Box Office Archive for October, 2006

Sunday Estimates by Klady

Not much more to say about Saw III

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Friday Estimates

Saw III is off to a faster start that either of the first two films, sight unseen. Basically, on this series, Lionsgate does what is otherwise the skill set of Screen Gems or Dimension. Solid, simple, sell to one audience and one audience only.
The Prestige has a shot at $45 million or $50 million, which is no disaster, but no thrill either. Look for foreign to be stronger. And Flags of Our Fathers may not get to $30 million, which is an indicator of audience word-of-mouth, regardless of whether some major critics have embraced the film.
As we work through the awards season, critics are far overvalued as are groups like HFPA. The former only makes major waves when throwing a light as a group on a specific film or performance. The latter is in the game of guessing what the Academy voters will think. Neither answers the specific question… what will 6000 middle-aged and elderly Academy voters love?
That is why Babel is not nearly as muscular a player as some would have you believe and Flags is in trouble. It is also why Munich got nominated last year, in spite of scathing attacks from some angry critics. (That one should also remind us that if our sense of the whys changes depending on how we personally feel about a film, we will endup being wrong more often than not.) Reverse Analysis is significant, in that an understanding of history does matter. But as a predictor, it is pretty iffy.
And the danger of being perceived as underperforming at the box office is the good reason why smaller quality films wait for December. If a film like The Hours goes out in December in limited release and doesn’t soar, it is seen as needing space. If a Ron Howard film opens in summer and doesn’t hit $100 million, it is seen as a failure. And The Academy does not, with a few exceptions, vote to nominate failures.
Open Season will quietly become Sony Animation

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Another Travel Day…

Here is some box office…
bohell1027.jpg
And 20 Weeks, 18 Weeks To Go
Can you smell it? Come on, take a good, deep whiff

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Klady's Weekend Estimates

I don

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Friday Estimates By Klady

Movie | Friday | Screens | % Chg | Cume
The Prestige | 5.1 | 2281 | New | 5.1
The Departed | 4.2 | 3005 | -26% | 67.7
Flags of our Fathers | 3.4 | 1876 | New | 3.4
The Grudge 2 | 2.7 | 3214 | -73% | 26.4
Flicka | 2.1 | 3379 | New | 2.4
Open Season | 2.4 | 2877 | -23% | 61.6
Man of the Year | 2.1 | 2522 | -48% | 17.6
Marie Antoinette | 1.9 | 859 | New | 1.9
Texas Chainsaw Mass | 1.2 | 2569 | -59% | 33.4
Nightmare Before X /3D | 1.1 | 168 | New | 1.1
Also Debuting
Don | 0.22 | 113
Running with Scissors | 67,000 | 8
Jaan-E-Mann | 28,500 | 40
Sleeping Dogs Lie | 3,000 | 6
51 Birch Street | 2,800 | 2 –
Jonestown | 2,650 | 1

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Taking On False Prophets In The Hot Button

No one has looked over this Hot Button column, so I am afraid there will be some typos that I missed, but I am here on the island and felt it was worth pushing this out… not only so you could have something to discuss, but because this scam needs some calling out…
The Hot Button, Oct 18

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Sunday Estimates by Klady

What else is there to say?
The Grudge 2 suffered mightily as the weekend progressed. Everything else was kind of as expected from the Friday numbers.
The Queen continues to impress, though it is worth pointing out that The Illusionist, which has been a bit of a surprise hit, did nearly the same number on 51 screens on its opening weekend ($927,956 on 51 screens) and Little Miss Sunshine did a little bit better ($1.48m on 58 screens) in its second weekend. Will that put The Queen at a between-the-two $45 million domestic? Miramax sure hopes so!
Deliver Us From Evil is getting a lot of well-deserved attention from the media, but in its first weekend, it did not translate to much box office. It

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Klady's Friday Estimates – 10/14

Looks like The Grudge 2 will be off about a third from The Grudge, which seems like a victory to me, given that it looks like an even crappier film than the original remake. Even with that drop, it will become (for now) a Top 20 opening in this year, like to come out around the same place as Underworld: Evolution, both in opening ($26.9m) and final number ($62).
The Departed will be close to $55 million after two weekends and will probably be behind both Flags of Our Fathers and The Prestige next weekend. But WB would be well advised to invest in a second wind campaign the week after, finding itself in position to get 3 more strong weeks out of November before Bond. (The most dangerous film for The Departed is, oddly, Borat, though it may not hit the adults squarely for its first few weeks.)
The opening of Man of the Year may seem disappointing, but it will probably be bigger than any two weekends for Wag The Dog, back in 1997. Wag was a truly great film and I haven

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Box Office Hell – Friday The 13th

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Sunday Estimates by Klady

Weekend (estimates) October 6 – 8, 2006
Title | Distributor | Gross (average) | % change | Theaters | Cume

The Departed | WB | 26.5 (8,790) | new | 3017 | 26.5
Texas Chainsaw: The Beginning | New Line | 19.1 (6,780) | new | 2820 | 19.1
Open Season | Sony | 15.9 (4,140) | -33% | 3833 | 44
Employee of the Month | Lions Gate | 11.7 (4,550) | new | 2579 | 11.7
The Guardian | BV | 9.7 (3,000) | -46% | 3241 | 32.5
Jackass: Number Two | Par | 6.4 (2,120) | -56% | 3007 | 62.7
School for Scoundrels | MGM | 3.5 (1,170) | -59% | 3007 | 14.1
The Gridiron Gang | Sony | 2.4 (1,060) | -48% | 2228 | 36.7
Fearless | Focus | 2.3 (1,400) | -55% | 1617 | 21.7
The Illusionist | YF/FS/Odeon | 1.8 (1,600) | -33% | 1149 | 34.1
Little Miss Sunshine | Fox Searchlight | 1.3 (1,540) | -36% | 824 | 55
Trailer Park Boys | Alliance | 1.2 (6,680) | new | 181 | 1.2
Flyboys | MGM | 1.1 (730) | -55% | 1471 | 11.9
Facing the Giants | IDP | 1.0 (2,250) | -27% | 435 | 2.7
The Science of Sleep | WIP/Seville | .74 (3,290) | -34% | 225 | 2.8
The Black Dahlia | Uni | .56 (600) | -74% | 931 | 22
Also debuting/expanding
The Queen | Miramax | .39 (35,270) | 132% | 11 | 0.62
The Last King of Scotland | Fox Searchlight | .29 (9,770) | 105% | 30 | 0.53
Love’s Abiding Joy | Bigger Pics | .13 (720) | new | 185 | 0.13
Alex Rider: Operation Stormbreaker | Alliance | .10 (900) | new | 115 | 0.1
Little Children | New Line | .10 (20,640) | new | 5 | 0.1
ShortBus | Thinkfilm | 77,300 (19,330) | new | 4 | 0.08
Not a lot more to say.

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Klady's Friday Estimates – 10/7

The Departed opened on more than 1000 screens more than any Scorsese movie has opened on before. (Bringing Out The Dead, 1936 screens) It

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Box Office Hell – 10/6

bohell1006.jpg

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Sunday Estimates by Klady

It

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Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon