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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?
So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.
And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.
There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.
I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.
So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.
But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”
My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher
“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.
~ David Simon
This weekend certainly is Box Office Hell:
Product Placement
Name-Checking
TV-Based
Sequel
Name-Checking
Name-Checking (on an arthouse/upmarket title)
I’ll be vegging out at home, thank you.
Will you be rocking back and forth on your stool under the exposed overhead lightbulb muttering to yourself about name checking and cutting up whores?
Maybe movies shouldn’t be marketed at all. Just title them something like “Sony Romantic Comedy 2nd Quarter 2009” or “WB Potential Superhero Tentpole #012946B.” And when we go to the box office, we determine what film we’ll see by spinning a big wheel.
I should be sleeping, but whoah….Steve Mason is hearing that The Hangover did $17 million on Friday and that Land of the Lost did $8 million. Those are actually about the reverse numbers I saw each of those doing – guess Warners did a hell of a job marketing this thing and that reviews did make a difference. Hangover could possibly do $45 million – who would have thought that????
Meanwhile, he’s projecting a good hold for Up of about $13.5 million, so it’s going to be very close between that and Hangover – matinee’s could make the difference.
Damn! But you know what made the difference here? A favorable review by Joe Leydon in Variety. Yeah, that’s the ticket.
LOTL looks like ass and the reviews are fairly terrible. Good for the public.