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Noah Forrest

Frenzy On Column By Noah

Riding the Trans-Siberian

As I’ve stated before – multiple times – I’m a huge fan ofBrad Anderson’s Session 9. The film is one of the only legitimately scary horror films that has come out in the past ten years. Nothing in Anderson’s previous films, both of them romantic comedies, could have prepared us for how adept he would…

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Summer Odds and Ends

To be quite honest, I had been so under whelmed by a large chunk of the summer movies so far that I stopped going to the theater and caught up on a few older films. But then, as always, my desire to devour anything and everything in the multiplex took over and I went on…

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I’m Afraid of the Big, Black Bat

I never really read comic books, but I grew up watching re-runs of the Batman show with Adam West. He was instantly my favorite superhero, way more interesting, complicated and human than that alien Superman who seemed indestructible. I bought a few issues of the comic, but comics couldn’t really hold my attention the same way that…

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Will Smith – The Last Action Hero

Much has been made of the critical response to Hancock(my colleague David Poland has done a good job of assessing that) and one of the most interesting comparisons made was to Last Action Hero. Personally, I don’t see the comparison at all, but I definitely felt while watching the film that Will Smith is, indeed, our last action hero….

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The Mid-Year Report

We’ve officially reached the halfway point of 2008 and at this point, it’s difficult to know what kind of film year this will wind up being. As usual, most of the offerings have been lacking but I am hopeful for many of the films that are on the horizon. But there are some lessons worth…

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It shows how out of it I was in trying to be in it, acknowledging that I was out of it to myself, and then thinking, “Okay, how do I stop being out of it? Well, I get some legitimate illogical narrative ideas” — some novel, you know?

So I decided on three writers that I might be able to option their material and get some producer, or myself as producer, and then get some writer to do a screenplay on it, and maybe make a movie.

And so the three projects were “Do Androids Dream of Electric Sheep,” “Naked Lunch” and a collection of Bukowski. Which, in 1975, forget it — I mean, that was nuts. Hollywood would not touch any of that, but I was looking for something commercial, and I thought that all of these things were coming.

There would be no Blade Runner if there was no Ray Bradbury. I couldn’t find Philip K. Dick. His agent didn’t even know where he was. And so I gave up.

I was walking down the street and I ran into Bradbury — he directed a play that I was going to do as an actor, so we know each other, but he yelled “hi” — and I’d forgot who he was.

So at my girlfriend Barbara Hershey’s urging — I was with her at that moment — she said, “Talk to him! That guy really wants to talk to you,” and I said “No, fuck him,” and keep walking.

But then I did, and then I realized who it was, and I thought, “Wait, he’s in that realm, maybe he knows Philip K. Dick.” I said, “You know a guy named—” “Yeah, sure — you want his phone number?”

My friend paid my rent for a year while I wrote, because it turned out we couldn’t get a writer. My friends kept on me about, well, if you can’t get a writer, then you write.”
~ Hampton Fancher

“That was the most disappointing thing to me in how this thing was played. Is that I’m on the phone with you now, after all that’s been said, and the fundamental distinction between what James is dealing with in these other cases is not actually brought to the fore. The fundamental difference is that James Franco didn’t seek to use his position to have sex with anyone. There’s not a case of that. He wasn’t using his position or status to try to solicit a sexual favor from anyone. If he had — if that were what the accusation involved — the show would not have gone on. We would have folded up shop and we would have not completed the show. Because then it would have been the same as Harvey Weinstein, or Les Moonves, or any of these cases that are fundamental to this new paradigm. Did you not notice that? Why did you not notice that? Is that not something notable to say, journalistically? Because nobody could find the voice to say it. I’m not just being rhetorical. Why is it that you and the other critics, none of you could find the voice to say, “You know, it’s not this, it’s that”? Because — let me go on and speak further to this. If you go back to the L.A. Times piece, that’s what it lacked. That’s what they were not able to deliver. The one example in the five that involved an issue of a sexual act was between James and a woman he was dating, who he was not working with. There was no professional dynamic in any capacity.

~ David Simon