kevin plays like a bassoon, later buys him a bow and arrow, and he becomes a crackerjack archer, who can always hit his target.

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The DVD Wrapup: Newlyweds, Certified Copy, Arrietty, Route 66, Sherlock … More

The careers of few indie filmmakers have begun in as auspicious a fashion as Ed Burns.

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Wilmington on DVDs: Red Tails; This Means War; Pony Express

  RED TAILS (Also Blu-ray) (Three Stars) U. S.: Anthony Hemingway, 2012 (2oth Century Fox)       There are two ways to look at Red Tails, producer George Lucas’s long-gestating  World War II movie about the storied all-black Air Force unit, The Tuskegee Airmen.    You can see the show as a big spectacular action…

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Wilmington on DVDs: A Night to Remember

It‘s a masterly historical reconstruction — and despite its typically British, somewhat staid cinematics, an absolutely thrilling film. As gripping and excitingly visual as Cameron‘s movie may have been, this picture, even more, is the movie Titanic to remember.

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Wilmington on DVDs: The Secret World of Arrietty

The everyday beauty and transcendent charm of The Secret World of Arrietty — the latest feature cartoon import from Japan’s master animator/writer/director Hayao Miyazaki ) — is a balm to the restless spirit, a tonic for the troubled heart.

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Wilmington on DVDs: The Woman in Black

“The Woman in Black” is an old-style British horror movie with some new-style violence, a film that takes advantage of the new screen freedoms and technology, but that also employs, often pretty effectively, a lot of the familiar archetypes and tropes of British literary and movie horror, particularly the ones for the haunted house sub-genre.

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The DVD Wrapup: The Grey, Golf in Kingdom, Norwegian Wood, We Were Here, My Perestroika, 42nd St. Pete’s 8mm Madness … More

Normally, it wouldn’t be unusual for a filmmaker of any ethnic or cultural background to choose a Beatles song for the title of his or her movie. “Norwegian Wood,” however, is a particularly significant track in the band’s repertoire, both for its enigmatic Lennon-McCartney lyrics and George Harrison’s choice of the sitar as a lead instrument. That it was based on an affair between Lennon and a friend’s wife also set it apart from the “yeah, yeah, yeah … I wanna hold your hand” bunch.

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Wilmington on DVDs: Certified Copy, The Report

The story of “Certified Copy,” according to Godfrey Cheshire’s exemplary notes, comes from a tale of two people that director Kiarostami once told to Binoche in Tehran: a story he initially claimed was true, and had actually happened to him, but which he later confessed was a fabrication.

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Wilmington on DVDs: The Devil Inside; My Perestroika; Who’s Minding the Store?; Who’s Got the Action?; The Spiders

Jerry Lewis, that’s who. Without Dean. And since this Frank Tashlin-written-and-directed farce — set in a department store that Jerry, as the well-meaning but accident-prone Norman Phiffler, systematically demolishes — dates from Lewis’ biggest commercial (and even artistic) period, the early ’60s, that means we’re going to see plenty of the man doing his thing: all-out slapstick, spazzy chaos and wild mugging.

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Wilmington on DVDs: The Grey

Fitting that this movie is called The Grey, because grey it certainly is—cold, and bitter, and sunless, a suspense picture full of existential terror, untamed nature, overwhelming anxiety and relentless death, always a step or two behind. And wolves. And Liam Neeson.

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Wilmington on DVDs: Alambrista!

“Alambrista!”– a moving and perceptive cinematic tale of a Mexican illegal immigrant and his odyssey over the border — is a movie that almost defines American film realism in the ‘70s.

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The DVD Wrapup: Underworld, Dark Tide, Kreutzer Sonata, 42nd Street Forever…More

Contrary what’s implied by the cover art, Berry dons a bikini only in the film’s early scenes. Otherwise, her remarkably fine body is fully encased in a wet suit.

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Wilmington on DVDs: The Mel Brooks Collection

It’s good to be the King… But sometimes, it‘s better to be the Kaminsky.

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Wilmington on DVDs: Haywire

Steven Soderbergh is smooth, and he’s never smoother than when he’s engaged in some big crime thriller — whether it’s one of the Oceans or something brainier and more realistic, like “Traffic.” I had mixed feelings about “Haywire,” though. I liked it okay, I guess. But I should have liked it more, since it’s the same type of rock-’em-sock-’em wish-fulfiller as “The Limey.”

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Wilmington on DVDs: Tim and Eric’s Billion Dollar Movie

TIM & ERIC’S BILLION DOLLAR MOVIE (Also Blu-ray/DVD Combo, with Digital Copy) (One Half Star) U.S.: Tim Heidecker-Eric Wareheim, 2012 (Magnolia) I have just one thing to say about this sorry excuse for a movie — this nauseatingly taste-challenged, almost putrefyingly preposterous goulash of scatological gags, failed nonsense, barf jokes, poop jokes, piddle jokes, and…

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The DVD Wrapup: W.E., Haywire, Theatre Bizarre, Circus Columbia… More

If “Haywire” hadn’t been entrusted to director Steven Soderbergh and writer Lem Dobbs – also responsible for “The Limey” – it might have lacked the class, polish and velocity to prevent it from going straight to DVD.

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Wilmington on DVDs: Scarlet Street

Lang‘s personal favorite of all his American movies (his favorite among his German films was M), Scarlet Street pulls us into that special noir world we recognize from the other great dark hard-boiled, high-style masterpieces of the ‘40s: Double Indemnity, The Big Sleep, the 1946 The Killers, Out of the Past, Laura, Detour, Criss Cross, Phantom Lady, Raw Deal, Caught, T-Men, Gun Crazy, Force of Evil, and The Maltese Falcon — a world of shadowy buildings and glistening, rain-slickened streets, of hot jazz wailing in an after-hours bar or a seething dance hall, of sultry dames with low-cut dresses and inviting eyes, of cynical hard-guys wearing rain coats and tipped fedoras, cigarettes drooping from their lips and guns clenched in their pockets, of killers to whom slaughter is just a job, nothing personal, and of maniacs and psychos for whom it’s very personal indeed.

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DVD Reviews

Gary Dretzka on: The DVD Wrapup: Ophelia, Ambition, Werewolf in Girls' Dorm, Byleth, Humble Pie, Good Omens, Yellowstone …More

rohit aggarwal on: The DVD Wrapup: Ophelia, Ambition, Werewolf in Girls' Dorm, Byleth, Humble Pie, Good Omens, Yellowstone …More

https://bestwatches.club/ on: The DVD Wrapup: Diamonds of the Night, School of Life, Red Room, Witch/Hagazussa, Tito & the Birds, Keoma, Andre’s Gospel, Noir

Gary Dretzka on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

GDA on: The DVD Wrapup: Bumblebee, Ginsburg, Buster, Silent Voice, Nazi Junkies, Prisoner, Golden Vampires, Highway Rat, Terra Formars, No Alternative … More

Larry K on: The DVD Wrapup: Sleep With Anger, Ralph Wrecks Internet, Liz & Blue Bird, Hannah Grace, Unseen, Jupiter's Moon, Legally Blonde, Willard, Bang … More

Gary Dretzka on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

gwehan on: The DVD Wrapup: Shoplifters, Front Runner, Nobody’s Fool, Peppermint Soda, Haunted Hospital, Valentine, Possum, Mermaid, Guilty, Antonio Lopez, 4 Weddings … More

Gary J Dretzka on: The DVD Wrapup: Peppermint, Wild Boys, Un Traductor, Await Instructions, Lizzie, Coby, Afghan Love Story, Elizabeth Harvest, Brutal, Holiday Horror, Sound & Fury … More

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon