Box Office Archive for July, 2006

Sunday Estimates by Klady

Well, there you go

48 Comments »

Friday Estimates by Klady

The sturm & drang by the Axis Of Idiots over the opening of Miami Vice is silly. It will be Mann’s best opening ever and no doubt, Universal hopes it is his best international performer ever. Does anyone out there really think that Universal green lit the film without being aware of Mann

49 Comments »

Box Office Hell – 7/28

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15 Comments »

FGME Brought To Down To Earth?

If I am going to write about the success, I guess I have to write about the disasters…
Pirates of The Caribbean: Dead Man’s Chest came in a stunning second all-time this Monday, the record being third week Monday non-holiday. The record of $4,308,824 was held by Spider-Man. P2 missed by a daunting $4613.00.
New Disney movie chief Oren Aviv was unable to speak

27 Comments »

The Foreigners

Variety reports
Pirates of the Caribbean: Dead Man’s Chest raked it in over the weekend, bowing in 11 new markets to add $62 million to its coffers.
Pic, which has now grossed $217 overseas, became the 20th Buena Vista Intl. title to cross the $200 million barrier abroad and the 10th to plunder more than $500 million worldwide.
Perhaps the only real surprise over the weekend would have come had “Pirates” been bested in any of its new territories, which included Japan, Mexico and Brazil as well as a host of smaller ones (Hungary, Portugal, Poland) and some challenging terrain for Hollywood pics (India).
There are still major openings to come: Pic has yet to open in Spain, Germany, Italy and France.
In head-to-head square-offs around the globe, “Pirates” forced Warner Bros.’ No. 2 finisher of the frame, Superman Returns, to walk the plank every time.
And
With no major openings on its side, Warner Bros.’ Superman Returns flew in with $16.3 million from 5,900 prints in 40 markets. International cume is $110 million.
And
UIP’s Over the Hedge and BVI’s Cars continued Hollywood’s roll abroad with high-profile CG-animated fare: Both crossed the $100 million mark.

6 Comments »

A Pirate-Free 2006 Record

In spite of what feels like a soft opening for Monster House, some acknowledgement should be given to Sony’s record-setting eighth $20 million-plus opener in one year, cracking the previous record held by Fox.
What is interesting is that it, like Fox’s record, comes at a time when a $20 million opening gets written off by a lot of people as mediocre.
But like the most $100 million movies in a year in an era where the blockbuster really starts at $200 million, it is a major achievement and should be touted. If just anyone could do it, everyone would.
There have been only 28 total $20 million openings this year. 8 by Sony, 5 from Paramount/DW Animation, 4 each from Fox & Universal, 3 from Warner Bros, 2 from Buena Vista, 1 each from Lionsgate & Dimension. (Sony would love to include The Benchwarmers‘ $19.7 million launch and Lionsgate Hostel

6 Comments »

Sunday Estimates by Klady

The FGME (fug-me?) continues to break a record a day. According to estimates, sfter 17 days, it is the Fastest Grossing Movie Ever by $21.6 million, increasing its lead over Star Wars: Episode Three – Revenge of the Sith by about $8 million in the third weekend

31 Comments »

Friday Estimates

Well, that

39 Comments »

Box Office Hell Returns…

For some reason, there have been a lot of requests for the return of “Road To Box Office Hell?” this week at MCN… so… why not?
(For me, I finally decided that I didn’t like the game of it all and didn’t want to add to the insanity about numbers anymore than we already do. But let’s see how it goes..)
I haven’t figure out how to post a chart on here, so you have to go to the MCN homepage to see where we are. As some of you may know, we have the Weekend Warrior as a regular around here. So feel free to bug him. And me. And as soon as Mojo and EW offer their opinions, they will be added.

42 Comments »

Screen Bleed

Who is paying the price for four new films hitting the mulltiplexes wide (2000 screens minimum) this weekend, according to Box Office Mojo?
Title (Distributor) / Theater Count (Change) / Week #
The Lake House (Warner Bros.) / 603 (-1107) / 6
Nacho Libre (Paramount) / 505 (-996) / 6
Click (Sony / Revolution) / 2,312 (-984) / 5
Superman Returns (Warner Bros.) / 2,826 (-939) / 4
The Fast and the Furious: Tokyo Drift (Universal) / 397 (-743) / 6
Cars (Buena Vista) / 2,410 (-593) / 7
The Devil Wears Prada (Fox) / 2,248 (-562) / 4
Waist Deep (Rogue Pictures) / 175 (-464) / 5

27 Comments »

By The Box Office Way

Even though Day 12 for Star Wars: Episode Three

20 Comments »

Directors Who Have Had A More Impressive Start Than Night

In an article in the Philadelphia Inquirer, the enthusiastic Anne Thompson says,

88 Comments »

Clear Enough For Crazy People To Understand

Just to be clear for the whack jobs that wish to spin otherwise this weekend

28 Comments »

Sunday Estimates by Klady

After 10 days, Pirates of the Caribbean: Dead Man’s Chest is the fastest grossing film ever by an estimated $21.5 million.
And, it is likely once again, that Disney has done its best to estimate low to get another success story on Monday afternoon, when

16 Comments »

Friday Estimates by Klady

Pirates of the Caribbean: Dead Man

62 Comments »

Quote Unquotesee all »

It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon